Matthew Marks Gallery

Trisha Donnelly

  • Books and Catalogues


    German, Martin, and Philippe Van Cauteren, eds. Drawing. The Bottom line. Ghent: S.M.A.K.; New Haven: Yale University Press, 2016.

    Quand fondra la neige ou ira le blanc? Venice: Palazzo Fortuny, 2016.


    Kagge, Earling. A Poor Collector’s Guide to Buying Great Art. Oslo: Gestalten, 2015.


    Cherix, Christophe. Print/Out: 20 Years in Print. New York: The Museum of Modern Art, 2012.

    Christov-Bakargiev, Carolyn, et. al. dOCUMENTA (13): The Book of Books. Ostfildern, Germany: Hatje Cantz, 2012.

    Cotter, Susanne. The Hugo Boss Prize 2012. New York: The Solomon R. Guggenheim Museum, 2012.

    Ruf, Beatrix. International Faber-Castell Drawing Award. Nuremberg, Germany: Neues Museum; Vienna: Verlag für Moderne Kunst, 2012.

    Scharrer, Emma. Das Begleitbuch / The Guidebook: dOCUMENTA (13). Kassel: Museum Fridericianum Veranstaltungs; Ostfildern, Germany: Hatje Cantz, 2012.


    Birnbaum, Daniel, et. al. Defining Contemporary Art: 25 Years in 200 Pivotal Artworks. London: Phaidon, 2011.

    Nickas, Bob. Catalog of the Exhibition 1984–2011. Los Angeles: 2nd Cannons, Publishing, 2011.

    Relph, Nick. Artists Space Annual Edition Portfolio 2011. New York: Artists Space, 2011.

    Saadawi, Ghalya, and Ismail Al Rifai. Plot for a Biennial: Sharjah Biennial 10. Sharjah, United Arab Emirates: Sharjah Art Foundation, 2011.


    Dziewior, Yilmaz, Laura Hoptman, and Uta Grosenick, eds. The Art of Tomorrow. Berlin: Distanz, 2010.

    Hebel, François. Les Rencontres D’Arles Photography 2010: Heavy Duty and Razor Sharp, 41st Edition. Arles, France: Actes Sud, 2010.


    Baude, Dawn-Michelle. Van Gogh’s Ear: Volume 6. Montreuil, France: French Connection Press, 2009.

    Damian, Carol, ed. Because I Say So… An Exhibition from the collection of Debra and Dennis Scholl. Hialeah, Florida: Mark Weisser Productions, 2009.

    Eleey, Peter, ed. The Quick and the Dead. Minneapolis: The Walker Art Center, 2009.

    Ellegood, Anne, et. al. Vitamin 3-D: New Perspectives in Sculpture and Installation. London: Phaidon, 2009.

    Griffin, Tim, ed. How Soon Is Now? Moscow: The Garage Foundation for Contemporary Culture; Arles, France: The LUMA Foundation, 2011.

    Tallman, Susan, and Deborah Wye. Artists’ Editions for Parkett: 200 Art Works 25 Years.Zürich and New York: Parkett, 2009.


    Contemporary Art Seit/Since 1998. Zurich: Kunsthalle Zürich, 2008.

    Furness, Rosalind, ed. Frieze Art Fair Yearbook 2007–08. London: Frieze, 2008.

    Heiser, Jörg. All of a Sudden: Things that Matter in Contemporary Art. New York: Sternberg Press, 2008.

    Mertes, Lorie, and Jan Jarboe Russell. In Repose. Philadelphia: The Galleries at Moore College of Art, 2008.

    Mizusawa, Tsutomu, ed. Yokohama Triennale 2008: Time Crevasse. Tokyo: The Organizing Committee for the Yokohama Triennale, 2008.

    Moison, Stéphanie, ed. Qu’est-ce que l’art vidéo aujourd’hui? Paris: Beau Arts Éditions, 2008.

    Nickas, Bob. Theft Is Vision. Zürich: JRP Ringier, 2008.

    Porter, Jenelle. Trisha Donnelly. Philadelphia: Institute of Contemporary Art the University of Pennsylvania, 2008.

    Ruf, Beatrix. Blasted Allegories: Works from the Ringier Collection. Zurich: JRP Ringier, 2008.


    Donnelly, Trisha. Trisha Donnelly: The Oxford Texts. Oxford, United Kingdom: Modern Art Oxford, 2007.

