2022

Fogle, Douglas. The Stutter of History. London: MACK, 2022.

2020

Verhack, Valerie, ed. Thomas Demand: House of Card. London: MACK; Belgium: Museum Leuven, 2020.

2018

Lange, Christy, ed. Thomas Demand: The Complete Papers. London: MACK, 2018.

2017

Kittelmann, Udo, ed. The Boat is Leaking. The Captain Lied.: Thomas Demand, Alexander Kluge, Anna Viebrock. Milan: Fondazione Prada, 2017.

2016

Demand, Thomas, and Chiara Costa, eds. L’image volée. Milan: Fondazione Prada, 2016.

2015

Demand, Thomas, and Ben Lerner. Blossom. London: MACK, 2015.

Demand, Thomas. Model Studies: Kōtō-ku. Tokyo: Amana Inc., 2015.

Foster, Hal. Thomas Demand: The Dailies. London: MACK, 2015.

Fried, Michael. Another Light: Jacques-Louis David to Thomas Demand. New Haven: Yale University Press, 2015.

Demand, Thomas, and Jospeh Grima. Thomas Demand: Model Studies I & II. Cologne: Walther König; Chicago: Graham Foundation, 2015.

2013

Demand, Thomas. Thomas Demand: Animations. Montreal: DHC Art Center, 2013.

2012

Demand, Thomas. Thomas Demand. Tokyo: Kodansha, 2012.

Thomas Demand: The Dailies. London: MACK, 2012.

Thomas Demand: Executive. Von Poll zu Presidency. Cologne: Walther König, 2012.

2011

Celant, Germano. Ca', Corner della Regina. Milan: Fondazione Prada, 2011.

Demand, Thomas. Thomas Demand: Model Studies. London/Madrid: Ivorypress, 2011.

Demand, Thomas and Udo Kittelmann, eds. Nationalgalerie. How German Is It? Berlin: Suhrkamp Verlag, 2011.

2010

Demand, Thomas. La Carte D'Après Nature. Monaco: Nouveau Musée National de Monaco, 2010.

Beccaria, Marcella and Elena Volpato, eds. Ten Years and Beyond. Berlin: Archiv Books, 2010.

2009

Bonham-Carter, Charlotte, and David Hodge, eds. The Contemporary Art Book. London: Carlton Publishing Group, 2009, 60.

Demand, Thomas. Thomas Demand / Black Label. Kitakyushu: Center for Contemporary Art, CCA Kitakyushu, 2009.

Kittelmann, Udo, ed. Thomas Demand: Nationalgalerie. Berlin: Neue Nationalgalerie; Göttingen: Steidl Mack, 2009.

2008

Dangel, Samuel. Der ent-täuschte Blick. M.A. thesis, Albert-Ludwigs-Universität, Freiburg, Germany, 2008.

Mah, Sérgio. “Thomas Demand.” Lugar/Place.PHOTOESPANA2008. Madrid: La Fabrica, 2008, 70-79.

Mah, Sérgio, et al. Cámara: Thomas Demand. Madrid: La Fabrica and Fundación Telefónica / PHotoEspaña, 2008.

Pack, Christina. Dinge. Alltagsgegenstände in der Fotografie der Gegenwartskunst. Berlin: Mann Verlag, 2008, pp. 166–96.

2007

Bee, Andreas, ed. Thomas Demand: Klause. Cologne: Walther König, 2007.

Butis Butis, ed. Stehende Gewässer. Medien der Stagnation. Zürich and Berlin: Diaphanes, 2007.

Celant, Germano, ed. Thomas Demand. Processo Grottesco. Milan: Fondazione Prada and Progetto Prada Arte, 2007.

Celant, Germano, ed. Thomas Demand. Yellowcake. Milan: Fondazione Prada and Progetto Prada Arte, 2007.

Huber, Jörg, Phillipp Stoellger, Gesa Ziemer, and Simon Zumsteg, eds. Ästhetik der Kritik: Verdeckte Ermittlungen. Zürich: Edition Voldemeer; Vienna and New York: Springer Verlag, 2007.

Reddeker, Lioba, ed. Art Critics Award Lesebuch. Vienna: Basis Wien, 2007.

Thomas, Rachael, ed. Thomas Demand. L'Esprit D'Escalier. Dublin: Irish Museum of Modern Art; Cologne: Verlag Walther König, 2007.

2006

Colomina, Beatriz. Thomas Demand. London: Serpentine Gallery, 2006.

Jacobs, Steven, Jean-François Chevrier, and Emiliano Gandolfi. Spectacular City: Photographing the Future. Rotterdam: Netherlands Architecture Institute, Rotterdam and NAI Publishers, 2006.

Jansen, Gregor, Carmen Beckenbach, and Peter Weibel. Faster! Bigger! Better! Signetwerke der Sammlungen im ZKM, Museum für Neue Kunst. Cologne: Walther König, 2006.

Fotografia na arte, de ferramenta a paradigma, edited by Ricardo Nicolau. Porto: Fundaçao de Serralves and Jornal Púbblico, 2006.

Meyer zu Küingdorf, Ulf, ed. Kunst Station Berlin. Munich: Knesebeck, 2006.

Simard-Ismert, Louise. Thomas Demand. Tunnel. Montreal: Musée d'Art Moderne de Montréal, 2006.

Zschocke, Nina. Der irritierte Blick. Kunstrezeption und Aufmerksamkeit. Munich: Wilhelm Fink, 2006.

2005

Demand, Thomas, et al. Paysages: Constructions et Simulations. Luxembourg: Casino Luxembourg, 2005.

Marcoci, Roxana, ed. Thomas Demand. New York: The Museum of Modern Art, 2005.

2004

Böller, Susanne, ed. Thomas Demand: b&k+. Cologne: Walther König, 2004.

Schneider, Eckhard, ed. Thomas Demand, Phototrophy. Bregenz: Kunsthaus Bregenz and Shirmer/Mosel, 2004.

Schumacher, Rainald, ed. Sculptural Sphere, Martin Boyce, Thomas Demand, Mark Manders, Manfred Pernice, Liisa Roberts, Tom Sachs. Munich: Kunstverlag Ingvild Goetz, 2004.

2002

Beccaria, Marcella, ed. Thomas Demand. Turin, Italy: Castello di Rivoli; Milan: Skira Editore, 2002.

Eugenides, Jeffrey, et al. Thomas Demand. Munich: Städtische Galerie im Lenbachhaus and Schirmer/Mosel; Humlebaek, Denmark: Louisiana Museum of Modern Art, 2002.

2001

Bonami, Francesco. Thomas Demand, con Caruso St. John architetti a Palazzo Pitti. Florence: Galleria d'Arte Moderna di Palazzo Pitti and Pagliai Polistampa, 2001.

Dziewior, Yilmaz, Holger Liebs, and Ulrike Schneider. Thomas Demand. Hanover, Germany: Sprengel Museum, 2001.

Lerup, Lars, and Dean Sobel. Thomas Demand. Aspen, CO: Aspen Art Museum; Amsterdam: De Appel, 2001.

Varnedoe, Kirk. “Sets and situations ('Open ends').” New York: The Museum of Modern Art, 2001.

2000

Bonami, Francesco et al. Thomas Demand. Paris: Fondation Cartier pour l'Art Contemporain; London: Thames & Hudson, 2000.

Kamps, Toby, and Ralph Rugoff. Small world, Dioramas in Contemporary Art. San Diego: Museum of Contemporary Art San Diego, 2000.

Kjeldsen, Kjeld et al. Vision and Reality: Conceptions of the 20th Century. Humlebæk, Denmark: Louisiana Museum of Modern Art, 2000.

Pakesch, Peter, and Isabel Zürcher. Deep Distance: Die Entfernung der Fotografie. Basel: Kunsthalle Basel, 2000.

1999

Föll, Heike. Kraftwerk Berlin. Aarhus, Denmark: Kunstmuseum Aarhus, 1999.

1998

Berg, Stephan et al. Thomas Demand. Freiburg: Kunstverein Freiburg and Modo Verlag, 1998.

Bürgi, Bernhard, and Stuart Morgan. Thomas Demand. Zurich: Kunsthalle Zürich; Bielefeld: Kunsthalle Bielefeld, 1998.

Bis heute: Stilgeschichte der bildenden Kunst im 20. Jahrhundert. Cologne: DuMont, 1998.

