2018

Helfenstein, Josef, Patrick Düblin, and Maja Wismer, eds. Basel Short Stories: Von Erasmus bis Iris von Roten. Basel: Kunstmuseum Basel and Christoph Merian Verlag, 2018.

Schaulager: bewahren, erforschen, weitergeben. Basel: Schaulager, 2018.

2017

Christov-Bakargiev, Carolyn, and Marcella Beccaria, eds. Colori: Emotions of Color in Art. Milan: Silvana Editoriale, 2017.

Dijk, Eline van, Marijke Lukowicz, and Tanja Pirsig-Marshall, eds. Unerwartete Begegnungen: Nolde, Kippenberger, Fritsch & Co. in der Sammlung der Westfälischen Provinzial. Bielefeld, Germany: Kerber Verlag, 2017.

Fleckner, Uwe, and Uwe M. Schneede, eds. Bürgerliche Avantgarde: 200 Jahre Kunstverein in Hamburg. Berlin: Hatje Cantz Verlag, 2017.

Peters, Gertrud. 10 Jahre KIT. Düsseldorf: KIT – Kunst im Tunnel and Kunsthalle Düsseldorf, 2017.

Obergassel, Cordula. “Das is doch keine Kunst!”: Kulturpolitik und kultureller Wandel in Dortmund und Münster. Paderborn, Germany: Ferdinand Schöningh, 2017.

Smerling, Walter, and Di’an Fan. Deutschland 8 – deutsche Kunst in China. Bonn: Stiftung für Kunst und Kultur, 2017.

2016

Basualdo, Carlos, and Anna Mecugni, eds. Embracing the Contemporary: The Keith L. and Katherine Sachs Collection. Philadelphia: Philadelphia Museum of Art, 2016.

Naef, Hiedi, Isabel Friedli, and Anna Francke, eds. Zita – Щapa Chamber Piece by Katharina Fritsch and Alexej Koschkarow. Basel: Laurenz Foundation, Schaulager, 2016.

Martín, Carlos. Iconoclastic Gestures: Heterodox Images. Barcelona: “La Caixa” Foundation, 2016.

Spinnen, Burkhard, and Eva Pieper-Rapp-Frick. Geprägt: Skulptur Projekte Münster, Berichte, Bilder und Erinnerungen. Münster: Coppenrath, 2016.

Vasconcellos, Isabel de, and Perry Grayson. Fourth Plinth: How London Created the Smallest Sculpture Park in the World. London: Art/Books, 2016.

2015

Future Present: The Collection of the Emanuel Hoffman Foundation. Basel: Laurenz Foundation, Schaulager, 2015.

Gioni, Massimiliano, and Roberta Tenconi, eds. The Great Mother: Women, Maternity, and Power in Art and Visual Culture, 1900–2015. Translated by Paul Metcalfe. Milan: Skira Editore, 2015.

Lembke, Katja. Madonna: Frau, Mutter, Kultfigur. Dresden: Michel Sandstein, 2015.

Malz, Isabelle, and Marion Ackermann. The Problem of God. Bielefeld, Germany: Kerber Verlag, 2015.

Schlieker, Andrea, ed. Commissions & Public Projects by White Cube Artists, 2. London: White Cube, 2015.

Strathaus, Ulrike Jehle-Schulte, ed. Novartis Campus – Asklepios 8, Herzog & de Meuron. Basel: Christoph Merian, 2015.

2014

Bankowsky, Jack, Thomas Crow, Nicholas Cullinan, and Michael Fried. Sculpture After Sculpture: Fritsch, Koons, Ray. Ostfildern, Germany: Hatje Cantz, 2014.

Grammel, Søren, Svenja Held, and Philipp Selzer. One Million Years – System and Symptom. Basel: Kunstmuseum Basel, Museum für Gegenwartskunst, 2014.

König, Kasper. Manifesta 10: The European Biennial of Contemporary Art, St. Petersburg Russia, the State Hermitage Museum. London: Koenig Books, 2014.

Obrist, Hans Ulrich, Pierre Leguillon, and Johan Holten. Hôtel Carlton Palace – chambre 763. Cologne: Verlag der Buchhandlung Walther König; New York: D.A.P./ Distributed Art Publishers, Inc., 2014.

