Matthew Marks Gallery

Michel Majerus

  • Books and Catalogues

    2019

    Meschede, Friedrich. Michel Majerus: In Europe Everything Appears to Be More Serious than in the USA. Cologne: Verlag der Buchhandlung Walther König, 2019.

    Pfeffer, Susanne, Alex Kitnick, Seth Price, and D.N. Rodowick. Images. London: Koenig Books, 2019.

    2018

    Michel Majerus: Notizen 1995    . Edited by Brigitte Franze. Cologne: Verlag der Buchhandlung Walther König, 2018.

    “Michel Majerus.” In Art in the Age of the Internet: 1989 to Today. Edited by Eva Respini. Boston: Institute of Contemporary Art; New Haven: Yale University Press, 2018.

    2017

    Tumlir, Jan, Thomas Demand, Laura Owens, Jorge Pardo, Jordan Wolfson, and Christopher Wool. Michel Majerus: On Aluminium. New York: Matthew Marks Gallery; Berlin: neugerriemschneider; Berlin: Distanz, 2017.

    2014

    Bayrle, Thomas, Albrecht Kastein, and Susanne KĂŒper. Thomas Bayrle/Harald Pridgar: Indian Cucumbers. Dedicated to Michel Majerus. Berlin: Michel Majerus Estate.

    Birnbaum, Daniel, and John Kelsey. Michel Majerus. New York: Matthew Marks Gallery, 2014.

    2013

    An der Isar: Gegenwartskunst im neuen Lenbachhaus    . Munich: Lenbachhaus, 2013.

    Dell, Paul. Michel Majerus’ Progessive Aesthetics. Luxembourg: Editions Saint-Paul, 2013.

    KĂŒper, Susanne. “Michel Majerus, what looks good today may not look good tomorrow, 1999.” In Auf Zeit. Edited by Regine Ehleiter, Johan Holten, Christina Lehnert, and Friedrich Meschede. Cologne: Walther König, 2013.

    Loers, Veit, Ellen Seifermann, and Harriet Zilch. Das GlĂŒck kommt aus dem Nichts: Werke aus der Slg. Wilhelm Otto Nachf. Cologne: Walther König, 2013.

    2012

    Groos, Ulrike. “Zeitlose Zeichen.” Görner, Veit. “Unexpected Disaster.” In Kunstkarte D.A.C.H. 12. Kunstkarte D.A.C.H.

    2012

    Groos, Ulrike, and Charlotte Laubard, eds. Michel Majerus. Berlin: Distanz; Stuttgart, Germany: Kunstmuseum; Bordeaux, France: CAPC-Musée d'art contemporain de Bordeaux, 2012.

    2011

    Birnbaum, Daniel. “Michel Majerus, what looks good today may not look good tomorrow, 1999.” In Defining Contemporary Art: 25 Years in 200 Pivotal Artworks. Edited by Daniel Birnbaum, Cornelia Butler, Suzanne Cotter, Bice Curiger, Okwui Enzwezor, Massimiliano Gioni, Hans Ulrich Obrist, Bob Nickas. London: Phaidon, 2011.

    2010

    De Arruda, Tereza, Teixeira Coelho Netto, and Harald Falckenberg. Se Não Neste Tempo: Pintura Alemã Contemporñnea 1989–2010. São Paulo: Museu de Arte de São Paulo Assis Chateaubriand, 2010.

    2009

    Christofori, Ralf. “Michel Majerus: Hohe Kunst und Pop Trash.” In Extended. Edited by Lutz Casper and Gregor Jansen. Heidelberg, Germany: Kehrer, 2009.

    Enzweiler, Jo, Kathrin Elvers-Svamberk, and Karen Straub. Michel Majerus. SaarbrĂŒcken, Germany: Verlag St. Johann, 2009.

    Heinzelmann, Markus. Slow Paintings. Nuremberg: Verlag fĂŒr moderne Kunst, 2009.

    Holm, Michael J., Anders Kold, and Tine Colstrup. The World Is Yours. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2009.

    Schalit, Elfriede. “Die Schwebe der Herkunft.” In Slow Motion oder: das Halbe und das Ganze. Edited by Adam Avikainen; Kevin Hart; Elfriede Schalit. Bern: Kunsthalle Bern, 2009.

    2008

    Bonin, Cosima von, Gabriele Sand, and Schorsch Kamerun, eds. Dressing the Message: Transformationen von Kunst und Mode. Hanover, Germany: Sprengel Museum, 2008.

    Kern, Ingolf. “Higharteatspop.” In Stations: 100 Meisterwerke zeitgenössischer Kunst. Edited by AmĂ©lie von Heydebreck. Cologne: DuMont, 2008.

    2007

    Eckmann, Sabine, ed. Reality Bites: Making Avant-Garde Art in Post-Wall Germany. Ostfildern, Germany: Hatje Cantz; Saint Louis: Mildred Lane Kemper Art Museum, 2007.