1997

Domröse, Ulrich, and Ludger Derenthal. Positionen künstlerischer Photographie in Deutschland seit 1945. Berlin: Berlinische Galerie, 1997.

1996

Decter, Joshua. Thomas Demand. Calais, France: Calais : Le Channel, Galerie de l'ancienne post; Vassivière-en-Limousin: Centre d'art contemporain de Vassivière-en-Limousin, 1996.

2023

Cooper, Zoe. “Thomas Demand: Jeu de Paume, Paris, France.” Frieze, no. 235, May 2023, p. 163.

2021

Plevin, Ella. “Thomas Demand: Model Man.” Flash Art 54, no. 337, Winter 2021–22, pp. 50–63.
Van der Werf, Huib Haye. “Thomas Demand: Museum Leuven.” Artforum 59, no. 10, Summer 2021, pp. 237–38.

2019

Benson, Louise. “Out of Office: The Artists Interrogating the Workplace.” Elephant, March 12, 2019.

2018

Azimi, Roxana. “Thomas Demand, le maître des illusions.” Le Monde, March 21, 2018.

Butler, Connie, and Paul Sietsema. “Busy Signals.” ARTnews 117, no. 4, Winter 2019, pp. 92–95.

Darms, Lisa. “Artful Volumes.” Bookforum 25, no. 3, September/October 2018, p. 27.

Hurwitz, Richard. “Publisher’s Note,” with illustrations by Demand throughout the issue. The Octavian Report 4, no. 1, January 2018.

Ferguson, Russell, and Thomas Demand. “Paper, Scissors, Camera…” Financial Times Magazine, November 17 – 18, 2018, pp. 46–51.

“Thomas Demand Unpicks the Uniformity of the Modern World.” Elephant, October 31, 2018.

Warner, Marigold. “Q&A: Model Studies III by Thomas Demand.” British Journal of Photography, October 22, 2018 (online).

2017

Boucher, Brian. “Not Just for Architects: Four Artists Show Why Art Has a Place at the Chicago Architecture Biennial.” Artnet News, September 19, 2017.

Demand, Thomas. “Artists’ Artists.” Artforum, December 2017, p. 77.

———. “Thomas Demand on ‘Austriennale’ by Hans Hollein.” Mousse, no. 61, December 2017/ January 2018.

Ebony, David. “The Boat is Leaking. The Captain Lied.” Art in America, November 2017, p. 117.

Foster, Hal. “Real Fictions: Hal Foster on Alternatives to Alternative Facts.” Artforum, April 2017, pp. 166–75.

Foster-Rice, Greg. “The Boat is Leaking. The Captain Lied: Fondazione Prada.” The Seen, no. 5, Fall 2017, pp. 12–17.

Herbert, Martin. “Reviewed: The Boat is Leaking. The Captain Lied.” ArtReview, Summer 2017, p. 42.

Rose, Julian. “Preview: The Boat is Leaking. The Captain Lied.” Artforum, May 2017, p. 166.

Wiles, Will. “The Art of the Uncanny: Thomas Demand.” Port Magazine, October 18, 2017 (online).

2016

Demand, Thomas. “Role Play.” Mousse, no. 54, Summer 2016, p. 140.

Möller, Sabrina. “Paper Beats Rock Every Time.” Keen on Magazine, October 18, 2016 (online).

Weaver, Suzanne. “Artist Thomas Demand’s photographs are a view within a view.” Dallas News, June 16, 2016.

2015

Compton, Nick. “Model man: Thomas Demand on 'Latent Forms.” Wallpaper*, October 15, 2015.

Darsa, Alissa. “Must See Art Guide: Los Angeles.” Artnet News, January 29, 2015 (online).

Demand, Thomas, and Ben Lerner. “Sample Trees.” The Paris Review, no. 212, Spring 2015, pp. 148–67.

Durst, Eli. “Thomas Demand.” Neue Journal, Spring 2015, pp. 216–21.

Knight, Christopher. “Thomas Demand undercuts what we think photographs show us.” Los Angeles Times, February 20, 2015.

Lesmoir-Gordon, Laura. “Gober, Demand, and Polanski Launch New Fondazione Prada.” Artnet news, January 23, 2015 (online).

“Must See Los Angeles.” Artforum, January 2015 (online).

Raimondi, Cristiano. “La Carte d’Après Nature.” Domus, September, 2015, pp. 70–75.

Taylor, Phil. “Critics’ Picks: Thomas Demand.” Artforum, November 12, 2015.

Weingart, Ken. “An Interview with German Fine Art Photographer Thomas Demand.” Peta Pixel, September 22, 2015.

2014

Aletti, Vince. “Best of 2014.” Artforum, December 2014.

Blanch, Andrea, and Justin McCallum. “Thomas Demand, Demand’s Way.” Musée Magazine 2, no. 8, 2014.

Miller, Emma Crichton. “Conceptual Art.” Financial Times, March 21, 2014, p. 1, pp. 79–80.

Cichosch, Katharina. “Der Rest vom Fest - Thomas Demand inszeniert Whitney Houstons letztes mahl.” Schirn Magazine, August 22, 2014.

Demand, Thomas. “Mr. Anderson, wie haben Sie das gemacht?” A conversation between Wes Anderson and Thomas Demand.” Interview Magazine, March 2014, pp. 72–77.

Demand, Thomas. “Thomas Demand on Matisse.” Tate Etc. , Summer 2014.

Fronz, Hans-Dieter. “‘Room Service - Vom Hotel in der Kunst und Künstlern im Hotel,’ in der Kunsthalle Baden-Baden.” Badische Zeitung, March 24, 2014.

Heriba, Mikkel. “How to Spend It, Reading between the lines.” Financial Times, March 21, 2014, pp. 1, 79–81.

Macdonald, Fiona. “Thomas Demand: Making history-with paper.” BBC, September 15, 2014.

Oberender, Thomas. “Fenster, Badewanne, Eisbecher: Thomas Demands ‘Dailies’ sind präzise Rekonstruktionen von Alltagsbeobachtungen.” Monopol, no. 9, September 2014, pp. 14, 16, 90–100.

Schwabsky, Barry. “Thomas Demand. Matthew Marks Gallery.” Artforum 52, 7, 2014, p. 284.

Völzke, Daniel. “Wie kommt die Realität in die Kunst.” Monopol, September 2014, p. 16.

Wagley, Catherine. “5 artsy things to do in L.A. this week, including a cruise ship in a storm.” LA Weekly, December 24, 2014 (online).

“Warum sehe ich diese Anzeige?” Frankfurter Allgemeine Sonntagszeitung, no. 33, August 17, 2014, pp. 29, 35.

Wei, Lily. “Thomas Demand.” ARTnews 113, no. 3, March 2014, p. 88.

2013

Demand, Thomas. “Corporate Personality.” O32c (Berlin), Winter 2013/2104, pp. 112–18.

Adams, James. “Meet Thomas Demand: His visual truth is built from layers of artifice.” The Globe and Mail, January 21, 2013 (online).

Allen, Christopher. “The paper boy: photographer Thomas Demand.” The Australian, March 2, 2013.

Bolton, Georgina. “Thomas Demand.” Dazed Digital, March 12, 2013.

Carstenfors, David. “On Demand.” On PAPER, Common Space AB, Stockholm, 2013.

Clarike, Bill. “Thomas Demand, DHC/ART.” ARTnews 112, no. 10, November 2013, p. 125.

Cotter, Holland. “Destruction Feeding Creation.” The New York Times, December 12, 2013.

Garutti, Francesco. “Archeologica di una Mostra.” Interview with Germano Celant and Thomas Demand on “When Attitude Becomes Form.” Abitare 533, 2013, pp. 20–29.

Garofalo, Francesco. “Creative Processes.” Domus, November 2013 (online).

“Goings on About Town: Thomas Demand.” The New Yorker, November 25, 2013.

Horne, Stephen. “Something rather than Nothing.” Border Crossings 32, no. 3, August/November 2013, pp. 70–74.

Kuhn, Luise. “Thomas Demand.” Art in Berlin, March 2013 (online).

Leonardis, Manuela de. “L’intervista/Thomas Demand. Il mondo è fatto di dettagli.” Exibart, November 11, 2013 (online).