    McFarlane, Kate, ed. The Secret Theory of Drawing. London: The Drawing Room, 2007.

    Moisdon, Stéphanie. Stéphanie Moisdon. Dijon, France: Les Presses du Réel; Zürich: JRP Ringier, 2007.

    Rimmer, Cate. The Banal / Le Banal. Montreal: Hemlock Pictures, 2007.


    Althamer, Pawel, Peter Doig, and Marlene Dumas. Evn Sammlung: 95–05. Cologne: Walther König, 2006.

    Baumann, Daniel and Champion Zero. Compiler 02 – From Here to the Ocean. Basel, Switzerland: Compiler, 2006.

    Cattelan, Maurizion, Massimiliano Gioni, and Ali Subotnick, eds. Of Mice and Men: 4th Berlin Biennial for Contemporary Art. Ostfildern, Germany: Hatje Cantz, 2006.

    Hoptman, Laura, and Peter Eleey. Strange Powers. New York: Creative Time, 2006.

    Iles, Chrissie, and Philippe Vergne. Whitney Biennial 2006: Day for Night. New York: The Whitney Museum of American Art, 2006.

    Pedrosa, Adriano. Desenhos (Drawings): A–Z. Funchal, Portugal: Coleccäo Madeira Corporate Services, 2006.


    Birnbaum, Daniel, Kvaran, Gunnar B., and Hans Ulrich Obrist. Uncertain States of America: American Art in the Bad Millennium. Oslo: Astrup Fearnley Museum of Modern Art, 2005.

    Burton, Johanna, and Emma Dexter. Vitamin D: New Perspectives in Drawing. London: Phaidon, 2005.

    Eleey, Peter. The Plain of Heaven. New York: Creative Time, 2005.

    Joffman, Jens, and Joan Jonas. Perform (Art Works). New York: Thames & Hudson, 2005.

    Rugoff, Ralph. A Brief History of Invisible Art. San Francisco: California College of the Arts, 2005.


    Augaitis, Daina, Lisa Corrin, Matthew Higgs, Toby Kamps, and Ralph Rugoff, eds. Baja to Vancouver: The West Coast and Contemporary Art. Vancouver: Vancouver Art Gallery; San Francisco: CCA Wattis Institute of Contemporary Arts; Seattle: Seattle Art Museum; San Diego: Museum of Contemporary Arts San Diego, 2004.

    Hoptman, Laura. 54th Carnegie International 2004–2005. Pittsburgh: Carnegie Museum of Art, 2004.

    Nickas, Bob. Collection Diary. Zürich: JRP Ringier, 2004.

    Obrist, Hans Ulrich. Do It. Frankfurt am Main: Revolver and e-flux, 2004.


    Bonami, Francesco, and Maria Luisa Frisa. Dreams and Conflicts: The Dictatorship of the Viewer: 50th Venice Biennale. Venice: Marsilio, 2003.

    Christov-Bakargiev, Carolyn, et. al. Cream 3. New York: Phaidon, 2003.

    Dennison, Lisa, John G. Hanhardt, Nancy Spector, and Joan Young. Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections. New York: The Solomon R. Guggenheim Foundation, 2003.

    Douroux, Xavier, et. al. 7 Biennale d’Art Contemporain de Lyon: C’est arrivé demain. Lyon, France: Fage, 2003.

    Hainley, Bruce, Siobhan McDevitt, and John Rasmussen. Ishtar. Minneapolis: Midway Contemporary Art, 2003.

    Hoffman, Jens, ed. Spectacular: The Art of Action. Düsseldorf: Museum Kunst Palast, 2003.

    Waters, John and Bruce Hainley. Art: A Sex Book. London: Thames & Hudson, 2003.


    Cattelan, Maurizio, Bettina Funcke, Massimiliano Gioni, and Ali Subotnick, eds. Charley. Dijon, France: Les Presses Du Réel; Italy: 2002.


    Hoffmann, Jens. A Little Bit of History Repeated. Berlin: Kunst-Werke, 2001.


    Echo. New York: Artists Space, 2000.

  • Selected Articles


    Block, Brian. “The Beguiling Desolations Of Trisha Donnelly.” Riot Material, March 14, 2020.