    Kittelmann, Udo. Michel Majerus: If we are dead, so it is. Zurich: JRP/Ringier, 2007.

    Marcoci, Roxana. Comic Abstraction: Image Breaking, Image Making. New York: The Museum of Modern Art; London: Thames & Hudson, 2007.

    2006

    Blume, Eugen, ed. Zehn Jahre Hamburger Bahnhof, Museum fĂŒr Gegenwart, 1996–2006. Berlin: Hamburger Bahnhof, Museum fĂŒr Gegenwart, 2006.

    Ebeling, Knut. “Pop Needs You: Zur Konstruktion des Pop-Artisten.” In Elend: Zur Frage der Relevanz von Pop in Kunst, Leben und öffentlichen Badeanstalten. Edited by Frauke Boggasch and Dominik Sittig. Nuremberg: Verlag fĂŒr Moderne Kunst, 2006.

    Essential Painting. Osaka: National Museum of Art.

    Radar: Selections from the Collection of Vicki and Kent Logan. Denver: Denver Art Museum, 2006.

    2005

    Christofori    , Ralf, Peter Pakesch, and Raimar Stange. Michel Majerus: Installationen 92–02. Cologne: Walther König, 2005.

    Die Kunst im Bundeskanzleramt: Malerei, Skulptur, Fotografie. Cologne: DuMont, 2005.

    Fleck, Robert, Veit Loers, Peter Pakesch, and Raimar Stange. Michel Majerus: “What Looks Good Today May Not Look Good Tomorrow.” Cologne: Walther König; Amsterdam: Stedelijk Museum, 2005.

    2004

    Adriani, Götz, and Silke Immenga. Werke Aus Der Sammlung Boros. Karlsruhe, Germany: Museum fĂŒr Neue Kunst, ZKM; Ostfildern-Ruit, Germany: Hatje Cantz, 2004.

    Ehrhardt, Ingrid, and Beate Kemfert. Was Malerei Heute Ist. RĂŒsselsheim, Germany: Kunst- und Kulturstiftung Opelvillen RĂŒsselsheim, 2004.

    JÀger, Joachim. Michel Majerus: Los Angeles. Cologne: Walther König, 2004.

    Szeemann, Harald, and Hans-Joachim MĂŒller. La AlegrĂ­a De Mis Sueños: Bienal Internacional De Arte ContemporĂĄneo de Sevilla. Sevilla: FundaciĂłn BIACS, 2004.

    Taschen, Angelika, Eric Laignel, and Patricia Parinejad. Berlin Style: Scenes, Interiors, Details, Cologne and Los Angeles: Taschen, 2004.

    2003

    Grynsztejn, Madeleine, ed. Supernova: Art of the 1990s from the Logan Collection. San Francisco: San Francisco Museum of Modern Art, 2003.

    Heinrich, Christoph, and Nina Zimmer. Heisskalt: aktuelle Malerei aus der Sammlung Scharpff. Ostfildern-Ruit, Germany: Hatje Cantz, 2003.

    Stange, Raimar. “Malerisch: Interview mit Michel Majerus.” In ZurĂŒck in die Kunst. Hamburg: Rogner & Bernhard bei Zweitausendeins, 2003.

    2002

    Friese, Peter. Kunst nach Kunst: eine Ausstellung. Bremen, Germany: Neues Museum Weserburg Bremen, 2002.

    Gingeras, Alison M. “Michel Majerus.” In Vitamin P: New Perspectives in Painting. Edited by Thomas Bayrle. London: Phaidon, 2002.

    Grosenick, Uta, and Burkhard Riemschneider, eds. Art Now: 137 Artists at the Rise of the New Millennium. Cologne: Taschen, 2002.

    Mendes, BĂŒrgi B., and Peter Pakesch. Painting on the Move. Basel: Schwabe, 2002.

    Stange, Raimar, and Michel Majerus. “Interview mit Michel Majerus.” In Sur.faces: Interviews 2001/02. Edited by Christoph Keller. Frankfurt: Revolver, 2002.

    2001

    Felix, Zdenek, Harald Falckenberg, and Bazon Brock. Pump Haus: Sammlung Falckenberg. Regensburg, Germany: Lindinger + Schmid, 2001.

    Finckh, Gerhard, and Susanne KĂŒper. Freestyle: Werke aus der Sammlung Boros. Cologne: Walther König, 2001.

    NachtigÀller, Roland. Wiedervorlage d5: eine Befragung des Archivs zur Documenta 1972. Ostfildern-Ruit, Germany: Hatje Cantz, 2001.

    2000

    Nakas, Kassandra, and Robert Fleck. “Michel Majerus.” In German Open: Gegenwartskunst in Deutschland. Edited by Gerard Hadders, Christoph Heinrich, and Nina Zimme. Wolfsburg, Germany: Kunstmuseum, 2000.

