2022

Wade Guyton: The Undoing. New York: Matthew Marks Gallery, 2022.

Forsberg, Lars. Crossroads. Collaborations: Shortcomings. Sweden: Henrik Nygren Design, 2022.

2021

Burkeman, DB. Art Sleeves Album Covers by Artists. New York: Rizzoli, 2021.

Bolay, Jean-Marie, Valérie Mavridorakis, Ileana Parvu, and Bénédicte le Pimpec, eds. Faire, faire faire, ne pas faire: Entretiens sur la production de l’art contemporain. Dijon, France: les presses du reel, 2021.

Buskirk, Martha. Is It Ours? Art, Copyright, and Public Interest. Oakland, CA: University of California Press, 2021.

Fischli, Peter, ed. Stop Painting. Milan: Fondazione Prada, 2021.

Giraudeau, Nathalie, and Véronique Souben. La Photographie à l’épreuve de l’abstraction. Berlin: Hatje Cantz, 2021.

Pierre, Arnauld, and Pascal Rousseau, eds. L’abstraction (Les Grand Mouvements). Paris: Citadelles & Mazenod, 2021.

Step by Step: Visions of an Art Dealer’s Collection. Milan: Mousse Publishing; Monaco: Nouveau Musée National de Monaco, 2021.

2020

AMA Collection: Venezia. London: Punkt Ltd., 2020.

Bantz, Jennifer, ed. Gifts of Art: The Met’s 150th Anniversary. New York: The Metropolitan Museum of Art, 2020.

Crousel, Chantal, Niklas Svennung, and Charlotte Othman, eds. Chantal Crousel Gallery: Swear That You’ll Play. Paris: Galerie Chantal Crousel Gallery, 2021.

Drawing 2020. New York: Gladstone Gallery, 2020.

Harrison, Anya, ed. Collection Cranford: les années 2000. Milan: Silvana Editorale, 2020.

The Unknown Dimension. New York: Essex Street, 2020.

Stephenson, Sarah, ed. Wade Guyton Peter Fischli David Weiss. Aspen, CO: Aspen Art Museum, 2020.

2019

Birnbaum, Daniel, and Ann-Sofi Noring, eds. Moderna Museet: The Collection. London: Koenig Books, 2019.

Burton, Johanna, Yilmaz Dziewior, Michelle Kuo, and Kerstin Stakemeier. Wade Guyton MCMXCIX-MMXIX Zwei Dekaden Museum Ludwig. Cologne: Verlag der Buchhandlung Walther König, 2019.

Dander, Patrizia, Achim Hochdörfer, and Jacob Proctor, eds. Museum Brandhorst: The Collection. Münich: Prestel, 2019.

Funcke, Bettina. Wade Guyton, Petzel, New York, 1.16.14 – 2.22.14. New York: Friedrich Petzel Gallery, 2019.

Garcia, Tristan. Wade Guyton. Dijon, France: les presse du réel, 2019.

Heil, Axel, and Roberto Ohrt. Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings. New York: Friedrich Petzel Gallery, 2019.

Kramer, Markus. The Technological Hand. Heidelberg, Germany: Kehrer Verlag, 2019.

Lüchinger, René. Ringen um Ringier. Göttingen, Germany: Seidl, 2019.

One hundred drawings. New York: Matthew Marks Gallery, 2019.

Reimagined Thonet. Munich: Schellman Art, 2019 (exhibition brochure).

Stephenson, Sarah. Conversations with Artists II. Aspen, CO: Aspen Art Museum, 2019.

Trance by Albert Oehlen. Milan: Skira, 2019.

von Schlegell, Mark. Wade Guyton im Josef Albers Museum Quadrat Bottrop 23.11.14 – 15.02.15. Bottrop, Germany: Josef Albers Museum, 2019.

Wade Guyton: Natural Wine. New York: Crystal Hotel Books, 2019.

2018

100/125 Cent ans de la Société Suisse de gravure. Zurich: Scheidegger & Spiess AG, 2018.