Magliozzi, Zaira. “Incontrare l’architettura. A Roma.” Artribune, November 14, 2013 (online).

Philipson, Freddie. “Caruso meets Demand.” The Architectural Review, December 2013, pp. 15–16.

Pohl, John. “Visual arts: Thomas Demand’s stop-motion animation rocks the boat.” Montreal Gazette, January 25, 2013 (online).

Quiles, Daniel. “Thomas Demand. Graham Foundation for Advanced Studies in the Fine Arts.” Artforum 52, no. 1, September 2013, pp. 417–18.

“Realität und Fiktion.” Art, May 28, 2013 (online).

Richter, Peter. “Aus Odysseus Augen.” Süddeutsche Zeitung, no. 19, January 23, 2013, p. 13.

Rosenberg, Karen. “Thomas Demand: ‘Dailies.’” The New York Times, December 20, 2013, p. C26.

Von Stuckrad-Barre, Benjamin. “Der Tatortreiniger.” Grisebach Das Journal, no. 3, Fall 2013, pp. 18–20.

“Thomas Demand.” Art in America, November 14, 2013 (online).

Tylevich, Katya. “The Constructionist.” Frame, no. 91, 2013, pp. 154–56.

Walde, Gabriela. “Leben ist wilder als Fiktion.” Berliner Morgenpost, April 27, 2013, p. 19.

Waxman, Lori. “Thomas Demand, A journey in great demand.” Chicago Tribune, April 17, 2013 (online).

Zeppetelli, John. “Notes on Demand.” Canadian Art, Winter 2013, pp. 114–19.

2012

Amend, Christoph. “Der Neue.” Weltkunst, no. 63. 2012, pp. 40–46.

“Ausverkauf.” ZEIT Magazin, no. 36, 2012, cover, pp. 1, 3.

Bautz, Sarah. “Thomas Demand.” Frankfurter Allgemeine Sonntagszeitung, no. 43, 2014, p. B2

Chambers, Christopher Hart. “La Carte d'Après Nature.” Flash Art, February 2012, p. 130.

Czöppan, Gabi. “Reine Augenwischerei.” Focus, no. 2, 2012, p. 96.

Demand, Thomas. “Thomas Demand on Paolo Uccello.” In In my View. Personal Reflections on Art by Today's Leading Artists. Edited by Simon Grant. London: Thames & Hudson: London, p. 74.

———. “Was hinter dem Vorhang ist.” Frankfurter Rundschau, January 7, 2012, p. 32.

Eccles, Jeremy. “Thomas Demand.” Modern Painters, July/August 2012, p. 86.

Fairley, Gina. “Thomas Demand at the Commercial Traveler’s Association Club.” Asian ARTnews (Asia), 2012, p. 97.

Gavin, Francesca. “Demand: The City-Loving German Artist Goes Nuclear.” Dazed & Confused, May 2012, pp. 140–42.

Kehlmann, Daniel. “Interview with Thomas Demand.” ArtReview, April 2012, pp. 76–80.

Liddel, C.B. “The photographs that leave a paper trail.” The Japan Times, June 21, 2012.

McCann, Paul. “Travelling Man.” Wallpaper*, April 2012, p. 63.

Milliard, Coline. “Same Author, Different Form: Photographer Thomas Demand Discusses his Intimate New Series ‘The Dailies.’” Blouin ArtInfo, April 18, 2012.

“Modelle der Moderne.” Frankfurter Allgemeine Sonntagszeitung, September 2, 2012, p. 27.

Reisman, David. “La Carte d'Après Nature.” Frieze, no. 144, January/February 2012, p. 152.

“Representations of Reality?” Aesthetica, no. 45, February/March 2012, p. 21.

Rose, Julian. “Trading Spaces. A Roundtable on Art and Architecture.” Artforum 51, 2012, pp. 200–11.

Rosenberg, Karen. “Thomas Demand.” The New York Times, June 15, 2012, p. C25.

Ryan, Kathy. “A sneak peak at Thomas Demand’s Storm-Tossed Imagination.” The New York Times Magazine, May 4, 2012.

Searle, Andreas. “Thomas Demand: Model Studies - Review. Nottingham Contemporary.” The Guardian, January 31, 2012 (online).

Singer, Reid. “Thomas Demand’s Living, Breathing Conceptual Photography at Matthew Marks Gallery.” Blouin ArtInfo, May 9, 2012.

Taher, Sylvie. “Thomas Demand in conversation with Sylvie Taher.” AA Files, no. 64, 2012, pp. 30–36.

Thon, Ute. “Duftende Haikus.” Art Magazine, April 2012, pp. 48–58.

Wagner, Thomas. “Der Vorhang, der kleiner ist.” Stylepark, January 11, 2012.

Waters, Florence. “Reality steeped in the art of deception.” The Daily Telegraph, April 17, 2012, p. 23.

Widmann, Arno. “Die Hybris unserer Arbeit.” Frankfurter Rundschau 68, no. 192, August 18 – 19, 2012, pp. 31–33.

Woodward, Richard B. “Thomas Demand.” The Wall Street Journal, May 19. 2012, p. A22.

2011

Antin, Eleanor, Baldessari, John, Demand, Thomas, and Jeff Koons. “In the Freewheeling World of the Mind.” Tate Etc., no. 22, 2011, p. 60.

Barnett, Laura. “Portrait of the artist: Thomas Demand.” The Guardian, April 26, 2011, p. 23.

Burris, Jennifer. “The ‘Urban Photogénie’ of Architainment.” The Journal Of Aesthetics And Art Criticism, 2010–11, pp. 98–103.

Colomina, Beatriz. “Medienarchitektur oder Von der Architektur des Bildes.” ARCH+ 204, October, pp. 26–31.

Davies, Lucy. “One I Made Earlier.” Telegraph Magazine, March 12, 2011, pp. 59–63.

Demand, Thomas. “Ich will Bilder im Kopf des anderen aufrufen.” Die Welt, p. 25.

———. “Thomas Demand. A Conversation with Anne Holtrop and Bas Princen.” OASE, # 84 Models Maquettes, pp. 55–61.

———. “The Age of the Aquariums. Thomas Demand in conversation with Peter Chermayeff.” 032c, no. 22, Winter 2011, pp. 74–77.

Escher, Cornelia and Nicole Opel. “Nagelhaus Zürich. Fallstudie Translozierung.” ARCH+ 204, October 2011, pp. 32–33.

Geimer, Peter. “Immer ist etwas zu wünschen übrig.” Frankfurter Allgemeine Zeitung, January 12, 2011, p. 29.

Hodgson, Francis. “The Irony Age, Francis Hodgson on the photographers shortlisted for this year’s Deutsche Börse prize.” Financial Times, 9 – 10 April 2011, p. 11.

Maak, Niklas, Charlotte Klonk, and Thomas Demand. “The White Cube And Beyond.” Tate Etc. , Spring 2011, 78–91.

Mazria-Katz, Marisa. “Art’s new power axis. Contemporary art is making strange bedfellows of Berlin and LA.” Wallpaper*, May 2011, pp. 113–14.

Rosenberg, Karen. “Out-Magritting Magritte, or at Least Coming Close.” The New York Times, August 11, 2011, p. 24.

Sonna, Birgit. “Nüchterne Täuschung.” Das ARTE Magazin, no. 6, 2011, pp. 22–25.

Spaeth, Catherine. “Artificial Coolness and Similitude…..” The Huffington Post, 6 October 2011.

Sutton, Kate. “Critics’ Picks: La Carte d’Après Nature.” Artforum, September 2011 (online).

2010

Biberman, Efrat. “Paper Truth: The Know-How of Thomas Demand.” Afterimage 6, 2010, pp. 4–8.

Botzoman, Anka. “Thomas Demand.” Exberliner, January 2010, p. 34.

Bound, Robert. “London and Berlin: Tales of Two Cities.” The Art Newspaper, October 13, 2010, p. 8.

Coles, Alex. “La Carte D'Après Nature. An Artist's Selection by Thomas Demand.” ArtReview, 23 November 2010, p. 129.

Colomina, Beatriz. “Los medios de comunicación como arquitectura moderna.” Exit 37, 2010, pp. 112–39.

Gärtner, Barbara. “Die dritte Dimension.” Süddeutsche Zeitung, September 28, 2010.