    Sans, JĂ©rĂŽme, and Manray Hsu. The Sky is the Limit: 2000 Taipei Biennial. Taipei: Taipei Fine Arts Museum, 2000.

    1999

    Christofori, Ralf. Colour Me Blind! Malerei in Zeiten von Computergame und Comic. Cologne: Walther König, 1999.

    De coraz(i)ón. Barcelona: Centre d’Art Tecla Sala, 1999.

    Deecke, Thomas, and Christian Köhler. Originale echt falsch. Bremen, Germany: Neues Museum Weserburg Bremen, 1999.

    Kold, Anders. Kraftwerk Berlin. Aarhus, Denmark: Aarhus Kunstmuseum, 1999.

    KĂŒper, Susanne. “Michel Majerus, MoM Block.” In Nach-Bild. Basel: Schwabe, 1999.

    Le Capital: Tableaux, Diagrammes & Bureaux d’Études. SĂšte, France: Centre RĂ©gional d’Art Contemporain, 1999.

    Standfest, Christine. “Michel Majerus.” In La Biennale di Venezia: 48 Esposizione Internazionale d’Arte. Edited by Harald Szeemann and Cecilia Liveriero Lavelli. Venice: La Biennale di Venezia. Venice: Marsilio, 1999.

    Titz, Susanne. “Michel Majerus.” In Art at the Turn of the Millennium. Edited by Uta Grosenick, Burkhard Riemschneider, and Lars Bang LarsenTaschen. Cologne and New York: Taschen, 1999.

    1998

    BubnovĂĄ, Jaroslava. Wiener Secession, 1898–1998: Das Jahrhundert der kĂŒnstlerischen Freiheit. Munich and New York: Prestel, 1998.

    Fleck, Robert, Maria Lind, and Barbara Vanderlinden. Manifesta 2: European Biennial for Contemporary Art. Luxembourg: Agence Luxembourgeoise d’Action Culturelle, 1998.

    Karcher, Eva. 10 Jahre Open Art MĂŒnchen. Munich: Initiative von MĂŒnchner Galerien zeitgenössischer Kunst, 1998.

    Marangou, Maria, and Birgit Hoffmeister. Made in Berlin: Eine neue KĂŒnstlergeneration. Athens: House of Cyprus and Rethymnon Centre for Contemporary Art, 1998.

    Richter, Horst. Geschichte der Malerei im 20. Jahrhundert. Cologne: DuMont, 1998.

    1997

    Aupetitallot, Yves, and Alessandra Galasso. Raconte-moi une histoire: La narration dans la peinture et la photographie contemporaines. Grenoble, France: Magasin--Centre National d'Art Contemporain, 1997.

    Köttering, Martin, and Roland NachtigÀller. Topping Out. Nordhorn, Germany: Nordhorn StÀdtische Galerie, 1997.

    1996

    Michel Majerus    . Basel: Schwabe, 1996.

    1992

    Jung, Stephan. 1992 — ein dokumentarischer Beitrag: Kunst kaufen in der Invalidenstrasse 31. Berlin: Jung, 1992.

  • Selected Articles

    2019

    Vankin, Deborah. “How did Elliott Hundley curate 7,500 artworks into a 39-piece MOCA show? With scissors.” Los Angeles Times, June 12, 2019.

    2014

    Cotter, Holland. “Matthew Marks Gallery,” The New York Times, April 4, 2014.

    Doran, Anne. “Michel Majerus / Matthew Marks,“ Art in America, April 2, 2014.

    Halle, Howard. “Michel Majerus,” Time Out New York, March 6 – 12, 2014.

    Mcvey, Kurt. “Thoroughly Modern Michel Majerus,” Interview Magazine, February 7, 2014.

    Pechman, Ali. “Michel Majerus,” Artforum, March 25, 2014.

    Russeth, Andrew. “Michel Majerus at Matthew Marks Gallery,” New York Observer, March 3, 2014.

    Ruthe, Ingeborg. “1000 Quadratmeter Zeitgeist,” Frankfurter Rundschau, April 3, 2014.

    Saltz, Jerry. “Michel Majerus,” New York Magazine (Insert: “See this art”), March 2014.

    Schjeldahl, Peter. “Michael Majerus,” The New Yorker, March 10, 2014.

    T.D. Neil, Jonathan. “Michel Majerus, Matthew Marks Gallery, New York 8 February - 19 April,” Art Review, May 2014.

    Zevitas, Steven. "Must-see Painting Shows: February 2014." The Huffington Post, February 3, 2014.

    2013

    Imdahl, Georg. “Bilder unterschiedlichster Temperamente.” SĂŒddeutsche Zeitung, September 4, 2013.

    Spears, Dorothy. “Galleries as the Art World’s Leading Indicators.” The New York Times, October 27, 2013.

    2012

    Braun, Adrienne. “SpielrĂ€ume nutzen.” Art Kunstmagazin, February 2012.