Chabert, Garance, and Aurélien Mole, eds. Artists as Iconographers. Annemasse, France: Villa du Parc, centre d’art contemporain; New York: Empire Editions, 2018.

Farzin, Media, Simon Morely, Matthew Ritchie, and Mark W. Scala. Chaos and Awe: Painting in the 21st Century. Cambridge, MA: MIT Press, 2018.

Cheryl Donegan: Grlz + Veils. Aspen, CO: Aspen Art Museum, 2018.

Cost, Lynn. Immer Anders, Immer Gleich: Ein Versuch über Kunst and Systeme. Chur, Switzerland: Bündner Kunstmuseum Chur, 2018.

Griffin, Tim, ed. Writings on Wade Guyton. Zürich: JRP|Ringier, 2018.

ReCycle. Paris: Galerie Chantal Crousel, 2018.

The New York Times Paintings: November – December 2015. New York: Friedrich Petzel Gallery, 2018.

Trembley, Nicolas, ed. The Syz Collection. Zürich: JRP|Ringier, 2018.

Wade Guyton: Fire and Fury. New York: Crystal Hotel Books, 2018.

Wade Guyton: Patagonia. New York: Crystal Hotel Books, 2018.

2017

Aarons, Philip E., Claire Lehmann, and Andrew Roth, eds. Artists Who Make Books, London: Phaidon, 2017.

Burton, Johanna, Wade Guyton, and Achim Hochdörfer. Wade Guyton, Das New York Aterlier. Munich: Museum Brandhorst, 2017.

Chambers, Nicholas, ed. Unpainting. Sydney: Art Gallery of New South Wales, 2017.

Dubach, Anne Keller, ed. Art at Swiss Re Next. Zürich: Swiss Re Ltd, 2017.

Gartenfeld, Alex, Gean Moreno, and Stephanie Seidel, eds. The Everywhere Studio. New York: Prestel Publishing, 2017.

Ligon, Glenn, and Fred Moten. Blue Black. Saint Louis: Pulitzer Arts Foundation, 2017.

O’Brien, Glenn. Warhol, Wool, Guyton. New York: Nahmad Contemporary, 2017.

Sagmeister, Rudolf, ed. KUB Artists’ Portraits. Bregenz, Austria: Kunsthaus Bregenz, 2017.

Siegel, Katy, and Christopher Wool, eds. Painting Paintings (David Reed) 1975. New York: Gagosian Gallery, 2017.

Steininger, Florian, ed. Abstract Painting Now! Cologne: Verlag der Buchhandlung Walther König, 2017.

Wade Guyton, Zeichnungen von Drama und Frühstück im Atelier Museum Brandhorst, München 28. Januar – 30. April 2017. Cologne: Verlag der Buchhandlung Walther König, 2017.

Wade Guyton, Zeichnungen von Drama und Frühstück im Atelier II Serpentine Gallery, London 29. September 2017 – 4. February 2018. Cologne: Verlag der Buchhandlung Walther König, 2017.

2016

Ammer, Manuela, Achim Hochdörfer, and David Joselit, eds. Painting 2.0: Expression in the Information Age. London: Prestel, 2016.

Gioni, Massimiliano, Richard Prince, and Tony Salamé. Good Dreams, Bad Dreams. Milan: Skira, 2016.

Graw, Isabelle, and Ewa Lajer-Burcharth, eds. Painting Beyond Itself: The Medium in the Post-medium Condition. Berlin: Sternberg Press, 2016.

Les Fleurs Du Mal. New York: Nahmad Contemporary, 2016.

Pandora's Box: Jan Dibbets on Another Photography. Paris: Musée d'Art moderne de la Ville de Paris, 2016.

Petzel, Friedrich. Fine Young Cannibals. New York: Friedrich Petzel Gallery, 2016.

Rothkopf, Scott. Ether. Paris: Galerie Chantal Crousel, 2016.

Salle, David. How to See: Looking, Talking, and Thinking About Art. New York: W. W. Norton & Company, Inc., 2016.