Rugoff, Ralph, ed. The Human Factor: The Figure in Contemporary Sculpture. London, Hayward Publishing, 2014.

Wilhelmy, Petra. Heizkraftwerk Römerbrücke Saarbrücken. Saarbrücken: Verlag St. Johann, 2014.

2013

Buxbaum, Roman, and Felix Zdenek. Images for Images: Artists for Tichy, Tichy for Artists. Praha, Prague: Tichy Ocean Foundation, 2013.

Fleck, Robert, ed. Figure in the Garden: Katharina Fritsch at the Museum of Modern Art. Cologne: Verlag der Buchhandlung Walther König, 2013.

Moore, Elke aus dem, Matthias Flügge, and Matthias Winzen, eds. Weltreise, Kunst aus Deutschland unterwegs: Werke aus dem Kunstbestand des ifa 1949–heute. Stuttgart: Institut für Auslandesbeziehungen; Heidelberg, Germany: Kehrer, 2013.

Ackermann, Marion. Die Bildhauer. Bielefeld, Germany: Kerber, 2013.

Myssok, Johannes, and Guido Reuter, eds. Der Sockel in der Skulptur des 19. & 20. Jahrhunderts. Cologne: Böhlau, 2013.

Rêves de Venise. Bordeaux: L’Institut culturel Bernard Magrez, 2013.

Schlieker, Andrea, ed. Commissions & Public Projects by White Cube Artists, 1. London: White Cube, 2013.

2012

Achenbach, Helge. 10 Jahre Sammlung Rheingold. Düsseldorf: Sammlung Rheingold, 2012.

Curiger, Bice, and Giovanni Carmine, eds. ILLUMinations: 54th International Art Exhibition.

Fourth Plinth: Contemporary Monument. London: Institute of Contemporary Arts, 2012.

Gohr, Siegfried, and Vanessa Sondermann. Bildspeicher II Neuerwerbungen 2009–2012. Düsseldorf: Düsseldorf Akademie Galerie, Die Neue Sammlung, 2012.

Héran, Emmanuelle, and Éric Baratay. Beauté animale. Paris: Réunion des musées nationaux-Grand Palais, 2012.

König, Kasper, and Thomas Trummer. Vor dem Gesetz: Skulpturen der Nachkriegszeit und Räume der Gegenwartskunst. Cologne: König, 2012.

Schaulager-Satellite. Münchenstein and Basel: Schaulager, 2012.

Smerling, Walter, and Tina Rudolph. 25 Jahre Stiftung für Kunst und Kultur Bonn: Stiftung für Kunst und Kultur, 2012.

Think Twice: Twenty Years of Contemporary Art from Collection Sandretto Re Rebaudengo. London: Whitechapel Gallery, 2012.

Wert, Guido de, ed. Mein Rasierspiegel – von Holthuys bis Beuys. Kleve, Germany: Museum Kurhaus Kleve, 2012.

2011

Bankowsky, Jack, and Emily Wei Rales. No Substitute. Potomac, MD: Glenstone Foundation, 2011.

Curiger, Bice, Giovanni Carmine, and Tom Phongsathom. ILLUMInations: 54th Esposizione Internazionale d’Arte, La Biennale di Venezia. Venice: Fondazione, La Biennale di Venezia, 2011.

Fritz, Martin, and Peter Bogner. Beziehungsarbeit: Kunst und Institution. Vienna: K/Haus and Schlebrügge, 2011.

Herndon-Consagra, Francesca, and Sydney Jane Norton. Dreamscapes. Saint Louis: The Pulitzer Foundation for the Arts, 2011.

Oceanomania: Souvenirs of Mysterious Seas, From the Expedition to the Aquarium. Monaco: Nouveau Musée National de Monaco, 2011.

Pohlen, Annelie, and Stephan Berg. Fonds zur guten Aussicht: Kunstfonds 1980–2010. Nuremberg, Germany: Verlag für Moderne Kunst, 2011.

Rose, Barbara, and Consuelo Císcar Casabán. Identidad femenina en la colección del IVAM. Valencia, Spain: Institut Valencià d’Art Modern, 2011.

Uerlings, Herbert, Nina Trauth, and Lukas Clemens, eds. Armut: Perspektiven in Kunst und Gesellschaft. Darmstadt, Germany: Primus, 2011.