    Diehl, Travis. “Trisha Donnelly Sculpts in Four Dimensions.” Frieze, January 14, 2020.

    Glickstein, Adina. “Trisha Donnelly: Matthew Marks Gallery.” Flash Art 53, no. 329, February/March 2020, pp. 116–17.

    Griffin, Tim. “Best of 2020: Trisha Donnelly, Matthew Marks (New York).” Artforum 59, no. 3, December 2020.


    Fateman, Johanna. “Trisha Donnelly.” The New Yorker, December 23, 2019, p. 12.

    Siboni, Katherine. “Trisha Donnelly.” The Brooklyn Rail, December 16, 2019.


    Garcia-French, Giovanni. “Goodbye to All That: Why Do Artists Reject the Art World?” Hyperallergic, March 7, 2017.

    Judah, Hettie. “Don’t look now: the artists who turn their backs on the world.” The Guardian, April 20, 2017.

    Laros, Pablo. “Critic’s Guide: Cologne.” Frieze, April 25, 2017 (online).

    Molitor, Noemi. “Trisha Donnelly and the Infinite Potential of Video Art.” Sleek Magazine, July 11, 2017.


    Aurelle, Cédric. “Trisha Donnelly.” Le Quotidien de l’Art, Special Issue, June 2016, p. 14.

    Barshee, Tenzing. “Trisha Donnelly: Alongside Everything Else.” Spike Art Quarterly, no. 48, Summer 2016, pp. 118–27.

    De Chiara, Sara. “Trisha Donnelly.” Flash Art 49, no. 310, September/October 2016.

    Gambaroff, Nikolas. “Top 10.” Artforum, October 2016, pp. 131–32.

    Troncy, Eric. “La délicatesse de Trisha Donnelly.” Numéro 176, September 2016, pp. 288–91.


    Azimi, Negar. “Sharjah Biennial 12.” Artforum, January 2015, pp. 114–15.

    Cha, Olivian. “Critic’s Picks.” Artforum, October 20, 2015 (online).

    Diehl, Travis. “The Image of Trisha Donnelly at Matthew Marks.” X-Tra, Spring 2016.

    Du Toit, Wessie. “From Oslo with love: Erling Kagge’s Art Collection Goes on Show.” Wallpaper, June 1, 2015 (online).

    Edler, Don. “Trisha Donnelly at Matthew Marks Gallery.” Contemporary ArtReview LA, November 14, 2015.

    Gontier, Thierry. “Trisha Donnelly, une artiste ‘culte’ de la scène new-yorkaise.” Le Quotidien de l’Art, May 29, 2015.

    Menu, Flavien. “Trisha Donnelly.” Frog 15, November 2015.

    Moison, Stéphanie. “Best of 2015.” Artforum, December 2015, pp. 232–33.

    Sireix, Barbara. “Trisha Donnelly.” Art Agenda, March 13, 2015.

    Tarasoff, Sabrina. “Trisha Donnelly.” Frieze, no. 170, April 2015, p. 138.

    Tattersall, Lanka. “Best of Los Angeles, 2015.” Art in America, December 21, 2015.

    Taylor, Phil. “Critics’ Picks.” Artforum, February 11, 2015 (online).

    “Trisha Donnelly transcends the material world.” Atelier Holsboer, January 23, 2015 (online).

    Wagley, Catherine. “5 Free Art Shows You Should See in L.A. this Week.” LA Weekly, October 14, 2015 (online).

    Wychowanok, Thibaut, and François Castrillo. Numéro 160, February 2015, p. 76.


    Birnbaum, Daniel. “Best of 2014.” Artforum, December 2014, p. 269.

    Cavaliere, Simon. “Trisha Donnelly.” Future for the Arts, November 7, 2014.

    Clark, R. “Trisha Donnelly, Cerith Wyn Evans.” The Guardian, November 9, 2014 (online).

    Herbert, Martin. “Trisha Donnelly.” ArtReview 66, no. 7, October 2014, pp. 108–11.

    Hudson, Mark. “A calculated non-event.” Telegraph, September 22, 2014 (online).

    “Last chance to see @Serpentine Galleries: Cerith Wyn Evans and Trisha Donnelly.” Simona Vavaliere, November 7, 2014 (online).

    Staple, Polly. “Best of 2014.” Artforum, December 2014, p. 278.