2015

Beshty, Walead, ed. Ethics: Documents of Contemporary Art. London: Whitechapel Gallery; Cambridge, MA: MIT Press, 2015.

Corbett, John, and Nicholas de Monchaux. Sprayed: Works from 1929 to 2015. London: Gagosian Gallery, 2015.

Harris, Melissa, ed. David Wojnarowicz: Brush Fires in the Social Landscape. New York: Aperture Foundation, 2015.

Gioni, Massimiliano. New Skin: Selections from the Tony and Elha Salamé Collection – Aïshti Foundation. New York: An Art Service, 2015.

Könches, Barbara, ed. 25/25/25. Cologne: Verlag der Buchhandlung Walther König, 2015.

Miller, Dana. Whitney Museum of American Art: Handbook of the Collection. New York: Whitney Museum of American Art, 2015.

Mellin, Haley. Post Internet – Reader. New York: Blue Moon Printing, 2015.

Van Tuyckom, Leo, ed. Van Tuckom-Taets Collection. Brussels: Leo Van Tuyckom, 2015.

2014

1 Month Ago. New York: Karma, 2014.

Birnbaum, Daniel, and John Kelsey. Michel Majerus. New York: Matthew Marks Gallery, 2014.

Dziewior, Yilmaz, ed. Wade Guyton Guyton\Walker Kelley Walker. Cologne: Verlag der Buchhandlung Walther König, 2014.

Stout, Katherine, ed. Contemporary Drawing from the 1960s to Now. London: Tate Publishing, 2014

Thalmair, Franz. This Page Intentionally Left Blank. Berlin: Revolver Publishing, 2014.

Wade Guyton, Zeichnungen für ein kleines Zimmer, II, Punta della Dogana, Venezia, 13 Aprile – 31 Dicembre 2014. Cologne: Verlag der Buchhandlung Walther König, 2014.

2013

Banks, Eric. Artists for Artists: Fifty Years of the Foundation for Contemporary Art. New York: Foundation for Contemporary Arts, 2013.

Baumann, Daniel, Daniel Byers, and Christina Kukielski, eds. 2013 Carnegie International. Pittsburg: Carnegie Museum of Art, 2013.

Bernard, Paul. Depius 1999: La Salle de Bains. Lyon, France: La Salle de Bains, 2013.

Gartenfeld, Alex, and Norman Rosenthal, eds. Empire State. Milan: Skira, 2013.

Goetz, Ingvild, Karsten Löckermann, Angelika Nollert, and Letizia Ragaglia, eds. When Now is Minimal: The Unknown Side of the Goetz Collection. Munich: Sammlung Goetz, 2013.

Il Palazzo Enciclopedic/The Encyclopedic Palace. Venice: Marsilio Editori, 2013.

Seno, Ethel. The MoCA Index 2010–13. Los Angeles: Museum of Contemporary Art, Los Angeles, 2013.

Steward, James Christen. Princeton University Art Museum: Handbook of the Collections. Princeton, NJ: Princeton University Art Museum, 2013.

Syz, Suzanne, ed. Suzanne Syz: Art Jewels. New York: Assouline Publishing, 2013.

Wade Guyton, Zeichnungen für lange Bilder, Kunsthalle Zürich, Zürich, 31. August – 10. November 2013. Cologne: Verlag der Buchhandlung Walther König, 2013.

2012

Bird, Michael. 100 Ideas that Changed Art. London: Laurence King Publishing Ltd, 2012.

Birnbaum, Daniel, Peter Geimer, Isabelle Graw, Nikolaus Hirsch, and André Rottmann. Thinking Through Painting: Reflexivity and Agency Beyond the Canvas. Berlin: Sternberg Press, 2012.

Bright: Typography Between Illustration and Art. Cologne: DAAB Media GMBH, 2012.

Burton, Johanna, Jeffrey Deitch, James Meyer, and Scott Rothkopf. The Painting Factory: Abstraction After Warhol. New York: Skira Rizzoli, 2012.