Hayashi, Michio. “Notes on Michael Fried’s Why Photography Matters as Art as Never Before.” Photographers’ gallery press, no. 9, 2010, pp. 61–69.

Heathcote, Edwin. “Venice Architecture Biennale.” Financial Times, August 31, 2010.

Hutchinson, Jack. “Designing the strange wallpaper of reality.” Dazed & Confused, February 2010, p. 129.

Humblet, Steven. “Thomas Demand.” De Witte Raaf, Ondertussen 146, July/August 2010, pp. 1–3.

Karich, Swantje. “Die Subjekte wundern sich.” Frankfurter Allgemeine Zeitung, December 22, 2010, p. N4.

Kimmelman, Michael. “Arts Become Latest Luxuries Monaco Offers.” The New York Times, October 14, 2010, pp. C1, C5.

———. “Grand ambitions in a tiny kingdom.” International Herald Tribune, October 15, 2010, p. 10.

Koenot, Jan. “Ruimte voor Tijd. De sculpturale Fotografie van Thomas Demand.” Streven, May 2010, pp. 420–33.

Lovell, Sophie. “Thomas Demand.” Icon, January 2010, p. 65.

Mac Giolla Léith, Caoimhín, et al. “Looking Back.” Frieze, January/February 2010, pp. 83, 87.

Millard, Coline. “Thomas Demand on Curating a Show in Monaco, and the Legacy of Magritte.” Blouin ArtInfo, September 16, 2010 (online).

Muller, Robert-Jan. “Thomas Demand.” Museumtijdschrift 5, July/August 2010, pp. 44–47.

N.N. “Thomas Demand. Nationalgalerie.” Novum, January 1, 2010, p. 8.

Woo, Hye-so. “Thomas Demand.” Art in culture (South Korea), January 2010, pp. 132–33. (in Korean)

2009

Achenbach, Dorothée. “Berühmte Fotos - alles aus Pappe!” Bild, September 24, 2009, p. 21.

Ackermann, Tim. “Deutschland, dein Bastler.” Welt am Sonntag, September 6, 2009, p. 62.

Amend, Christoph. “Meine Nationalgalerie. Wie Thomas Demand, der berühmteste deutsche Künstler des Jahrgangs 1964, auf sein Land blickt.” ZEITMagazin 39, no. 17 September 2009, pp. 14–21.

Aragoneses, Laura. “Thomas Demand. Puños de Papel.” El Duende, January 2009, p. 24.

Behrisch, Sven. “Modell Deutschland.” DIE ZEIT 39, 17 September 2009, p. 56.

Bell, Kirsty. “Thomas Demand.” Frieze, November/December 2009, p. 131.

Böker, Carmen. “Der Stoff, aus dem die Räume sind.” Berliner Zeitung, September 17, 2009, p. 30.

Boese, Daniel. “Bild to Last.” Artforum, October 6, 2009 (online).

Buck, Luisa. “I'm not a trained photographer and I couldn't care less.” The Art Newspaper, December 2009, p. 38.

Buhr, Elke. “Review.” Monopol, October 2009, pp. 104–05.

Bull, Stephen. “Thomas Demand. Obama's Oath and the Oval Office: Thomas Demand’s Faithful Reproductions.” IANN 3, pp. 32–41.

Christov-Bakargiev, Carolyn. “Top Ten.” Artforum, December 2009, p. 165.

Coles, Alex. “Thomas Demand.” Art Monthly 331, November 2009.

Czöppan, Gabi. “Deutschland-Bilder.” Focus, September 21, 2009, pp. 62–64.

Darwent, Charles. “Fakery is Afoot at the Oval Office.” The Independent, November 30, 2009, p. 59.

Diers, Michael. “Trompe-l’œils.” Tate Etc. 17, Autumn 2009, pp. 36–43.

Dietsch, Deborah K.. “Oval Office prints a nod to Demand's artful artifice.” The Washington Times, May 10, 2009.

Friedli, Bettina. “Von Gegenständen und ihrer Auflösung - Fischli/Weiss bis Andreas Gursky.” Holbein bis Tillmans. Basel: Schaulager-Hefte; Göttingen, Germany, Steidl Verlag, 2009, pp. 53–59.

Geisel, Sieglinde. “In der sterilen Welt des ‘man’.” Neue Zürcher Zeitung, September 24, 2009, p. 53.

Hennig von Lange, Alexa. “Thomas Demand.” Gelb, no. 2, 2009, pp. 30–37.

Ito, Toyoko. “Thomas Demand.” PhotoGRAPHICA, Autumn 2009, pp. 158–67.

Kelly, Peter, and Thomas Demand. “Interview. Thomas Demand.” Blueprint, October 2009, pp. 88–92.

Koch, Jörg, ed. “Thomas Demand.” 032c (Berlin), no. 18, Winter 2009–10, pp. 41–73.

Kuhn, Nicola. “Deutschland, deine Bühnenbilder.” Der Tagesspiegel, September 17, 2009.

Lange, Christy. “In Demand: Thomas Demand's Micro-Realities.” DAMn Magazine 23, December 2009, pp. 51–54.

Liebs, Holger. “Sumpfblüten der Erinnerung.” Süddeutsche Zeitung, September 16, 2009, p. 15.

———. “Schillernd kalte Gedächtnislöscher.” Süddeutsche Zeitung, September 30, 2009, p. 12.

Maak, Niklas. “In einer Wiederaufbauwelt.” Frankfurter Allgemeine Zeitung, September 18, 2009, p. 33.

———. “Wie Frau Wu ihren Kampf doch noch gewinnt.” Frankfurter Allgemeine Zeitung, October 15, 2009, p. 35.

Macel, Christine. “Thomas Demand: Suspending Time, Between Image and History.” In Time Taken, The Work of Time in the Work of Art. Blou, France: Monografik; Paris: Centre Pompidou, pp. 134–46.

N.N. “Nationalgalerie.” Frankfurter Allgemeine Zeitung, September 12, 2009, p. 33.

Philipp, Bernd. “Ein Kosmopolit der Kunst.” Berliner Morgenpost, November 1, 2009, p. 3.

Rose, Zac. “I’ll be your mirror. Presidency: Thomas Demand’s Oval Office and The New York Times Magazine.” 032c (Berlin), no. 18, Winter 2009–10, pp. 54–59.

Seyfarth, Ludwig. “Thomas Demand. Welt ohne Spuren.” Extended, Collection Landesbank Baden-Württemberg, 2009, pp. 76–86.

Sharp, Rob. “Paper Power.” The Independent, January 20, 2009, pp. 13–14.

Schulze, Karin. “Großes Puppentheater.” Spiegel, September 17, 2009 (online).

Schwabsky, Barry. “A Makeshift World: On Thomas Demand.” The Nation, October 21, 2009 (online).

Spies, Werner. “Die graue Evidenz.” Frankfurter Allgemeine Sonntagszeitung, September 20, 2009, p. 22.

Spiegler, Almuth. “Was sehe ich im Oval Office?” Die Presse, September 25, 2009, p. 27.

Thielmann, Prisca. “Thomas Demand's images at the Berlin’s Neue Nationalgalerie.” Bd, October 23, 2009 (online).

Ure-Smith, Jane. “More real than real. Thomas Demand’s cardboard mock-ups recreate familiar places. Jane Ure-Smith meets the artist.” Financial Times, August 15 – 16, 2009, p. 10.

———. “Thomas Demand at the Neue Nationalgalerie.” Financial Times, August 14, 2009.

Völzke, Daniel. “Wirklichkeit nach Schema: Thomas Demands grandiose Ausstellung in Berlin.” Monopol, September 17, 2009 (online).

Walde, Gabriela. “Demands Deutschstunde.” Die Welt, September 17, 2009, p. 23.

Werneburg, Brigitte. “Wissen über Bilder ist mein Material.” Die Tageszeitung, August 29 – 30, 2009, p. 23.

Wester, Debbie. “In Demand.” Made of Japan, 2009, pp. 38–43.

2008

Ackermann, Tim. “Diese Kunst ist nicht von Pappe.” Welt am Sonntag, April 13, 2008.

———. “Diese Kunst ist nicht von Pappe.” Berliner Morgenpost, April 22, 2008.

———. “Soll das etwa eine Ikone der Macht sein?” Welt am Sonntag, December 14, 2009, p. 83.