    “Trisha Donnelly, Cerith Wyn Evans.” The Guardian, September 13, 2014, p. 37.


    Hainley, Bruce. “Artist’s Choice: Trisha Donnelly.” Artforum, December 2013, pp. 232–33.

    McClure, Michael Jay. “If It Needed Be Termed Surrender: Trisha Donnelly’s Subjunctive Case.” Art Journal 72, no. 1, Spring 2013, pp. 20–35.

    Rich, Sarah K. “Origin Myth.” Artforum, March 2013, p. 109.

    Russeth, Andrew. “Voice Over: Trisha Donnelly on Her ‘Artist’s Choice’ Show at MoMA.” Observer, March 12, 2013 (online).

    Saltz, Jerry. “Logik und Wahnsinn: Trisha Donnelly schwirrt in New York durch viele Welten.” Monopol, February 12, 2013 (online).

    Smith, Roberta. “Ambushed by Sundry Treasures.” The New York Times, January 3, 2013, p. C1.


    Birnbaum, Daniel. “Documenta 13.” Artforum, October 2012, p. 253.

    “Looking Back Looking Forward: Part 1.” Frieze, no. 151, December 2012 (online).

    Saltz, Jerry. “The Best of the Basement.” New York Magazine, December 9, 2012 (online).

    Stout, Katherine. “More to Meet the Eye.” Tate Etc., no. 24, Spring 2012, pp. 92–97.

    Verwoert, Jan. “Against Interpretations.” Frieze d/e, no. 7, Winter 2012, pp. 78–87.


    Ou, Arthur. “Trisha Donnelly: The Orbiter.” Aperture, Summer 2011, pp. 60–65.

    Suzuki, Sarah. “Print People: A Brief Taxonomy of Contemporary Printmaking.” Art Journal, Winter 2011, pp. 6–25.

    Troncy, Eric. “Le voyage intérieur." Numéro 120, February 2011, pp. 212–17.

    Vogel, Carol. “Six Named as Finalists for Hugo Boss Prize. The New York Times, November 25, 2011.

    Zolghadr, Tirdad. “Sharjah Biennial 10.” Frieze, no. 140, Summer 2011, pp. 194–95.


    Cashdan, Marina. “Trisha Donnelly.” Modern Painters, May 27, 2010 (online).

    ———. “Trisha Donnelly.” Frieze, no. 133, September 2010, p. 143.

    Higgs, Matthew. “Best Of 2010.” Artforum, December 2010, pp. 208–09.

    Johnson, Paddy. “Trisha Donnelly at Casey Kaplan, New York.” Art Agenda, June 10, 2010.

    Maak, Niklas. “Die Spur der Steine.” Frankfurter Zeitung, October 10, 2010, p. 63.

    Moisdon, Stéphanie. “Céderais Gursky recent contre…” Beaux Arts Magazine, no. 319, January 2010, pp. 94–95.

    Moulene, Claire. “We are Sun-kissed and Snow-blind.” Artforum, February 2010.

    O’Neill-Butler, Lauren. “Trisha Donnelly.” Artforum, September 2010, p. 327.

    “The Best of Gallery Week.” Time Out (New York), May 6 – 12, 2010, p. 24.


    Costa, Chiara. “Trisha Donnelly: A Question of Perception.” Kaleidoscope, no. 1, March/April 2009, p. 93.

    “Does a Photograph Need to be Flat?” Arts Alive North Shore, April 2009, p. A27.

    Ellegood, Anne. “Best of 2009.” Artforum, December 2009, p. 204.

    Funcke, Bettina, Erika Hoffman, Nina Pohl, and Andre Rottmann. “It’s All A Matter Of Time.” Texte Zur Kunst 75, September 2009, pp. 138–44.

    Hainley, Bruce, and Stéphanie Moisdon. “Chorus.” Frog 8, February 2009.

    Jackson, Matthew Jesse. “The Quick and the Dead.” Artforum, November 2009, pp. 218–19.

    Johnson, Ken. “Every Revolution is a Roll of the Dice.” The New York Times, January 30, 2009.

    Moisdon, Stéphanie, and Bruce Hainley. “Lycanthropize the critical under the full moon of cross-genres.” Mousse, no. 19, Summer 2009, pp. 55–57.

    Naldi, Fabiola. “Trisha Donnelly.” Flash Art, no. 266, May/June 2009, p. 125.