Eröffnungsaustellung. Zürich: Galerie Francesca Pia, 2012.

Lehmann, Aude, and Tan Wälchli, eds. The Most Beautiful Swiss Books 2011. Bern, Switzerland: The Swiss Federal Office of Culture, 2012.

Kramer, Markus. Photographic Objects. Heidelberg, Germany: Kehrer, 2012.

Rothkopf, Scott. Wade Guyton OS. New Haven: Yale University Press; New York: Whitney Museum of American Art, 2012.

Seuls quelques fragments de nous toucheront quelques fragments d’autrui (Only Parts of Us Will Ever Touch Parts of Others). Paris and Salzburg: Galerie Thaddaeus Ropac, 2012.

Sussman, Elisabeth, and Jay Sanders, eds. Whitney Biennial 2012. New York: Whitney Museum of American Art, 2012.

Trembley, Nicolas. Telephone Paintings. Paris: Almine Rech Gallery, 2012.

2011

After Images. Brussels: Musée de Belgique, 2011.

American Exuberance. Miami: Rubell Family Collection, 2011.

Baumann, Daniel, Connie Butler, Suzanne Cotter, Bice Curiger, Okwui Enwezor, Massimiliano Gioni, Bob Nickas, and Hans Ulrich Obrist, eds. Defining the Contemporary: 25 Years in 200 Pivotal Works. London: Phaidon Press Limited, 2011.

Burnett, Craig, Dario Gamboni, and Jerry Saltz. Structure & Absence. London: White Cube, 2011.

Couleur et Fabrication. Milan: Galleria Gió Marconi, 2011.

Diewior, Yilmaz, ed. That’s The Way We Do It: Techniques and Aesthetic of Appropriation. From Ei Arakawa to Andy Warhol. Cologne: Verlag der Buchhandlung Walther König, 2011.

Guyton Guyton Walker Walker: Selections from Private Collections. London: Modern Collections, 2011.

Lee, Pamela M., Ken Lum, Martha Rosler, Jerry Saltz, Jan Tumlir, and Michael Wilson. Contemporary Art in North America. London: Black Dog Publishing, 2011.

Mayerson, Keith. 8 Americans. Brussels: Editions Alain Noirhomme, 2011.

Sanchez, Michael. Wade Guyton: Zeichnungen für ein kleines Zimmer. Berlin: Revolver Publishing, 2011.

Schneider, Christiane Maria. Systemanalyse/Systems Analysis. Wuppertal, Germany: Langen Foundation, Neuss, Prometheus Publishers, 2011.

Scholis, Brian. The Luminous Interval: The D. Daskalopoulous Collection. New York: Guggenheim Museum Publications, 2011.

Schwabsky, Barry, and Marina Cashdan. Vitamin P2: New Perspectives in Painting. London: Phaidon Press Limited.

Wade Guyton, Zeichnungen für ein kleines Zimmer, Grafisches Kabinett-Secession, Wien, 27. Mai – 21. August 2011. Cologne: Verlag der Buchhandlung Walther König, 2011.

2010

Aarons, Philip, and Andrew Roth, eds. In Numbers: Serial Publications by Artists Since 1955. Zürich: JRP|Ringier, 2010.

Almeria. Paris: Galerie Chantal Crousel, 2010.

Higgs, Matthew, and Scott Rothkopf. At Home/Not at Home: Works from the Collection of Martin and Rebecca Eisenberg. New York: Center for the Curatorial Studies, Bard College, 2010.

Hoptman, Laura, Yilmaz Dziewior, and Uta Grosenick, eds. The Art of Tomorrow. Berlin: DISTANZ Verlag, 2010.

Kelsey, John. Rich Texts: Selected Writing for Art. Berlin: Sternberg Press, 2010.

Kelsey, John. Wade Guyton: Black Paintings. Zürich: JRP|Ringier; Frankfurt am Main: Portikus, 2010.