    Reski, Gunter. “Das Angeeignete muss aufs Eckige: Über Michel Majerus im Kunstmuseum Stuttgart.” Texte zur Kunst, March 2012.

    Schlaegel, Andreas. “Half-Pipe Half Painting.” Frieze d/e, July 2012.

    Wolfson, Jordan. “Michel Majerus (1967–2002).” Picpus, April 2012.

    2011

    Frenzel, Sebastian. “FĂŒrchte dich nicht.” Monopol, December 2011.

    Imdahl, Georg. “Die Entleerung war immer gewollt.” Frankfurter Rundschau, December 21, 2011.

    ———. “Super Mario betritt den Bildraum.” Kölner Stadt-Anzeiger, December 17, 2011.

    Lorch, Catrin. “Ziemlich krasse Neonfarben.” SĂŒddeutsche Zeitung, December 8, 2011.

    MĂŒller, Hans-Joachim. “Völlig ok, diese bunte BanalitĂ€t.” Welt am Sonntag, November 27, 2011.

    Scheller, Jörg. “Gemaltes Kunstgoogle.” Die Zeit, December 1, 2011.

    2009

    Chimienti, Pablo. “Majerus s’installe à Sarrebruck.” Le Quotidien, September 1, 2009.

    Conrad, Daniel. “Thema verfehlt?” Luxemburger Wort, September 2, 2009.

    Dittgen, Andrea. “Liebt euch: weiss und weitrĂ€umig.” Die Rheinpfalz, August 25, 2009.

    Feltes, Patrik H. “Über die Unmöglichkeit endgĂŒltiger Aussagen.” Tageblatt (Luxembourg), August 26, 2009.

    Graf, Sabine. “Rolle rĂŒckwĂ€rts, aber chronologisch.” SaarbrĂŒcker Zeitung, August 21, 2009.

    Hinrichsen, Jens. “Im Bauch der Bilder: Wie aktuell ist Michel Majerus? Die Galerie Neugerriemschneider spĂŒrt dem Zeitgeist nach.” Der Tagesspiegel, October 24, 2009.

    Kayser, Lucien. “Versants diurne et nocturne.” D’LĂ«tzebuerger Land, September 25, 2009.

    “Krisenfeste Anlage: Werke von Michel Majerus sind gefragt bei Kuratoren und Sammlern.” Informationsdienst Kunst, November 2009.

    Robecchi, Michele. “Michel Majerus at Neugerriemschneider.” Flash Art, November 2009.

    Varena, Paul. “museale 09: Michel Majerus.” Portal Kunstgeschichte 2009 (online).

    2008

    Denk, Felix. “Michel Majerus: Aufsaugen, Durchwirbeln, Entladen.” Groove, July 2008.

    Kayser, Lucien. “Sous la frise: Art contemporain.” d’LĂ«tzebuerger Land, October 10, 2008.

    Koch, Andreas, and Raimar Stange. “Posthume Schleifen: GesprĂ€ch ĂŒber Michel Majerus’ Buch ‘If we’re dead so it is.’” von hundert 005/100, February 2008.

    Strötgen, Janine. “Zwischen Malerei und Installation: Michel Majerus in der Galerie Nosbaum & Reding.” Tageblatt (Luxembourg), October 4, 2008.

    Sonna, Birgit. “Aus dem Strom der Gegenwart.” Neue ZĂŒrcher Zeitung, May 31, 2008.

    _____. “Schrammen am Sitzobjekt. KĂŒnstlernachlass: Majerus-Atelier in Berlin wieder hergerichtet.” Art, March 2008.

    Wulf, Friederike. “Too Young To Die.” Artinvestor, May 2008.

    2007

    Herstatt, Claudia. “Nach oben keine Grenzen: Art Basel.” Weltkunst Contemporary, January 2007.

    Kostede, Karola. “Stiller Junge Liebt Grosse Worte.” Merian, March 2007.

    Kockelkorn, RenĂ©. “Vom Glauben an den Zeitgeist: Michel Majerus-Retrospektive im Mudam.” Kulturissimo, January 2007.

    “Michel Majerus, exposition du 9 dĂ©cembre au 7 mai 2007.” Gaart an Heem, January 2007.

    Ruthe, Ingeborg. “Mal Drachentöter, mal Don Quichotte.” Berliner Zeitung, June 12, 2007.

    Schjeldahl, Peter. “The Art World: Abstraction Problem, Two New Shows on an Old Idea.” The New Yorker, March 19, 2007.

    Seil, Gabrielle. “Der rastlose EinzelkĂ€mpfer.” TĂ©lĂ©Revue, January 2007.

    Smith, Roberta. “Visions That Flaunt Cartoon Pedigrees.” The New York Times, March 2, 2007.

    Stange, Raimar. “Frenetic Stasis.” Mousse, September 2007.

    Völzke, Daniel. “Happy Halluzination.” Der Tagesspiegel, June 23, 2007.

    Walter, Franz. “Voller Bauch rebelliert gern.” Frankfurter Allgemeine Sonntagszeitung, January 14, 2007.