Alfonso de, Carlota. “Thomas Demand o la psico-reconstrucción del ‘lugar.’” El Punto de las Artes, June 13, 2008, p. 4.

“Art, Fashion, and Work for Hire: Thomas Demand, Peter Saville, Hedi Slimane, Hans Ulrich Obrist and Cristina Bechtler in Conversation.” In Kunst und Architektur im Gespräch. Edited by Cristina Bechtler. Vienna, New York: Springer-Verlag, 2008.

Bell, Kirsty. “Thomas Demand: Camera.” Camera Austria 102, 2008, p. 81.

Briegleb, Till. “Die Attrappe der Tosa-Klause.” Süddeutsche Zeitung, April 7, 2008, p. 12.

Campbell-Johnston, Rachel. “Elliptical illusions.” The Times Saturday Extra, November 29, 2008, p. 56.

Celant, Germano. “Unveiling the Prada Foundation.” In Prada Foundation. Milan: Progetto Prada Arte srl, p. 262.

Darwent, Charles. “Fakery is afoot at the Oval Office.” The Independent on Sunday, November 30, 2008, p. 59.

Esparza, Ramón. “Lugares y no-lugares.” El Cultural, June 5 – 11, 2008, pp. 36–37.

Fried, Michael. “Thomas Demand’s Allegories of Intention.” In Why Photography Matters As Art As Never Before. New Haven and London: Yale University Press, 2008, pp. 261–302.

García, Ángeles. “Las imágenes por resolver de Thomas Demand.” El Pais, June 6, 2008, p. 48.

Gärtner, Barbara. “Bin kein Denker.” Monopol 4, April 2008, pp. 88–95.

Geimer, Peter. “Der Mann, der die Papiere ausstellt.” Frankfurter Allgemeine Sonntagszeitung, July 13, 2008, p. 26.

Goto, Shigeo. “Phototrophy.” Esquire (Japan) 22, no. 2, February 2008, p. 236.

Gross, Béatrice. “Mémoire de papier et construction du réel.” Le Cahiers du Musée National d'Art Moderne, Summer 2008, pp. 52–67.

Hontoria, Javier. “Thomas Demand.” El Cultural, June 5, 2008, pp. 44–45.

Lange, Christy. “Demand’s Embassy.” Foam 15, Summer 2008, pp. 55–70.

Smith, Roberta. “War art’s indictments: Of hubris and tragedy.” International Herald Tribune, 4 January 2008.

Soboczynski, Adam. “Die nackten Konturen einer heroischen Tat.” ZEITMagazin 21, May 15, 2008, p. 42.

Spiro, Annette. “Ein chinesischer ‘agent provocateur’?” Werk, bauen+wohnen 4, 2008, pp. 50–52.

Staun, Harald. “Die ovale Phase.” Frankfurter Allgemeine Sonntagszeitung, November 9, 2008, p. 33.

Takeuchi, Mariko. “Photographer Thomas Demand.” Studio Voice. Creators of 2008, January 2008.

Timm, Tobias. “Goldadler aus Hanuta-Papier.” ZEIT Magazin, November 20, 2008, p. 52.

Wehr, Anne. “Thomas Demand.” Frieze 114, April 2008, p. 177.

Woeller, Markus. “Thomas Demand.” Style 100, April 2008, pp. 82–91.

2007

Birnbaum, Daniel. “The Biennial is dead, long live the Biennials.” Domus 904, June 2007, pp. 114–23.

Fry, Naomi. “Thomas Demand, ‘Yellowcake.’” Time Out (New York), November 2007.

Karcher, Eva. “Willkommen in der Wüste des Realen.” Süddeutsche Zeitung. Wochenende 130, June 9 – 10, 2007, p. 1.

Krogemann, Bettina. “Wer Demand kaufen will, muss Geduld haben.” Welt, August 18, 2007 (online).

Lütticken, Sven. “Allegory of the Cave.” Artforum, September 2007, pp. 402–03.

Slimane, Hedi. “Head to Head with Thomas Demand.” Wallpaper* 103, October 2007, p. 272.

Smith, Roberta. “Thomas Demand: Yellowcake.” The New York Times, December 6, 2007.

Spies, Werner. “Am Tatort sind alle Spuren verwischt.” FAZ, no. 244, October 20, 2007, p. 48.

Timm, Tobias. “Atelierbesuch. Thomas Demand.” ZEITmagazin 29, July 12, 2007, Leben, pp. 46–48.

Wallace, David Foster. “Luckily the Account Representative Knew CPR.” L’Esprit D'Escalier. Dublin: Irish Museum of Modern Art; Cologne: Verlag Walther König, 2007, pp. 64–81.

2006

Adams, Parveen. “Out of sight, out of body. The Sugimoto/Demand effect.” Grey Room 22, Winter 2006, pp. 86–103.

Clewing, Ulrich. “Böse Bilder: Das Grauen nebenan - Der Fotokünstler Thomas Demand in der Galerie Esther Schipper.” Der Tagesspiegel, April 1, 2006, p. 25.

Crompton, Sarah. “Gained in translation.” Telegraph, May 27, 2006, Arts and Books, pp. 4–5.

Cumming, Laura. “Good day at the office, darling.” The Observer, June 11, 2006.

Darwent, Charles. “Model homes are where his art is.” The Independent on Sunday, June 11, 2006, p. 15.

Dattenberger, Simone. “Mit sichtlicher Liebe und großem Respekt. Münchner Lenbachhaus: Aktuelle Kunst trifft auf vier Maler des “Blauen Reiter.” Merkur, August 23, 2006 (online).

Dorment, Richard. “Why this isn't a picture of a cavern.” The Daily Telegraph, June 13, 2006, p. 25.

Erdmann Ziegler, Ulf. “Am Ende die Glypse. Papierhölle: Beckmanns Apokalypse und Thomas Demands Klause im Frankfurter Museum für Moderne Kunst.” Frankfurter Rundschau 74, March 28, 2006, p. 16.

Godfrey, Mark. “Thomas Demand Serpentine Gallery, London.” Artforum, September 2006.

Grosse, Julia. “50 Tonnen Illusion.” Die Tageszeitung 7995, June 14, 2006, p. 13.

Hackworth, Nick. “Uncanny knack of confusing reality.” Evening Standard, June 6, 2006, p. 38.

Höltgen, Stefan. “Tatort Bild: Kann ein juristisches Beweismittel Kunst sein?” Telepolis, August 15, 2006.

Honnef, Klaus. “Aura des Schreckens und der Tat.” Die Welt, August 3, 2006, p. 25.

Irving, Mark. “Here’s one I made earlier.” The Times, May 30, 2006, p. 20.

“Ivy on a roll.” Telegraph Magazine, June 10, 2006, p. 82.

Kent, Sarah. “Crime fictions.” Time Out, June 14, 2006, p. 51.

Kohn, David. “Paper Trail to a Murder: Familiar images take on a hidden aspect, Thomas Demand, Serpentine Gallery.” Blueprint, September 2006, p. 71.

Lettau, Annette. “Die Bilder müssen brennen.” Süddeutsche Zeitung, October 25, 2006, p. 13.

Lootsma, Bart. “Massive fear, Thomas Demand.” Domus 894, July/August 2006, pp. 62– 65.

Lubbock, Tom. “Chairman of the board.” The Independent, June 2006, Extra, pp. 14–15.

Maak, Niklas. “Helium für das Höhlenmonster.” Frankfurter Allgemeine Sonntagszeitung 21, May 28, 2006, p. 29.

———. “Helium for the cave monster.” 032c (Berlin) no. 12, Winter 2006–07, pp. 78–81.

McCann, Paul. “By popular Demand.” Wallpaper*, August 2006, pp. 206–07.

Poschardt, Ulf. “Immer an der Wand entlang.” Wirtschaftswoche 12, March 23, 2006, p. 85.

Preuss, Sebastian. “Apocalypse now.” Architectural Digest, April 2006, pp.1, 32.

Searle, Adrian. “To the cardboard cave!” The Guardian, June 8, 2006, p. 14.

Sywottek, Christian. “Von Zuständen und Zuständigen.” Brand eins, Wirtschaftsmagazin, January 1, 2006, pp. 70–77.

“Tarzan & Jane, truth, Rineke Dijkstra and Thomas Demand.” Domus 897, November 2006, pp. 90–93.