    Normand, Vincent. “Trisha Donnelly au Mambo de Bologne: This is not institutional critique, this is institutional narrative.” 02, no. 50, Summer 2009, p. 81.

    Ou, Arthur, ed. “Trisha Donnelly.” Blind Spot, no. 40, Spring 2009.

    Paderini, Marinella. “Trisha Donnelly: MAMbo, Bologna, Italy.” Frieze, March 14, 2009 (online).

    “Phot(o)bjects: To the Frame, and Well Beyond.” Canadian Art, April 9, 2009 (online).

    Saltz, Jerry. “Trisha Donnelly.” Monopol, January 2009, p. 101.

    Simons, Tad. “The Quick and the Dead @ Walker Art Center.” Minneapolis St. Paul Magazine, May 2009 (online).

    Suarez De Jesus, Carlos. “Not at All Frosty.” Miami New Times, April 28, 2009 (online).

    “Trisha Donnelly @ MAMBO.” Mousse, no. 17, February/March 2009.

    Verigne, Lea. “Il Tempo del Postino.” Abitare, September 2009, pp. 29–30.

    Velasco, David. “Hi Concept Minneapolis.” Artforum, May 2009 (online).

    “Walker Art Center announces exhibition that examines the magic and mysteries of conceptual art.” Artdaily, April 2009.

    “We are Sun-Kissed and Snow-Blinded.” Les Inrockuptibles, November 25 – December 1, 2009, p. 85.


    Artner, Alan G. “Mystery over mastery.” Chicago Tribune, March 13, 2008 (online).

    Davies, Lillian. “House Call: Grenada, Spain.” Artforum, May 25, 2008 (online).

    Droitcour, Brian. “Critic’s Picks.” Artforum, January 29, 2008 (online).

    “Gallery.” Bidoun: Arts and Culture from the Middle East, Spring/Summer 2008, pp. 68–69.

    Gayer, John. “Trisha Donnelly.” Artpapers, November-December 2008, p. 61.

    Grabner, Michelle. “Trisha Donnelly.” Time Out Chicago, no. 161, March 27 – April 2, 2008.

    Griffin, Jonathan. “Trisha Donnelly.” Frieze, no. 112, January/February 2008, p. 191.

    Gottwald, Sandra. “Capital Kunstmarkt-Kompass. Nacht Art des Hauses.” Capital, October/November 19, 2008, p. 147.

    Kopp, Celine. “Trisha Donnelly.” Art Press, June 2008, pp. 84–85.

    Molina, Camila. “God is Design abre novo espaço na Barra Funda.” Caderno 2, March 29, 2008, p. D9.

    Morgan, Jessica. “Il Tempo Del Postino.” Frog 6, January 2008, p. 198.

    Nickas, Bob. “Best of 2008.” Artforum, December 2008, p. 293.

    Ostendorf, Yasmine. “Satin Operator.” Mister Motley 17, March 2008, pp. 64–65.

    Rehberg, Vivian. “The Third Mind: Palais de Tokyo.” Modern Painters, February 2008, p. 96.

    Sherwin, Skye. “Transformer: Trisha Donnelly.” ArtReview, January 2008, p. 21.

    Staple, Polly. “Looking Back: Themed Shows.” Frieze, Issue 112, January/February 2008, p. 191.

    Stonard, John-Paul. “The Third Mind: Palais de Tokyo.” Artforum, March 2008, p. 373.

    “Unknown Caller.” Modern Painters, February 2008, p. 33.

    Verhagen, Marcus. “Trisha Donnelly.” Art Monthly, no. 312, December/January 2007–08, pp. 33–34.

    Viliani, Andrea. “Trisha Donnelly: Modern Art Oxford.” Frog 6, January 2008, pp. 65–67.


    Armetta, Amoreen. “Trisha Donnelly.” Time Out (New York), June 7 – 13, 2007.

    Chatsworth, J.J. “The Secret Theory of Drawing.” ArtReview, December 2007, p. 143.

    Chavez-Dawson, Jane, ed. “Trisha Donnelly.” Flux Magazine, September 2007, p. 111.

    Clark, Robert. “Preview: Trisha Donnelly.” The Guardian Guide, October 6 – 12, 2007.

    Coburn, Tyler. “Trisha Donnelly, Back From Surrender.” Tomorrow Unlimited, June 15, 2007 (online).