    2006

    Birnbaum, Daniel. “Search Engine: The Art of Michel Majerus.” Artforum, February 2006.

    Botzler, Uli. “Michel Majerus: Vertreter der Cyber-Generation.” TĂ©lĂ©cran, December 2006.

    Ebner, Jörn. “Michel Majerus.” Artist Kunstmagazin, January 2006.

    Eichler, Dominic. “Michel Majerus.” Frieze, April 2006.

    Jain, Gora. “Sein lieblingsthema war sicherheit, seine these: es gibt sie nicht.” KĂŒnstler: Kritisches Lexikon der Gegenwartskunst, 2006.

    Jammers, Martina. “New Pop an der Luxemburger Popcorn-Theke.” Luxemburger Wort, January 18, 2006.

    Kayser, Lucien. “Splash bombs au Mudam: RĂ©trospective Michel Majerus.” d’LĂ«tzebuerger Land, December 8, 2006.

    Lissmann, Christina. “Pop Goes the Easel.” Sleek, no. 10, January, 2006.

    LorgĂ©, Marie-Anne. “Il n’était pas un peintre
 mais un artiste: RĂ©trospective Michel Majerus au Mudam.” Tageblatt (Luxembourg), December 7, 2006.

    Richard-Reisen, Sophie. “Aphorismes picturaux at autres rĂ©flexions imagĂ©es: RĂ©trospective Michel Majerus au Mudam.” Tageblatt (Luxembourg), December 15, 2006.

    Rolland, Marie-Laure. “‘Une extraordinaire vitalitĂ©.’ Une grande rĂ©trospective est consacrĂ©e Ă  l’artiste luxembourgeois.” Luxemburger Wort, December 9, 2006.

    2005

    Baier, Uta. “Im Farbwirbel.” Die Welt, November 23, 2005.

    Berg, Ronald. “Fast besser als im Original.” Zitty, August 2005.

    Briegleb, Till. “Eingefrorene Zeichengewitter.” SĂŒddeutsche Zeitung, November 24, 2005.

    Bokern, Anneke. “Zeitgeist in Raum-Zeit.” Artnet (www.artnet.com), October 12, 2005.

    Buhr, Elke. “Das euphorische Jahrzehnt.” Frankfurter Rundschau, November 19, 2005.

    BĂŒsing, Nicole, and Heiko Klaas. “Bilderfinder im digitalen Zeitalter.” Weser Kurier, December 29, 2005.

    ———. “Zoom in die Neunziger.” Kunstmarkt.com (www.kunstmarkt.com), November 21, 2005.

    Christofori, Ralf. “Michel Majerus im Kunsthaus.” Kunst-Bulletin, April 2005.

    “Comics und Turnschuhe.” Flensburger Tageblatt, November 18, 2005.

    Engelhard, GĂŒnter. “Andy Warhols Zauberlehrling.” Art, November, 2005.

    Fricke, Harald. “Und Grösse bewegt doch.” Taz – die Tageszeitung, November 23, 2005.

    Gardner, Belinda Grace. “Giganten der Gestaltung.” Welt am Sonntag, November 13, 2005.

    Hartog-Jager, Hans den. “Weg met de twijfel.” NRC Handelsblad, July 8, 2005.

    Herbstreuth, Peter. “Jedes Bild ist eine Party: Wege in den Olymp. Die Berliner Galerie Neugerriemschneider zeigt Michel Majerus.” Der Tagesspiegel, August 13, 2005.

    Herrndorf, Ursula. “Gigantischer Triumph der Malerei.” Hamburger Abendblatt, November 18, 2005.

    ———. “Der Stilmix eines schnellen Lebens.” Hamburger Abendblatt, September 6, 2005.

    ———. “Kunst von großem Format.” Elmshorner Nachrichten, November 18, 2005.

    Hofmann, Isabelle. “Kunst mit Hang zum gigantischen Format.” Hamburger Morgenpost, November 18, 2005.

    Holler-Schuster, GĂŒnther. “Michel Majerus: What looks good today may not look good tomorrow.” Stedelijk Museum Bulletin, May.

    Kayser, Lucien. “Des espaces de peinture investis.” d’LĂ«tzebuerger Land, April 29, 2005.

    Keijer, Kees. “Hip, maar toch ook traditioneel.” Het Parool, August 9, 2005.

    Kuhn, Nicola. “Unsterblich werden.” Der Tagesspiegel, November 26, 2005.

    Pohle, Julika. “Grosses Wohlgefallen in den Deichtorhallen.” Die Welt, November 18, 2005.

    “Pop-Helden in Acryl.” Der Spiegel, November.

    Probst, Carsten. “Verlange das Beste!” Trierischer Volksfreund, December 3, 2005.

    Richter, Peter. “Die Welt als Daddelhalle.” Frankfurter Allgemeine Sonntagszeitung, November 20, 2005.

