Matthew Marks Gallery

Sturtevant

  • Books and Catalogues

    2021

    Coccia, Emanuele, Marina Vishmidt, and Vivian Ziherl. Risquons tout: Contemporary Artists Venture Into Risk, Unpredictability and Transgression, New Haven, CT: Yale University Press, 2021.
    DiQuinizio, Apsara, ed. New Time: Art and Feminisms in the 21st Century. Berkeley, CA: University of California Press, 2021.

    2018

    Other Mechanisms, Vienna: Secession; Berlin: Revolver publishing, 2018.

    2017

    The Everywhere Studio, Miami: The Institute of Contemporary Art; DelMonico Books, 2017.

    2015

    Sturtevant: Double Trouble. New York: Museum of Modern Art, 2015.

    2013

    Birnbaum, Daniel. Finite Infinite. London: Koenig, and Serpentine Gallery, 2013.
    Hainley, Bruce. Under the Sign of [sic]: Sturtevant’s Volte-Face. Los Angeles: Semiotext(e), 2013.
    Dresser, Anne, Ulrich Krempel, and Annette Antignac. Sturtevant: The House of Horrors. Hanover: Sprengel-Museum, 2013.

    2012

    Liew, Fred rik, ed. Sturtevant: Gild over Gild (Image over Image). Zurich: JRP/Ringier, 2012.
    Sturtevant. Stockholm: Moderna Museet, Kunsthalle Zurich, JRP/Ringier, 2012.

    2010

    Dressen, Anne, ed. Sturtevant: The Razzle Dazzle of Thinking. Paris: ARC/ Musee d'Art moderne de la Ville de Paris/JRP Ringier, 2010.

    2009

    Eleey, Peter. The Quick and the Dead. Minneapolis: Walker Art Center, 2009.

    2008

    Ruf, Beatrix. Blasted Allegories: Werke aus der Sammlung Ringier. Zurich: JRP/Ringier, 2008.

    2007

    Butler, Cornelia H. and Lisa G. Mark. WACK! Art and the Feminist Revolution. Los Angeles: Museum of Contemporary Art, 2007.

    2006

    Iles, Chrissie, Philippe Vergne, and Tony Burlap. Day for Night. New York: Whitney Museum of American Art, 2006.

    2005

    Sturtevant: Push and Shove. New York: Perry Rubenstein Gallery, 2005.

    2004

    Kramer, Mario, Udo Kittelmann, and Lena Maculan. Sturtevant: Catalogue Raisonne, 1964-2004: Gemalde, Skulptur, Film und Video. Ostfildern-Ruit, Germany: Hatje Cantz, 2004.

    2003

    Buskirk, Martha. The Contingent Object of Contemporary Art. Cambridge, MA: MIT Press, 2003.
    Hofmaier, James. Sturtevant: The Sixties: Lichtenstein, Warhol, Wesselmann, Rosenquist. Munich: Galerie Daniel Blau, 2003.

    2002

    Hainley, Bruce and John Waters. Art Works: Sex. London: Thames & Hudson Ltd., 2002.
    Tolnay, Alexander, ed. Sturtevant: Shifting Mental Structures. Ostfildern-Ruit, Germany: Hatje Cantz, 2002.

    2001

    Grosenick, Uta, ed. Women Artists in the 20th and 21st Century. Cologne: Taschen, 2001.

    1999

    Sturtevant: 1,225 Objects 6 Casino Luxembourg. Luxembourg: Casino Luxembourg, 1999.

    1998

    Sturtevant: Int./Ext. Visibilities: Body Objects Image. Paris: Galerie Thaddaeus Ropac, 1998.

    1996

    Crow, Thomas. Modern Art in the Common Culture. New Haven, CT: Yale University Press, 1996.
    ———. The Rise of the Sixties: American and European Art in the Era of Dissent. London: Calmann & King Ltd., 1996.
    Cottingham, Laura. Now/Here, Humblebaeck: Louisiana Museum of Modern Art, 1996.

    1991

    Sturtevant. Paris: Galerie Thaddaeus Ropac, 1991.