Le Feuvre, Lisa, ed. Failure: Documents of Contemporary Art. London: Whitechapel Gallery; Cambridge, MA: MIT Press, 2010.

Pirovano, Stefano. Forma e informazione. Monza, Italy: Johan and Levi Editore, 2010.

Schwarz auf Weiss: Figur Landschaft Abstraktion. Augsburg, Germany: Gesellschaft für Gegenwartskunst Augsburg, 2010.

Top 10 Allegories. Geneva: Hard Hat Books, 2010 (exhibition brochure).

von Drachenfels, Dorothee, ed. Neugierig? Kunst des 21. Jahrhunderts aus privaten Sammlungen/Curious? 21st-Century Art from Private Collections. Bielefeld, Germany: Kerber Verlag, 2010.

Wade Guyton, Zeichnungen für ein grosses Bild, Museum Ludwig Köln, 23.April – 22.August 2010. Cologne: Verlag der Buchhandlung Walther König, 2010.

2009

Baibakova, Maria, and Kate Sutton, eds. FIVE. Moscow: Baibakov Art Projects, 2009.

Baumann, Daniel, ed. Helke Bayrle: Portikus Under Construction, 2001–2008. Berlin: Sternberg Press, 2009.

Between the Lines: A Coloring Book of Drawings by Contemporary Artists, 2. New York: RX Art, 2009.

Bourriaud, Nicolas. Meredyth Sparks. Blou, France: Monografik editions; Paris: Galerie Frank Elbaz; New York: Elizabeth Dee Gallery, 2009.

Forde 1994–2009. Zürich: JRP|Ringier, 2009.

Funcke, Bettina. Pop or Populus: Art Between High and Low. Berlin: Sternberg Press, 2009.

Grabner, Michelle, Brad Killman, Forrest Nash, and Jason Pickleman. Can I Come Over to Your House?: The First Ten Years of the Suburban. Manawa, Wisconsin: Poor Farm Press, 2009.

Higgie, Jennifer, and Neville Wakefield, eds. Frieze Projects, Frieze Talks 2006–2008. London: Frieze Publishing Ltd., 2009.

Higgs, Matthew, ed. Fifteen People Present Their Favorite Book [After Kosuth]. New York: Glenn Horowitz Bookseller, 2009.

Keller, Christoph, ed. Kiosk: Modes of Multiplication. Zürich: JRP|Ringier, 2009.

Mabille, Pierre, and Mai Tran, eds. + de réalite. Paris: Éditions Jannink, 2009.

Nickas, Bob, ed. Painting Abstraction: New Elements in Abstract Painting. London and New York: Phaidon, 2009.

Ribas, João. FAX. New York: The Drawing Center, 2009.

Roselione-Valadez, Juan, ed. Beg Borrow and Steal: Rubell Family Collection. Miami: Rex Three, 2009.

Victoria Bartlett and VPL: A candid look at the anatomical fascination of Visible Panty Line. Milan: Dopolavoro Golab, 2009.

2008

Birnbaum, Daniel, ed. 50 Moons of Saturn (T2 Torino Triennale). Milan: Skira, 2008.

Cerizza, Luca, and Vincent Pécoil. Ils sont peintres. Lugano, Switzerland: BSI Art Collection; Paris: JRP|Ringier, 2008.

Garrels, Gary, ed. Oranges and Sardines: Conversations on Abstract Painting. Los Angeles: Hammer Museum, 2008.

Hohmann, Silke, and Oliver Koerner von Gustorf, eds. Stations: 100 Meisterwerke Zeitgenössischer Kunst. Cologne: DuMont, 2008.

Holzwarth, Hans Werner, ed. Art Now 3. Cologne: Taschen, 2008.

Oetker, Brigitte, ed. aus der Sammlung von Arend und Brigitte Oetker. Cologne: Verlag der Buchhandlung Walther König, 2008.

Orlofsky, Sam, ed. For What You Are About to Receive. New York: Gagosian Gallery, 2008.