    “Riesenformate von Michel Majerus in den Hamburger Deichtorhallen.” Westdeutsche Zeitung, November 22, 2005.

    Ruthe, Ingeborg. “Mit Risiken und Nebenwirkungen: Die Galerie Neugerriemschneider erinnert an Michel Majerus.” Berliner Zeitung, August 9, 2005.

    Ruyter,Thibaut de. “Michel Majerus.” Art Press.

    Schmidmaier, Irmgard. “Die Katze in der blauen Blase.” d’LĂ«tzebuerger Land, February 18, 2005.

    Stange, Raimar. “Alles of Niets.” Metropolis M, August 2005.

    Tröster, Christian. “Grösser, bunter, lauter.” Welt am Sonntag, November 20, 2005.

    Vahland, Kia. “Ein EuropĂ€er in New York. Wien: Wilhelm de Kooning.” Art, January 2005.

    Velde, Paola van de. “Zapschilderkunst van Michel Majerus.” De Telegraaf, August 2, 2005.

    Wagner, Anselm. “Gross, Bunt, Leer.” Spike, July 2005.

    Woeller, Marcus. “Michel Majerus: demand the best, don’t accept excuses.” Style, November 2005.

    2004

    “Bienal Internacional de Arte de Sevilla.” Exit Express, October 2004.

    Birnbaum, Daniel. “Sampling the Globe.” Artforum, October 2004.

    Brown, Chris. “Tate Gallery tribute to plane crash artist.” Daily Post, January 27, 2004.

    Buhr, Elke. “Der Superman-Effekt.” Frankfurter Rundschau, December 28, 2004.

    Christofori, Ralf. “BrĂŒcken ĂŒber den Fluss.” Der Tagesspiegel, March 20, 2004.

    GonzĂĄlez-Barba, AndrĂšs. “La Bienal d’Arte Sevilla da sus Ășltimos retoques a una semana de su inauguraciĂłn oficial.” ABC, September 24, 2004.

    ———. “Sevilla se convierte en escaparate de las vanguardias tras la inauguración de la Bienal.” ABC, October 2, 2004.

    Kayser, Lucien. “Michel Majerus ou l’étoilement de la peinture.” d’LĂ«tzebuerger Land, November 19, 2004.

    Kopka, Fritz-Jochen. “Die BilderflĂŒsterer.” A&W – Architektur & Wohnen, 2004.

    “Michel Majerus: Pop Reloaded.” Move Out, February 2004.

    SchĂŒtte, Christoph. “Horrorszenen im Seerosenteich.” Frankfurter Allgemeine Zeitung, February 12, 2004.

    Stange, Raimar. “Agit-Pop: Notizen zur neuen Beziehung von Pop und Politik.” Spike, October 2004.

    Walde, Gabriela. “Des Kanzlers neue Bilder.” Berliner Morgenpost, June 9, 2004.

    Zamet, Kate. “On the Verge of World Domination.” Blueprint, April 2004.

    2003

    Allen, Dave, and Harald Fricke. “Michel Majerus.” Neue Review, October 2003.

    Birnbaum, Daniel. “Michel Majerus 1967–2002.” Frieze, January 2003.

    Buhr, Elke. “Alles gleich glatt.” Frankfurter Rundschau, March 4, 2003.

    Domesle, Andrea. “Zur Erinnerung an Michel Majerus, MAYERus: letzte tage.” Art Magazine January 7, 2003 (online).

    Fricke, Harald. “Aus Freude am Photo-Shopping.” Taz – die Tageszeitung, July 15, 2003.

    ———. “Never mind the Pollocks.” Taz – die Tageszeitung, March 5, 2003.

    Hoffman, Justin. “‘The Starting Line’ der Pinakothek der Moderne.” Kunst-Bulletin, January 2003.

    Hohmeyer, Boris. “Kandinsky trifft auf Omo-Reklame.” Art, July 2003.

    Kayser, Lucien. “In memoriam ‘Letzte Tage
’.” D’LĂ«tzebuerger Land, January 3, 2003.

    “Laptop auf Leinwand.” Focus, July 2003.

    Luz, Katrin. “Bilder sind wie Viren, die sich an Bestehendes anheften.” Newsletter Galerie Köln, January 2003.

    Macel, Christine. “À l’Est, du nouveau.” Art Press, October 2003.

    Marteling, Luc. “Mehr Licht: Pinakothek der Moderne.” TĂ©lĂ©cran, February 2003.

    Michaux, Anne. “Ausstellung von 18 Malereien von Michel Majerus im Hamburger Bahnhof: ‘Pop Reloaded’ in Berlin.” Tageblatt, July 21, 2003.

    Ruthe, Ingeborg. “Sicherheit? Es gibt sie nicht.” Berliner Zeitung, July 19, 2003.

    Schlaegel, Andreas. “News: Berlin.” Contemporary, January 2003.