    Cover, Hayley. “Artist opens ‘audio form.’” Bicester Advertiser, October 5, 2007.

    Falconer, Morgan. ‘Morgan Falconer on Trisha Donnelly.” Saatchi Gallery Blog, May 2007.

    Gavin, Francesca. “Subtle Art.” Royal Academy of Arts Magazine, Fall 2007, p. 23.

    Griffin, Jonathan. “Back: Il Tempo del Postino.” Frieze, no. 209, September 2007, pp. 176–77.

    Herbert, Martin, and Daniel Birnbaum. “Il Tempo del Postino.” Artforum, September 2007, pp. 97–101.

    Herbert, Martin. “Trisha Donnelly.” Artforum, September 2007, p. 192.

    Lamm, April. “Für ‘Il Tempo del Postino’ holten Hans Ulrich und Philippe Parreno die bildende Kunst auf die Opernbühne und schufen ein Ereignis der vierten Dimension.” Monopol, September 2007, p. 121.

    Martin, Roy. “Review.” Reading Evening Post, October 18, 2007.

    Morton, Tom. “Secret Theory of Drawing.” Frieze, no. 100, January/February 2007, p. 165.

    O’Neill-Butler, Lauren. “Critics’ Picks.” Artforum, May 2007 (online).

    Peacocke, Helen. “Trisha Donnelly: Modern Art Oxford.” The Oxford Times, October 12, 2007.

    Porter, Jenelle. “Ten Contemporary Artists, All Inexplicable, Inspiring and Female.” Believer Magazine, no. 40, December 2006/January 2007, pp. 28–37.

    Rondinone, Ugo. “The Third Mind.” Palais Magazine, no. 4, Fall 2007.

    Rosenberg, Karen. “Modern Photography in a Brand-New Space.” The New York Times, September 28, 2007, p. E36.

    Schwendener, Martha. “Trisha Donnelly.” The New York Times, June 1, 2007, p. E29.

    “Trisha Donnelly and Imran Quereshi.” The Guardian Guide, October 6 – 12, 2007.

    “Trisha Donnelly at Modern Art Oxford.” Artdaily, October 18, 2007 (online).


    Bachmann, Eva. “St. Gallens grosser Zuschnitt.” St. Galler Nachrichten, June 8, 2006.

    Fallon, Robert. “Feel the Pain, Tear and Tribulations at Temple Gallery.” Philadelphia Weekly, November 15 – 21, 2006.

    Hainley, Bruce. “Her Artillery.” Metropolis Magazine 2, April/May 2006, pp. 56–59, 97–99.

    ———. “Over and Out.” Parkett, no. 77, September 2006, pp. 76–80.

    Hoptman, Laura. “Electricity.” Parkett, no. 77, September 2006, pp. 67–70.

    Menzel, Rebecca. “Trisha Donnelly.” Style, no. 89, January/February, 2006, p. 112.

    Notter, Eveline. “Trisha Donnelly.” Exit Express, February 2006.

    Obrist, Hans Ulrich. “Trisha Donnelly: She Said.” Flash Art, March/April 2006, pp. 58–60.

    Rosenberg, Karen. “Ready to Watch.” New York Magazine, February 27, 2006, pp. 46–49.

    Ruf, Beatrix. “Schwa.” Parkett, no. 77, September 2006, pp. 92–99.

    Saltz, Jerry. “Biennial in Babylon.” The Village Voice, March 1, 2006.

    Smith, Roberta. “Chelsea Battlefield for Galleries.” The New York Times, July 28, 2006, pp. E27, E33.

    Spaid, Sue. “Whitney Biennial 2006.” ArtUS, Issue 14, July/September 2006, pp. 22–23.

    Too, Jian-Xing. “Trisha Donnelly.” ArtReview, April 2006, p. 126.


    Baumann, Daniel. “Trisha Donnelly.” Spike Art Quarterly, No. 3, April 2005, pp. 36–44.

    Birnbaum, Daniel. “Best of 2005.” Artforum, December 2005, p. 260.

    Donnelly, Trisha. “Books: Best of 2005.” Artforum, December 2005, p. 96.

    Eames, April Elizabeth. “Uncertainty Principle.” Artforum, November 30, 2005 (online).

    “Future Greats 2005.” Art Review, December 2005, p. 95.