Tölke, Andreas. “REM PHASE. Rem Koolhaas & Thomas Demand über ihren kunstvollen Pavillon im Londoner Hyde Park, einer luftigen Blase, die bald zum Verkauf steht.” H.O.M.E., September 2006, pp. 124–26.

Wagner, Thomas. “Der Besucher über dem Farb Nebelmeer.” Frankfurter Allgemeine Zeitung 251, October 28, 2006, p. 35.

Williams, Eliza. “Thomas Demand, Serpentine Gallery.” Art Monthly, July/August 2006, p. 34.

Wittneven, Katrin. “Thomas Demands verborgene Tatorte.” Monopol 2, 2006, pp. 118–21.

Wright, Karen. “Cardboard caveman: Thomas Demand develops a grotto mentality.” Modern Painters, June 2006, pp. 86–89.

2005

Barkow, Frank. “Thomas Demand.” Icon, June 2005.

Bellini, Andrea. “Thomas Demand.” Flash Art 38, no. 242, May/June 2005, pp. 100–03.

Coomer, Martin. “Thomas Demand. Victoria Miro.” Time Out, June 22, 2005.

da Costa, Valérie. “Thomas Demand.” Art press (France) 314, July/August 2005.

Czöppan, Gabi. “Gebastelte Karriere.” Fokus 9, 2005, pp. 66–68.

Darwent, Charles. “Here’s a Few He Made Earlier.” Independent on Sunday, June 19, 2005.

Dillon, Brian. “Object lessons.” Financial Times Weekend Magazine, June 25 – 26, 2005, p. 37.

von Drathen, Doris. “Thomas Demand.” Kunstforum International 176, June/August 2005, pp. 389–91.

Dudek, Stephan A. “Die vertrackten Trugbilder eines akribischen Analytikers.” Rhein Main Presse, June 11, 2005, p. 14.

Eins, Philipp. “Das grüne Wunder.” Bild Berlin, March 4, 2005, p. 7.

Eugenides, Jeffrey. “Fotografisches Gedächtnis.” Frankfurter Allgemeine Sonntagszeitung, February 27, 2005, p. 30

Fricke, Christiane. “Fotografierte Albträume aus farbigem Papier und Pappe.” Handelsblatt 45, March 4, 2005, p. C3.

Fricke, Harald. “Die Realität des Künstlers.” Die tageszeitung, March 5 – 6 , 2006, p. 21.

Fried, Michael. “Without a trace.” Artforum, March 2005, pp. 199–203.

Gopnik, Blake. “The Art World's Paparazzo.” The Washington Post, May 22, 2005, pp. N1, N6.

Güner, Fisun. “Thomas Demand.” Metro London, June 22, 2005.

Karmel, Pepe. “The Real Simulations of Thomas Demand.” Art in America, June/July 2005, pp. 146–49.

Kimmelman, Michael. “Cunning creations between truth and fiction.” International Herald Tribune, March 7, 2005, p. 20.

———. “Painterly photographs of a slyly handmade reality.” The New York Times, March 4, 2005, pp. 33–35.

Kreye, Andrian. “Im schwarzen Loch der Erinnerung.” Süddeutsche Zeitung 51, March 3, 2005, p. 15.

Liebs, Holger. “Kunst News: Unser bester Pappenheimer.” Architectural Digest, March 2005, p. 94.

Littman, Brett. “The education of Thomas Demand.” Art on Paper 9, no. 4, March/April 2005, pp. 50–53.

Maak, Niklas. “In den Kulissen unseres Bewusstseins.” Frankfurter Allgemeine Zeitung 62, March 15, 2005, p. 39.

Moll, Sebastian. “Gib uns unsere Wirklichkeit zurück.” Kultur Welt am Sonntag, March 6, 2005, p. 61.

Oddy, Jason. “Thomas Demand: Trick.” Next Level 8, 2005, pp. 74–77.

“Process, take a number.” Fashion Forecast, February 28, 2005, pp. 66–67.

Schwendener, Martha. “Paper trail.” Time Out (New York), March 3 – 9, 2005, pp. 59–60.

Searle, Adrian. “The Devil in the Detail.” The Guardian, June 21, 2005.

Socha, Milesa. “Ondemand.” WWD SCOOP, March 2005, p. 72.

Sorokina, Elena. “Wirklichkeit ist aus Pappe.” Die Welt, March 14, 2005, p. 25.

“Take a Number.” New York Magazine, February 28, 2005, pp. 66–67.

“Thomas Demand.” Beaux Arts Magazine, March 2005.

Tuchman, Phyllis. “Reality Shows.” Art Net, March 24, 2005.

Wakefield, Neville. “Sites Unseen.” ArtReview 46, January 2005, pp. 64–69.

Wallenstein, Sven-Olov. “Thomas Demand.” Contemporary 71, 2005, pp. 46–49.

Watkins, Matt. “Model Behaviour.” Tate Etc. 3, Spring 2005, pp. 84–87.

2004

Firlus, Thorsten. “Steter Fluss.” Wirtschaftswoche 49, November 25, 2006, pp. 108–10.

Hafner, Hans-Jürgen. “Thomas Demand Phototrophy: Kunsthaus Bregenz, September 18 – November 7.” Kunstforum International, November/December 2004, pp. 370–71.

Heinzel, Michael. “Der König der Bastler.” Der Standard Wien, September 29, 2004.

Maak, Niklas. “Im Urwald der Moderne.” Monopol, Magazin für Kunst und Leben 4, October/November 2004.

Ribas, Joao. “Thomas Demand, 303 Gallery.” Flash Art, May/June 2004.

Schor, Gabriele. “Idylle im freien Fall.” Neue Zürcher Zeitung 241, October 15, 2009, 42.

Vogel, Sabine B. “Biennale São Paulo, Gemischtes Territorium.” Spike, Kunstmagazin, February 2004, pp. 110–11.

2003

Adams, Parveen. “Demand without desire.” Portfolio, contemporary photography in Britain 38, pp. 20–21.

Bröder, F.J. “Wirklichkeit aus zweiter Hand.” General-Anzeiger, January 8, 2004.

Eden, Xandra. “Image bank: The Work of Thomas Demand.” Prefix Photo 9, May 2004, pp. 50–61.

Heiser, Jörg. “Pulp fiction.” Frieze 73, March 2004, pp. 68–73.

Kold, Anders. “Kopimageren I Invalidenstrasse.” Louisiana Magasin, October 2004, pp. 12–15.

Krome, Michael. “Die Welt aus Pappe.” Zoo 1, 2004, p. 132.

Munster, Claudia. “Der Alles-Kleber.” Brigitte Kultur 1, 2004, p. 96.

Schneider, Ulrike. “Kein Ort nirgends: Über die Dekonstruktion fotografischer Bilder.” Willkommen im Wunderland: Die Utopie des Zuhause. Berlin: Reporter ohne Grenzen, Fotos für die Pressefreiheit, 2004.

Sonkin, Rebecca. “Minister of the interior.” Art + Auction, September 2004.

Wouters, Anne. “La Photographie: Médium de la vraisemblance.” DITS, publication de la Musée des Arts Contemporains Grand-Hornu 3, 2004, p. 126.

2002

Blum, Julia. “Papier für Projektionen.” Frankfurter Allgemeine Sonntagszeitung 43, October 27, 2002.

Engelhard, Günther. “Der Künstler tilgt am Tatort alle Spuren.” ART: Das Kunstmagazin 11, November 2002, pp. 48–58.

Erdmann Ziegler, Ulf. “Archetypen, die unter die Haut gehen.” Frankfurter Rundschau 251, October 29, 2002, p. 21.

Liebs, Holger. “Alzheimer formte dieses Bild.” Süddeutsche Zeitung 247, no. 25 October 2002, p. 13.

———. “Future Demands.” Frame, April/May 2002, pp. 74–83.

MacMillan, Kyle. “Thomas Demand at Aspen Museum.” Artforum, April 2002, p. 142.

Sonna, Birgit. “Vergessenes Drehbuch.” Neue Zürcher Zeitung 301, December 28–29, 2002.

Wesseling, Janneke. “Thomas Demand maakt beelden van angst.” NRC Handelsblad, Kunst, 2002, p. 9.