    1990

    The Charade of Mastery: Deciphering Modernism in Contemporary Art. New York: Whitney Museum of American Art, 1990.
    Kuspit, Donald B. Sturtevant. Chicago: Rhona Hoffman Gallery, 1990.

    1988

    Leigh, Christian. Complexity & Contradiction. New York: Scott Hanson Gallery, 1988.
    Sturtevant: Drawings, 1988-1965. New York: Bess Cutler Gallery, 1988.

    1987

    Ottmann, Klaus. Sturtevant. New York: Stux Gallery, 1987.
    Post-Abstract Abstraction. Ridgefield, CT: Aldrich Museum of Contemporary Art, 1987.

    1985

    Ferrer, Elizabeth. The Art of Appropriation. New York: Alternative Museum, 1985.

    1973

    Rosebush, Judson, ed. Studies for Warhols' Marilyns Beuys' Actions Objects Duchamps' Etc. Including Film. Syracuse, NY: Everson Museum of Art, 1973.

    1966

    Swenson. Gene R. The Other Tradition. Philadelphia: Institute of Contemporary Art, 1966.

  • Selected Articles

    2022

    “Julia Phillips and Sturtevant Explore Postmodernism, Female Form at Matthew Marks,” Cultured Magazine, September 14, 2022.

    2020

    Brown, Kate. “The Art World Works From Home: German Art Collector Julia Stoschek Is Digitizing Her Collection and Baking Chocolate Cake,” Artnet News, May 1, 2020 (online)

    2019

    Campbell, Andy. “Sturtevant at Freedman Fitzpatrick,” Artforum, November 2019, 219.
    Cha, Olivian. "Did Sturtevant Predict Meme Culture?," Frieze, issue 207, November-December 2019.
    Diehl, Travis. “Did Sturtevant Invent the Meme?,” Art in America, December 12, 2019 (online).
    Lescaze, Zoe. "The 25 Works of Art That Define the Contemporary Age," The New York Times Style Magazine, July 15, 2019.
    Shawn, Anny, "Julia-Peyton Jones gives Sturtevant her first posthumous show in London," The Art Newspaper, January 1, 2018.

    2018

    Tarasoff Sabrina. “Ghost Stories of Almost Nobody,” MOUSSE no. 63, April-May 2018.

    2017

    Haddad, Natalie. “The Vertigo of Sturtevant,” Hyperallergic, August 5, 2017.

    2016

    Valacchi, Maria Chiara. "Critics' Picks," Artforum, May 2016 (online)

    2015

    Rutland, Beau. “Sturtevant,” Artforum vol.53, no. 6, February 2015, 228-229.

    2014

    Arning, Bill. "Sturtevant (1924- 2014)."Artforum May 13, 2014 (online).
    Birnbaum, Daniel. “Obituary for Sturtevant,” E-flux Journal 56, June 2014.
    Eleey, Peter. "Sturtevant (1924-2014)." Artforum 53, no. 1, September 2014.
    Fleischmann, T. Clutch. "Under the Sign of [sic]: Sturtevant's Volte-Face." Brooklyn Rail, March 4, 2014.
    Fox, Margalit. “Elaine Sturtevant, Aritst and Borrower, Dies at 89,” The New York Times, May 19, 2014.
    Hainley, Bruce, and Claude Wampler. "Sturtevant (1924-2014)."Artforum 53, no. 1, September 2014.
    Obrist, Hans-Ulrich. “Elaine Sturtevant,” Guardian, May 19, 2014.
    Russeth, Andrew. "Sturtevant, Uncompromising Progenitor of Appropriation Art, Has Died." Gallerist, May 7, 2014.

    2013

    Pagel, David. “Art Review: Sturtevant’s Finite Infinite Packs a Lot in Mere Seconds,” The Los Angeles Times, November 1, 2013.

    2012

    Hainley, Bruce. "First Position: The Early Performance Work of Sturtevant." Artforum 50, no. 7, March 2012, 224-35, 299-300.
    Trembley, Nicolas. "Again and Again." Artforum, March 21, 2012 (online).
    "Best of 2012: The Artist's Artists."Artforum 51, no. 4, December 2012, 107.