    Gordon, Margery. “Bulking Up.” Art + Auction, November 2005, p. 114.

    Hainley, Bruce. “Her Artillery.” Afterall, no. 12, November 2005, p. 101–07.

    ———. “Trisha Donnelly.” Frog 2, November 2005.

    Kerr, Merrily. “54th Carnegie International.” Flash Art, January/February 2005, p. 51.

    Kröner, Magdalena. “Trisha Donnelly’s Demonstration.” Monopol, June 2005, pp. 144–45.

    Lorch, Catrin. “Muster einer mentalen Skulptur.” Kunst-Bulletin, no. 10, September 2005, pp. 18–21.

    Myers, Julian. “If it needed be termed surrender, then let it be so, or: Trisha Donnelly in parallax.” Afterall, no. 12, November 2005, pp. 91–100.

    Notter, Everline. “Trisha Donnelly.” Art Press, no. 318, December 2005, p. 79.

    Obrist, Hans Ulrich. “The Crank Call.” i-D, no. 252, March 2005, pp. 216–20.

    Smith, Roberta. “Other Voices, Other Rooms.” The New York Times, November 11, 2005, p. E33.

    Solis, Brian. “Critics’ Picks: The Plain of Heaven” Artforum, November 10, 2005 (online).

    Trainor, James. “2004 Carnegie International.” Frieze, August 2005 (online).

    Verwoert, Jan. “The Other Side.” Frieze, no. 93, September 2005, pp. 116–20.

    Viliani, Andrea. “Trisha Donnelly.” Frog 2, November 2005.

    Volk, Gregory. “Let’s Get Metaphysical.” Art in America, March 2005.


    “The Carnegie International.” Art Monthly, December 2004/January 2005, p. 282.

    Cattelan, Maurizio, Massimiliano Gioni, and Ali Subotnick. “El Topo.” Domus, March 2004, pp. 145–47.

    Demetre, Jim. “The Art of the McGuffin: Trisha Donnelly visits the Henry.” Artdish, August 2004 (online).

    Donnelly, Trisha. “Top Ten.” Artforum, March 2004, p. 84.

    ———. “The Artists’ Artists.” Artforum, December 2004.

    “Electoral College: A Portfolio.” Artforum, September 2004, p. 230.

    Gopnik, Blake. “Pick of the Litter.” The Washington Post, October 15, 2004.

    Graves, Jen. “The Arts: Playsful Conceptual Artist Mixes Mysticism, Pranks.” The News Tribune, Tacoma, August 29, 2004.

    Hainley, Bruce. “The Consensus Thief.” The New York Times Style Magazine, August 29, 2004, pp. 276–77.

    ———. “Best of 2004.” Artforum, December 2004, p. 164.

    Johnson, Ken. “Pittsburgh Rounds Up a Globe Full of Work Made in Novel Ways.” The New York Times, November 4, 2004, pp. E1, E6.

    ———. “Social Satire and Metaphor in a Multimedia Exhibition.” The New York Times, December 17, 2004.

    Knight, Christopher. “A global cacophony.” Los Angeles Times, December 5, 2004.

    Milroy, Sarah. “In the presence of the miraculous.” Visual Arts, November 6, 2004.

    Rhodes, Richard. “The Ultimates.” Canadian Art, Winter 2004, pp. 55–58.

    Rosenberg, Karen. “Pittsburgh Stealers.” New York Magazine, October 11, 2004, p. 128.

    Rothkopf, Scott. “Carnegie Haul.” Artforum, May 2004, p. 75.

    Saltz, Jerry. “Thinking Outside the Box.” The Village Voice, November 3 – 9, 2004, 83.

    Schwalb, Harry. “Carnegie International.” ARTnews, January 2004.


    Menin, Samuele, and Valentina Sansone. “Focus Video and Film.” Flash Art 36, no. 229, March/April 2003, pp. 92–99.

    Troncy, Eric. “Tendre est sa nuit.” Mixt(e), October 2003, pp. 106–07.


    Chaw, Kurt. “Saying Hello.” Pittsburgh Tribune Review, July 5, 2002.

    Hoffman, Jens. “Trisha Donnelly.” Flash Art, March/April 2002, p. 97.

    Miller, John. “Openings: Trisha Donnelly.” Artforum, Summer 2002, pp. 164–65.