Ruf, Beatrix, ed. Blasted Allegories. Zürich: JRP|Ringier, 2008.

Slovak, Richard. Now You See It. Aspen, CO: Aspen Museum of Art, 2008.

Trembley, Nicolas, ed. Centre Culturel Suisse Paris 2006 2007 2008. Paris: Centre culturel suisse, 2008.

2007

Baker, Alyson, and Ivana Mestrovic, eds. Socrates Sculpture Park: 2003 Emerging Artist Fellowship. Long Island City, NY: Socrates Sculpture Park, 2007.

Godo, Randi E.V., and Andrea Kroksnes. DUMP: Postmoderne skulptur i opplost felt/Postmodern Sculpture in the Dissolved Field. Oslo: Nasjonalmuseet for kunst, arkitektur og design, 2007.

For the People of Paris. Paris: Sutton Lane Gallery, 2007.

Funcke, Bettina. Pop oder Populus: Kunst zwischen High und Low. Cologne: Verlag der Buchhandlung Walther König, 2007.

Half Square, Half Crazy. Nice, France: Centre National d’Art Contemporain, 2007.

Keegan, Matt, and Sara Greenberger Rafferty, eds. North Drive Press #4. New York: North Drive Press, 2007.

Pécoil, Vincent. Wade Guyton: 1er avril – 28 mai 2006, La Salle de bains, 56, rue Saint-Jean, Lyon. Lyon, France: La Salle de Bains; Dijon, France: Les presses de reel, 2007.

Rothkopf, Scott. Lyon Biennial 2007: 00s – The History of a Decade that has not been Named. Zurich: JRP|Ringier, 2007.

Ruf, Beatrix, ed. Guyton Price Smith Walker. Zürich: Kunsthalle Zurich, 2007.

Very Abstract and Hyper Figurative. London: Thomas Dane Gallery; San Francisco and London: Valerio Valerio Publishers, 2007.

2006

Druitt, Matthew, and Gary Sangster. Breathing Time: Works from the Debra and Dennis Scholl Collection. New Orleans: Newcomb Art Gallery, Tulane University, 2006 (exhibition brochure).

Dziewior, Yilmaz, and Janneke de Vries, eds. Color, Power & Style. Cologne: Verlag der Buchhandlung Walther König, 2006.

Pose and Sculpture. New York: Casey Kaplan Gallery, 2006.

Bennett, Alissa. Séance. New York: Anton Kern Gallery, 2006 (exhibition brochure).

Seewald, Jan, and Stephan Urbaschek, eds. Imagination Becomes Reality, Part IV: Borrowed Images. Hamburg, Germany: Kunstverlag Ingvild Goetz GmbH, 2006.

Veilhan, Xavier. Sudden Impact: New Acquisitions from the FRAC Île-de-France. Paris: FRAC Île-de-France, 2006.

2005

Biesenbach, Klaus, ed. Greater New York. Long Island City, NY: PS1 Contemporary Art Center in collaboration with The Museum of Modern Art, New York, 2005.

De Salvo, Donna, ed. Open Systems: Rethinking Art c. 1970. London: Tate Publishing, 2005.

Funcke, Bettina, ed. New York Twice: Air de Paris, Paris. Paris: Air de Paris and Bettina Funcke, 2005.

Huberman, Anthony, ed. Make it Now: New Sculpture in New York. Long Island City, NY: Sculpture Center, 2005.

2004

Archer, Michael, and Suzanne Cotter. Real World: The Dissolving Space of Experience. Oxford, United Kingdom: Modern Art Oxford, 2004.

Dziewior, Yilmaz, ed. Formalismus: Moderne Kunst Heute. Ostfildern-Ruit, Germany: Hatje Cantz, 2004.

Iles, Chrisse, Shamim M. Momin, and Debra Singer, eds. Whitney Biennial 2004. New York: Whitney Museum of American Art, 2004.

Rabinowitz, Cay Sophie. 2004 Summer Exhibition. New York: apexart, 2004 (exhibition brochure).