    Schwendener, Martha. “Michel Majerus: Does a promising career cut short create new interest in the market?” Artindex, April 2003.

    Stoeber, Michael. “Painting Pictures.” Kunstforum International, June 2003.

    Tilmann, Christina. “Held der inneren Unsicherheit.” Der Tagesspiegel, July 12, 2003.

    Thiel, Wolf GĂŒnther. “Michel Majerus.” Flash Art, January 2003.

    Walde, Gabriela. “Der Sampler.” Berliner Morgenpost, July 11, 2003.

    Waldvogel, Florian, and Franz MĂŒller. “Michel Majerus / Hans Jörg Mayer.” Neue Review, May 2003.

    2002

    “Ansichtssachen: Die Verwandlungen des Brandenburger Tors.” Frankfurter Allgemeine Zeitung, September 9, 2002.

    “Berlins gute Stube.” Der Tagesspiegel, September 7, 2002.

    Birnbaum, Daniel. “Seine Zeit war immer jetzt.” Frankfurter Rundschau, November 11, 2002.

    Castro, Fernando. “2002 BC: Before Collecting Latin American Art.” Art Nexus, April.

    Daniels, Corinna. “Die letzten Bilder von Michel Majerus bei Neugerriemschneider.” Die Welt, December 27, 2002.

    Ebner, Jörn. “Das Kreuz mit den JĂŒnglingen.” Frankfurter Allgemeine Zeitung, March 2, 2002.

    Felice, Paul di. “If you are dead ... So it is: Michel Majerus.” Exporevue, November 1, 2002 (online).

    Heiser, Jörg. “Hier, jetzt.” SĂŒddeutsche Zeitung, November 8, 2002.

    Kayser, Lucien. “Promesses crashĂ©es.” D’LĂ«tzebuerger Land, November 15, 2002.

    Levine, Cary. “Michel Majerus at Friedrich Petzel.” Art in America, December 2002.

    “Michel Majerus 1967–2002.” Art Monthly, December 2002.

    Pollack, Maika. “Michel Majerus at Friedrich Petzel.” Flash Art, October 2002.

    “Provokation: Sozialpalast statt Brandenburger Tor.” Berliner Morgenpost, September 7, 2002.

    Richter, Peter. “Welten aus Malerei.” Frankfurter Allgemeine Zeitung, November 8, 2002.

    Ryan, David. “Reviews International Berlin.” Art Papers, September 2002.

    “Schöneberg liegt in Mitte.” Berliner Zeitung, September 7, 2002.

    Schulz, Bernhard. “Antennen in alle Welt.” Der Tagesspiegel, February 19, 2002.

    Stange, Raimar. “Adventures of Uncertainty.” Modern Painters, October 2002.

    Wittneven, Katrin. “Die Absichten des KĂŒnstlers.” Der Tagesspiegel, November 8, 2002.

    ———. “Innehalten in der Bilderflut.” Der Tagesspiegel, December 14, 2002.

    2001

    Bonazzoli, Francesca. “Malkunst, pittura oggi a Berlino.” Corriere della sera / ViviMilano, January 2, 2001.

    Liebs, Holger. “Generation Klecks.” SĂŒddeutsche Zeitung, January 9, 2001.

    2000

    Bode, Ursula. “Sportiy.” Die Zeit, November 16, 2000.

    Frangenberg, Frank. “Leere Unwirklichkeit und Popkultur.” Kölner Stadt Anzeiger, May 6, 2000.

    Herbert, Martin. “Michel Majerus.” Time Out, April 2000.

    HorĂĄkovĂĄ, Dana. “Schönheit gibt es nicht, nirgendwo.” Welt am Sonntag, February 27, 2000.

    Kayser, Lucien. “Ils tiennent bon la rampe.” D’LĂ«tzebuerger Land, November 10, 2000.

    Koerver, Jens Peter. “New Painting, Der Stand der Bilder.” Frame, July 2000.

    Lösel, Anja. “GlĂŒhende Bilderlust.” Stern, September 2000.

    Ratnam, Niru. “kunst*.” The Face, January 2000.

    Smolik, Noemi. “Die Absichten des KĂŒnstlers werden ĂŒberbewertet.” Frankfurter Allgemeine Zeitung, November 3, 2000.

    ———. “Michel Majerus: If we are dead, so it is.” Artforum, September 2000.

    Sumpter, Helen. “Everything Plasticine.” i–D, May 2000.

    1999

    Békgaard, Bjarne. “Energifyldt kraftvérk.” n.n., August 22, 1999.

    Heidenreich, Stefan. “Genug, genug, genug.” Frankfurter Allgemeine Zeitung, September 11, 1999.

    Herbstreuth, Peter. “Alles hĂ€ngt mit allem zusammen.” Der Tagesspiegel, September 25, 1999.

    Knöfel, Ulrike. “GefĂŒhl der StĂ€rke: Die Wolfsburger Schau ‘German Open’ feiert eine neue, höchst lebendige Kunstszene.” Der Spiegel, November 1999.