    2011

    Thatcher, Jennifer. "Sturtevant: Elastic Tango." Art Review, no. 47, January-February 2011.
    Moisdon, Stephanie. "Silent Power of Art." Parkett, no. 88, 2011, 114-19.

    2005

    Coulson, Amanda. "Review from Frankfurt, 'Sturtevant: The Brutal Truth.'" Modern Painters, February 2005, 113.
    Lobel, Michael. "Inappropriate Appropriation." Parkett, no. 75, December 2005, 142-47.
    Princenthal, Nancy. "The Other Truth." Art in America 93, no. 11, December 2005, 102-7.
    Wright, Karen. "Déja Vu." Modern Painters, May 2005, 88-93.

    2004

    "Questionnaire: Sturtevant," Frieze, no. 86 (October 2004), 180.
    Birnbaum, Daniel. "Top Ten: Best of 2004." Artforum 43, no. 4, December 2004, 160-61.
    Hainley, Bruce. "Top Ten: Best of 2004."Artforum 43, no. 4, December 2004, 164-65.
    Kuni, Verena. "Reviews." Spike, December 2004, 106.

    2003

    Hainley, Bruce, "Sturtevant Talks to Bruce Hainley." Artforum 41, no. 7, March 2003, 246-47.

    2002

    Hainley, Bruce. "Best of 2002." Artforum 41, no. 4, December 2002, 106-30.
    Römer, Stefan. “Against Einordnung: Sturtevant im Neuen Berliner Kunstverein,” Texte zur Kunst: Appropriation Now, no. 46, June 2002, 193-197.

    2000

    Princenthal, Nancy. "Apropos of Marcel." Art in America 88, no. 1, January 2000, 112.
    Hainley, Bruce. "Erase and Rewind." Frieze 53, June-August 2000, 82-87.

    1996

    Vine, Richard. "Report from Denmark, Part 1: Louisiana Techno-Rave." Art in America 84, no. 10, October 1996.
    Ord, Douglas. "Ceci n'est pas Magritte." Canadian Art 13, no. 4, Winter 1996, 12-14.

    1993

    Saltz, Jerry. "Critic's Diary." Art in America 81, no. 9, September 1993.

    1991

    Zahm, Olivier. "Sturtevant." Artforum 29, no. 9, May 1991, 157-58.

    1990

    Faust, Gretchen. "Review." Arts Magazine, March 1990.

    1989

    Arning, Bill. “Sturtevant.” Journal of Contemporary Art 2, no. 2, Fall/Winter 1989, 39-50.
    Liu, Catherine. "Elaine Sturtevant: Bess Cutler Gallery." Artforum 27, no. 5, January 1989, 116.
    Heartney, Eleanor. "Elaine Sturtevant at Bess Cutler." Art in America 77, no. 3, March 1989, 150.
    Wulffen, Thomas. "Prospect 89." Flash Art 147, Summer 1989, 155.

    1988

    Linker, Kate. "Review." Artforum 26, no. 5, January 1988.
    Morgan, Robert C. "Review." Arts Magazine, January 1988.
    Sischy, Ingrid, Thomas McEvilley, and Lucas Samaras. "About This Issue: A Project for Artforum," Artforum 26, no. 6, February 1988.
    Cameron, Dan. "A Conversation with Leo Castelli and Elaine Sturtevant." Flash Art 143, November-December 1988, 76-77.

    1987

    Ottmann, Klaus. "Elaine Sturtevant." Flash Art 137 (November-December 1987), 105-6.

    1986

    Luris, David. "Review." Arts Magazine, April 1986.
    Westfall, Stephen. "Elaine Sturtevant." Art in America 74, no. 10, October 1986.

    1970

    Applegate, Judith. "Paris." Art International 14, May 1970.

    1969

    Picard, Lil. "From ABC to Camp Art." Das Kunstwerk 19, nos. 5-6, November/December 1969.

    1967

    Tono, Yoshiaki. "Elaine Sturtevant: The Logic of Forged Paintings," Bijutsu Techo 282, no. 5, 1967.

    1965

    Kozloff, Max. "Three-Dimensional Prints and the Retreat from Originality." Artforum 4, no. 4, December 1965, 27.