2001

Colard, Jean-Max. “L’aire du soupçon.” Les Inrockuptibles, January 9, 2001, pp. 56–57.

Daniel-Le Pape, Isabelle. “Stratégie du leurre chez Thomas Demand.” Art Presence 37, January/March 2001, p. 42.

del Drago, Elena. “Demand, fotografo del futuro.” Il Messaggero, January 20, 2006.

Dziewior, Yilmaz. “A thousand words - Thomas Demand talks about Poll.” Artforum, May 2001, p. 145.

Gronert, Stefan. “Thomas Demand, Fondation Cartier.” Eikon, Internationale Zeitschrift für Photographie & Medienkunst 34, 2001, p. 68.

Kazanjian, Dodie. “People are Talking about art in demand: Artist Thomas Demand rides the new wave of German photography.” Vogue, March 2001, p. 370.

Keil, Frank. “Was nach Funktion drängt.” Frankfurter Rundschau 151, no. 3 July 2001.

Nolde, Philippe. “Les Espaces improbables de Thomas Demand.” Beaux Arts Magazine 200, January 2001, pp. 50–55.

Oddy, Jason. “Copy this! Thomas Demand, the photographer as a sculptor.” Modern Painters, Spring 2001, pp. 38–41.

Patrick, Keith. “Thomas Demand.” Contemporary Visual Arts, March 2001, p. 62.

Sorkin, Jenni. “Thomas Demand: 303 Gallery, New York.” Frieze 60, Summer 2001, pp. 108–09.

Sorokina, Elena. “Im Reich der Scheintoten.” Die tageszeitung, December 20, 2001, p. 13.

Walde, Gabriela. “Da stöhnt selbst Sisyphos laut auf.” Die Welt, January 4, 2001, p. 32.

Zollner, Manfred. “Zwischen Raum.” Foto Magazin 2, 2001, pp. 18–23.

2000

Darwent, Charles. “Seeing double in a world made of paper.” The Independent on Sunday, December 3, 2000, p. 5.

Frangenberg, Frank. “Leere Unwirklichkeit und Popkultur.” Kölner Stadtanzeiger, May 6 – 7, 2000.

Guerrin, Michel. “Les Prouesses de Thomas Demand, illusionniste de la photo et de la vidéo." Le Monde, December 15, 2000, p. 35.

Huitorel, Jean-Marc. “Thomas Demand/Robin Collyer - Le monde en silence.” Pour “Voir” les Photographies, November 2000, pp. 32–41.

Mead, Andrew. “Sets without an actor.” The Architects’ Journal 21, December 2000, pp. 60–61.

Meister, Helga. “Thomas Demand.” Kunstforum International 151, July/September 2000, pp. 356–57.

Rémy, Patrick. “Monsieur Propre.” Numéro, December/January 2000, pp. 46–47.

Schwendener, Martha. “Thomas Demand: Foggy intersection of photography and truth.” Flash Art, October 2001, pp. 62–64.

Spiegler, Marc. “Thomas Demand.” ARTnews, May 2000, p. 240.

1999

Ammann, René. “Thomas Demand.” In Imago 99: Encuentros de Fotografía y Vídeo. Edited by Cristina Zelich and Albert Martin. Salamanca, Spain: Ediciones Universidad de Salamanca, 1999.

Hall, James. “Thomas Demand: Tate Gallery.” Artforum, April 1999.

Horne, Stephen. “Thomas Demand. Catastrophic space.” Parachute, 1999, p. 96.

Imdahl, Georg. “Was auf der Fototapete wächst und gedeiht.” Frankfurter Allgemeine Zeitung, July 5, 1999.

Kliemann, Thomas. “Heiteres Raten mit Guido, Annette, Hans und Marianne.” General-Anzeiger, June 17, 1999.

Mack, Micheal, ed. Reconstructing Space: Architecture in Recent German Photography. London: Architectural Association, 1999, pp. 94–103.

Princethal, Nancy. “‘Paper Chases’ ‘'Schnitzeljagd’), Thomas Demand, Karl Schmidt Rottluff Stipendium.” The New York Times Magazine, November 1999; Lotus International 104, pp. 18–19 (text Michela Parkin, 1999).

Sachsse, Rolf. “Thomas Demand: Archiv.” In Sediment. Mitteilungen zur Geschichte des deutschen Kunsthandels 4. Nuremberg: Verlag für moderne Kunst Nürnberg, 1999.

Searle, Adrian. “Every picture tells a porkie.” The Guardian, March 2, 1999.

Spade, Sue. “‘Thomas Demand’: 303 Gallery, New York.” Art/Text 64, February/April 1999, p. 84.

Wetzel, Michael. “Fotografie als Handwerk und Mythologie. Thomas Demands Zeitzeugenschaft.” Camera Austria International 66, July 1999.

Wirt, Heidrun. “Illusionen auf Zelluloid gebannt.” General-Anzeiger, June 26, 1999.

1998

Aletti, Vince. “Photo.” The Village Voice 48 / 41, October 13, 1998.

Altfeld, Gudrun. “Thomas Demand.” Artist Kunstmagazin 36, March 1998.

Ammann, René. “Die Welt aus Wille und Karton.” Kunst-Bulletin 4, April 1998.

Arning, Bill. “Thomas Demand at 303 Gallery.” Time Out (New York) 159, October 8–15, 1998.

Buddenberg, Jörg. “Extreme Bezüge.” Die tageszeitung, August 24, 1998.

Däniken, Hans-Peter von. “Die ganze Welt ist bloss aus Pappe.” Tages-Anzeiger, April 4, 1998, p. 55.

Gerster, Ulrich. “Irritationen aus Karton - Thomas Demand in der Kunsthalle Zürich.” Neue Zürcher Zeitung, April 22, 1998.

Händler, Ruth. “Ausstellungsvorschau: Freiburg - Thomas Demand.” Art 9, September 1998.

Imdahl, Georg. “Die Zeit gefriert, die Geschichte verwandelt sich.” Frankfurter Allgemeine Zeitung, May 5, 1998.

Jansen, Thomas. “Modelle für die Kamera.” Frankfurter Rundschau, June 26, 1998.

Pühringer, Alexander. “Thomas Demand.” Noëma Art Journal 47, April/May 1998, pp. 92–93.

Smith, Roberta. “Thomas Demand.” The New York Times, September 11, 1998.

Widmer, Ruedi. “Ein Gespräch zwischen Thomas Demand und Ruedi Widmer.” In Tatort, Die Requisiten der Beweisführung, Schriftenreihe. Zurich: Museum für Gestaltung Zürich, 1998, p. 24.

Wiensowski, Ingeborg. “Das Bild vom Bild vom Bild.” Der Spiegel, Kultur Extra, March 1998, pp. 12–14.

1997

Cork, Richard. “Uneasy pieces, photographic competition.” The Times Magazine, December 13, 1997.

Currah, Mark. “Thomas Demand.” Time Out, March 11, 1997, p. 44.

Durand, Regis. “Thomas Demand - Un Monde de papier.” Art press (France) 221, February 1997, pp. 40–45.

Enwezor, Okwui. “Spiral village.” Frieze 34, May 1997, p. 82.

Guerrin, Michel. “Les lieux photographiés de Thomas Demand entre la vie et le vide.” Le Monde, January 11, 1997, p. 30.

Heiferman, Marvin. “New Photography 12.” Artforum, January 1997, p. 79.

Levi Strauss, David. “Thomas Demand.” Artforum, January 1997, p. 83.

Musgrave, David. “Thomas Demand.” Art Monthly 205, April 1997, pp. 33–34.

N.N. “Thomas Demand.” The Guardian Guide, March 8, 1997, p. 9.

Schjeldahl, Peter. “Real again.” The Village Voice, January 14, 1997, p. 85.

Vanhersel, Godeline. “Troubles.” Sans Titre 38, January 1997, pp. 1, 3.

1996

Berg, Stefan. “Die Verwandlung des Unsichtbaren in das Sichtbare.” Noëma Art Journal 42, August/October 1996, pp. 94–97.

Bonami, Francesco. “Thomas Demand @ Max Protetch.” Flash Art 191, November/December 1996, p. 106.

Hoffmann, Justin. “Die ganze Welt ist aus Papier gebaut.” Süddeutsche Zeitung 239, no. 16, October 1996, p. 16.