    Luz, Katrin. “Michel Majerus.” Noema, January 1999.

    Nþrlyng, Ole. “Åben kraft.” Berlingske Tidende, August 28, 1999.

    Politi, Giancarlo. “The Venice Biennale.” Flash Art, October 1999.

    Smolik, Noemi. “Michel Majerus.” Kunstforum International, December 1999.

    Spiegel, Olga. “El Centro Tecla Sala muestra los vínculos entre la pintura abstracta y la decoración.” La Vanguardia, March 3, 1999.

    Stange, Raimar. “Never Trip Alone.” Kunst-Bulletin, November 1999.

    1998

    DrĂŒhl, Sven. “Verstrickung.” Kunstforum International, July 1998.

    Kannenberg, Sofia. “Pusten bis zum Platzen.” Berliner Morgenpost, September 26, 1998.

    Kayser, Lucien. “Michel Majerus ou la collision des images.” D’LĂ«tzebuerger Land, June 26, 1998.

    “Manifesta 2 in Luxemburg.” Art, June 1998.

    Nemeczek, Alfred. “Der documenta ĂŒberlegen.” Art, August 1998.

    Thiel, Wolf-GĂŒnter. “Cover Story.” Flash Art, October 1998.

    Wiensowski, Ingeborg. “Michel Majerus.” Spiegel Kultur extra, June 1998.

    1997

    Agrell, Alexander. “Stor spĂ€nnvidd hos ung tysk.” Sydsvenskan, October 4, 1997.

    Birnbaum, Daniel. “GrĂ€llt visuellt kaos.” Dagens Nyheter, October 10, 1997.

    ———. “Michel Majerus: If we are dead, so it is.” Artforum, September 1997.

    “The Power of Now.” Frieze, May 1997

    Hall, Kim. “Samtida konst i starka fĂ€rger.” SkĂ„nska DĂĄgbladet, October 4, 1997.

    “I Warhols anda.” Dagbladet, October 4, 1997.

    Jönsson, Dan. “Konst som musik.” Sydsvenskan, October 23, 1997.

    Kleine, Susanne. “Persönliche Sicht auf Polke.” Bonner Rundschau, September 6, 1997.

    Larson, Lars Bang, and Karsten R. S. Ifversen. “Pop-maleri i hþjeste gear.” Politiken, October 24, 1997.

    “Malerische Entzauberung: Wenn die Zitate frei flottieren.” Salzburger Nachrichten, January 8, 1997.

    “Michel Majerus, Galerie Meyer.” Klappe auf – Karlsruher Kultur Magazin, February 1997.

    “Michel Majerus im Kunstverein, Graz.” Kronen Zeitung, December 15, 1997.

    Smolik, Noemi. “Michel Majerus, Galerie Neugerriemschneider.” Artforum, April 1997.

    Stange, Raimar. “Raimar Stange ĂŒber Michel Majerus.” Artist Kunstmagazin, April 1997.

    1996

    Frangenberg, Frank. “Malerei III.” Kunstforum International, October 1996.

    Handelsblatt, November 14, 1996.

    Herbstreuth, Peter. “Muffelt nach KĂ€se.” Der Tagesspiegel, July 8, 1996.

    “Hundert Quadratmeter Kandinsky mit ‘Dash’-Reklame.” Die Welt, February 24, 1996.

    Karcher, Eva. “Junge Kunst: Statt neuer Ideen am liebsten neue Bilder.” Art, October 1996.

    Maurer, Simon. “Duftende Fotografie, verschenkte Malerei.” Tages Anzeiger, March 12, 1996.

    MĂŒller, Hans-Joachim. “Die WĂ€nde verstellt, der Boden weich.” Basler Zeitung, March 12, 1996.

    MĂŒller, Sabine. “Der Trend zum TrĂ€umen.” Kölner Stadtanzeiger, June 15, 1996.

    Poerschke, Ralf. “kabinett des schönen scheins.” Hamburger Rundschau, June 6, 1996.

    Titz, Walter. “Weniger ist viel mehr.” Kleine Zeitung, December 12, 1996.

    “Wie ‘high’ und ‘low’ zusammenfanden.” Neue Zeit, December 12, 1996.

    1994

    Werneburg, Brigitte. “Roger Rabbit sprengt das Format.” Taz – die Tageszeitung, November 26, 1994.

    1993

    Herbstreuth, Peter. “LĂ€cheln, bis es blitzt.” Der Tagesspiegel, July 8, 1993.

    1992

    Braunschweig, Antje. “Im Dutzend billiger.” Taz – die Tageszeitung, March 20.

    “BZ-Kauftipp: Gehirn tafeln im Fleischerladen! Bilder fĂŒr 120 Mark!” BZ, May 18, 1992.

    Runge, Annette. “Die Kunst auf dem WĂŒhltisch.” Berliner Zeitung, May 20, 1992.