2003

Egger, Christian, Manuel Gorkiewiez, and Christian Mayer, eds. Helvetica. Secession: Kontext, Form, Troja. Vienna: Secession, 2003.

High Desert Test Sites 2. Long Beach, CA: Greg Gilday, 2003.

2002

Daily News. New York: Gavin Brown’s Enterprise; London: greengrassi, 2002.

Hunter College Second Sight: Selections of Recent Work by Alumni from the Second Decade of the MFA Program at Hunter College, 1991 – 2001. New York: Hunter College of the City University of New York, 2002.

2023

Greenberger, Alex. “Wade Guyton Hits Back at His Own Market in a Standout New York Gallery Show.” ARTnews, October 9, 2023.

2021

Tumlir, Jan. “Wade Guyton: Matthew Marks.” Frieze, no. 223, November/December 2021, p. 156.

2020

Hochdörf, Achim. “Wade Guyton: Museum Ludwig, Cologne.” Artforum 58, no. 10, July/August 2020, pp. 140–42.

2019

McDermott, Emily. “Wade Guyton Gives Painting a New Edge in Major Cologne Museum Survey.” Wallpaper, December 20, 2019.

2017

Bollen, Christopher. “The 10 Best Art Shows of 2017: Wade Guyton, ‘Siamo Arrivati’ at Museo Madres (Naples, Italy).” Interview, December 25, 2017.

Russeth, Andrew. “In the Era of the Impossible News Cycle, Artist Wade Guyton Is Translating Screenshots to Painting.” W Magazine, September 29, 2017.

Bell, Kristy. “Wade Guyton: MAMCO, Geneva.” Frieze, no. 184, January/February 2017, p. 158.

Baumann, Daniel. “Wade Guyton, Peter Fischli, David Weiss.” Artforum 55, no. 9, May 2017, p. 157.

Farago, Jason. “Information Overload in Paint, Not Pixels.” The New York Times, January 6, 2017, p. C25.

2016

Bankowsky, Jack. “Wade Guyton: Le Consortium, Dijon, France; Curated by Nicolas Trembley.” Artforum 55, no. 4, December 2016, p. 201.

Venturi, Riccardo. “Wade Guyton: Le Consortium/Académie Conti/Le Mur.” Artforum, 55, no. 2, October 2016, p. 284.

Kim, Seungduk, and Wade Guyton. “Wade Guyton: The Digital Ghosts and The Epiphany of Painting.” Space, no. 586, September 2016, pp. 88–95.

2013

Kertess, Klaus. “Painting in the Age of Digital Reproduction.” Art in America 101, no. 1, January 2013, pp. 74–83.

Hochdörfer, Achim. “Wade Guyton: Whitney Museum of American Art.” Artforum 51, no. 6, February 2013, pp. 234–37.

Simoncelli, Silvia, and Wade Guyton. “Interview with Wade Guyton.” On Curating, no. 20, Total Abstraction, October 2013, pp. 34–37.

2012

Vogel, Carol. “Painting, Rebooted.” The New York Times, September 30, 2012, pp. AR1, AR23.

Smith, Roberta. “Dots, Stripes, Scans.” The New York Times, October 5, 2012, p. C25, 28.

Guyton, Wade. “Wade Guyton.” Artforum, September 2012, p. 136.

Schjeldahl, Peter. “Man and Machine.” The New Yorker, April 15, 2012, pp. 94–95.

2008

Rothkopf, Scott. “Wade Guyton: The New Black.” Parkett 83, 2008, pp. 74–81.

Burton, Johanna. “Wade Guyton: Rites of Silence.” Artforum 46, no. 10, Summer 2008, cover, pp. 365–73.

2005

Bell, Kristy. “New Forms of Modernism; Ambivalence and Ambiguity; ‘an Act of Processing.’” Frieze, September 2005, p. 121.

2003

Griffin, Tim. “Tim Griffin on Wade Guyton.” Artforum, January 2003, p. 126.