Smith, Roberta. “Around the world: Life and artifice.” The New York Times, November 8, 1996.

1995

Ardenne, Paul. “Le paysage retrouvé.” Art press (France) 201, no. 4, 1995, p. 80.

Bode, Peter M. “Staatspreisträger 94.” Abendzeitung, January 26, 1995, p. 19.

Grant, Simon. “Thomas Demand.” Art Monthly 184, no. 3, 1995, p. 23.

Hilliard, John. “Thomas Demand.” Camera Austria 55, no. 6, 1995, pp. 177–78.

Illies, Florian. “Farbe und Ordnung, Kühnheit und Chaos.” Frankfurter Allgemeine Zeitung 30, no. 4, February 1995, p. 31.

Königer, Maribel. “Le paysage retrouvé.” Kunstforum 130, nos. 5–6, 1995, p. 426.

Lillington, David. “Thomas Demand.” Time Out, February 8, 1995, p. 44.

Luca, Elisabetta. “Thomas Demand.” Juliet Art Magazine 72, 1995, pp. 4–5, 37.

Mayeur, Catherine. “Thomas Demand.” La Réponse imprévue nos. 3–4, p. 12.

Morgan, Stuart. “Thomas Demand at Victoria Miro.” Frieze 23, Summer 1995, pp. 70–71.

Wouters, Anne. “Photographie réaliste/architecture ordinaire.” Art press (France) 209, no. 1, 1995, pp. 40–47.

———. “Thomas Demand.” Art et Culture 3, 1995, p. 23.

1994

Jocks, Heinz Norbert. “Entführung aus dem Reich der Zwecke.” Art 10, 1994, p. 64.

———. “Thomas Demand in der Galerie Tanit.” Cologne, Artis nos. 6–7, 1994, p. 68.

Ledune, Guy. “Thomas Demand, photo-objet.” Sans Titre 2, no. 3, 1994.

Schumacher, Rainald. “Thomas Demand.” Flash Art 176, nos. 5–6, 1994, p. 118.

Sonna, Birgit. “Düsterer Blick in die Vergangenheit.” Süddeutsche Zeitung, September 19, 1994.

1993

Hoffmann, Justin. “Thomas Demand.” Artforum 4, 1993, pp. 107–08.

1992

Blasé, Christoph. “Die Berichte für Monsieur A.” Kunstbulletin 5, 1992, pp. 38–40.

Jocks, Heinz Norbert. “Die zerstörte und die wiedergerettete Aura aus Papier.” Kunstforum 123, pp. 375–77.

2012

Thomas Demand. Tokyo: Kodansha, 2012.

Thomas Demand: The Dailies. London: Mack, 2012.

Thomas Demand: Executive. Von Poll zu Presidency. Cologne: Walther König, 2012.

2011

Thomas Demand: Model Studies. Madrid and London: Ivory Press, 2011.

2010

La Carte D'Après Nature. Monaco: Nouveau Musée National de Monaco, 2010.

2009

Thomas Demand / Black Label. Kitakyushu: Center for Contemporary Art, CCA Kitakyushu, 2009.

2014

“Thomas Demand on Matisse.” Tate Etc., Summer 2014.

2013

“Corporate Personality.” O32c, Winter 2013–14, pp. 112–18.

2012

“Thomas Demand on Paolo Uccello.” In In my View: Personal Reflections on Art by Today's Leading Artists. Edited by Simon Grant. London: Thames & Hudson, 2012, p. 74.

2011

“Ich will Bilder im Kopf des anderen aufrufen. Thomas Demand befragt Alexander Kluge zur Kunst der Gesprächsführung.” Die Welt, February 5, 2011, pp. 25–26.

2009

“Nationalgalerie.” In Thomas Demand: Nationalgalerie. Berlin: Neue Nationalgalerie; Göttingen: Steidl Mack, 2009.

2008

“Yellowcake, revisited.” In Cámara: Thomas Demand. Madrid: La Fábrica and Fundación Telefónica; Madrid: PHotoEspaña, 2008, pp. 121–32.

2006

“Alte Pfade neu gehen.” Wirtschaftswoche 12, March 20, 2006, p. 166.

2005

“An Egg Carton for Every Reader.” Modern Painters, International Arts and Painters, June 2005, pp. 92–97.

“Five drafts (Simulation).” In Models in Art/Modelle in der Kunst. Vienna: Krinzinger Projekte, 2005, p. 40.

“Lamborghini Gallardo.” 032c 10 (Berlin), Winter 2005–06, pp. 16–21.

“More than real.” Brian Wilson: an Art Book. Edited by Alex Farquharson. London: Four Corners Books, 2005, pp. 53–58.

2014

Anderson, Wes, and Thomas Demand. “Mr. Anderson, wie haben Sie das gemacht?” A conversation between Wes Anderson and Thomas Demand.” Interview, March 2014, pp. 72–77.

Blanch, Andrea, Justin McCallum, and Thomas Demand. “Thomas Demand, Demand's Way.” Musee Magazine 2, no. 8, 2014.

2013

Garutti, Francesco, and Thomas Demand. “Archeologica die una Mostra,' Interview with Germano Celant and Thomas Demand on 'When Attitude Becomes Form'.” Abitare, no. 533, 2013, pp. 20-29.

2012

Kehlmann, Daniel. “Thomas Demand & Daniel Kehlmann.” Artreview.com, March 21, 2012.

Milliard, Coline. “Same Author, Different Form: Photographer Thomas Demand Discusses his Intimate New Series 'The Dailies'.” Artinfo, April 18, 2012.

Taher, Sylvie. “Thomas Demand in conversation with Sylvie Taher.” AA Files, no. 64, 2012, pp. 30-36.

2011

Holtrop, Anne and Bas Princen. 'Thomas Demand. A Conversation with Anne Holtrop and Bas Princen', OASE, no. 84, 2001, pp. 55-61.

Chermayeff, Peter. "The Age of the Aquariums. Thomas Demand in conversation with Peter Chermayeff." 032c, no. 22, Winter 2011, pp. 74-77.

2009

Chan, Carson. “Neverland. Caruso, Demand, and Kittelmann confront the challenges of 'Nationalgalerie'.” 032c, Berlin Winter 2009–10, pp. 67–73.

Obrist, Hans Ulrich, and Thomas Demand. Thomas Demand und die Nationalgalerie: A Conversation About the Exhibition with Hans Ulrich Obrist, Berlin 2009. Colgne: Walther König, 2009.

Solondz, Todd. “Storytelling. Filmmaker Todd Solondz and Thomas Demand Discuss Alpine Landscapes, the Fox and the Hedgehog, and Life During Wartime.” 032c (Berlin), Winter 2009–10, pp. 44–46.

Werneburg, Brigitte. “Memory Animation. 'Our knowledge if images is my material.' ” 032c (Berlin), Winter 2009–10, pp. 62–66.

2008

Demand, Thomas, and Collier Schorr. “Collier Schorr in Conversation with Thomas Demand.” 032c (Berlin). Summer 2008, pp. 118–35.

2007

Benedictus, Leo. “Thomas Demand's best shot.” The Guardian, June 21, 2007, p. G2.

Slimane, Hedi. “Head to Head with Thomas Demand.” Wallpaper 103, October 2007, p. 272.

2006

Friedel, Helmut. “Der weiße Raum ist keine Erfindung des Bauhauses.” Süddeutsche Zeitung, October 25, 2006, p. 13.

Kluge, Alexander. “In der Tropfsteinhöhle klafft ein Vakuum.” Süddeutsche Zeitung 129, June 7, 2006, p. 11.

Sommer, Tim and Ralf Schlüter. “Ein Bild bleibt im Kopf liegen.” Thomas Demand in conversation, art - Das Kunstmagazin 10, October 2006, pp. 46–61.

2005

Fricke, Harald. “Baukasten der Medien: Die Fotoinszenierung von Thomas Demand.” db artmag, Deutsche Bank, 2005.

2001

Zollner, Manfred. “Der Ferrari des Nachbarn.” Foto Magazin 2, 2001, pp. 24–25.

1999

Widmer, Ruedi. “Ein Gespräch zwischen Thomas Demand und Ruedi Widmer.” Camera Austria International July 66, 1999.

1996

Demand, Thomas, and Vic Muniz. “A notion of space: A conversation.” Blind Spot 8, 1996.