2010

Casabán, Consuelo Císcar, and Tomás Llorens Serra, and Boye Llorens. IVAM Donaciones. Valencia, Spain: IVAM Institut Valencià d’Art Modern, 2010.

Gioni, Massimiliano, and Judy Ditner. 10,000 Lives: Gwangju Biennale 2010. Gwangju, Korea: Gwangju Biennale Foundation; New York: D.A.P./Distributed Art Publishers, 2010.

———. Alpha Omega: Works from the Dakis Joannou Collection. Athens: Deste Foundation Centre for Contemporary Art, 2010.

Glasner, Barbara, and Petra Schmidt. Chroma: Design, Architecture & Art in Color. Basel and Boston: Birkhäuser, 2010.

Kölle, Brigitte. Es geht voran: Kunst der 80er, Eine Düsseldorfer Perspektive. Munich and New York: Prestel, 2010.

Lebenslust und Totentanz: Olbricht Collection. Cologne: Verlag der Buchhandlung Walther König, 2010.

Linsenmaier-Wolf, Christa. Larger than Life, Stranger than Fiction: 11. Triennale Kleinplastik Fellbach. Cologne: Snoeck, 2010.

Meisterwerke des 20. Und 21. Jahrhunderts. Düsseldorf: Kunstsammlung Nordrhein-Westfalen, 2010.

Rondeau, James, and Judith Russi Kirshner. Contemporary Collecting: The Donna and Howard Stone Collection. Chicago: The Art Institute of Chicago; New Haven: Yale University Press, 2010.

Roselione-Valadez, Juan. Time Capsule: Age 13 to 21, The Contemporary Art Collection of Jason Rubell. Miami: Rubell Family Collection, 2010.

Tuymans, Luc, Tommy Simoens, Edwin Carels, and Kate Mayne. Luc Tuymans: The Reality of the Lowest Order, A Vision of Central Europe. Tielt, Belgium: Lanoo Books, 2010.

Schmidt, Eva, and Eugen Viehof, eds. Was tun? Was geschieht? Düsseldorf: Feymedia, 2010.

2009

Bechtler, Cristina, ed. Style and scale, or: Do You Have Anxiety? A Conversation with Ken Adam, Katharina Fritsch and Hans Ulrich Obrist. Vienna: Springer, 2009.

Bishop, Janet, Corey Keller, and Sarah Roberts. San Francisco Museum of Modern Art: 75 Years of Looking Forward. San Francisco: San Francisco Museum of Modern Art, 2009.

Curiger, Bice, and Sandra Haldi, eds. Katharina Fritsch. Ostfildern, Germany: Hatje Cantz, 2009.

Köln Skulptur 5: Reality Check. Cologne: W. König, 2009.

Murray, Peter, and Consuelo Ciscar Casabán. La Escultura en La Colección del IVAM. Valencia, Spain: Institut Valencià d’Art Modern, 2009.

Sharp, Robert V, Elisabeth Stepina, and Susan E. Weidemeyer, ed. The Essential Guide: The Art Institute of Chicago. Chicago: The Art Institute of Chicago, 2009.

2008

Toit, Herman du, and Doris R. Dant, eds. Art and Spirituality: The Visual Culture of Christian Faith. Provo, UT: Brigham Young University Studies, 2008.

Bonami, Francesco, and Sarah Cosulich Canarutto. God & Goods: Spirituality and Mass Confusion. Codroipo, Italy: Azienda speciale Villa Manin, 2008.

Brückmann, Franziska, Michael Kröger, and Roland Nachtigäller. Ad Absurdum: Energies of the Absurd from Modernism till Today. Bielefeld, Germany: Kerber; New York: D.A.P./Distributed Art Publishers, 2008.

Hervol, Anke. Katharina Fritsch: Piepenbrock Preis für Skulptur 2008. Berlin: Berlin Kulturstiftung Hartwig Piepenbrock, 2008.

Kreuzer, Stefanie. Kavalierstart. Cologne: DuMont, 2008.

Miller, Harland, ed. You Dig the Tunnel, I’ll Hide the Soil. London: White Cube, 2008.

Panzanelli, Roberta, Eike D. Schmidt, and Kenneth D. S. Lapatin, eds. The Color of Life: Polychromy in Sculpture from Antiquity to the Present. Los Angeles: J. Paul Getty Museum and The Getty Research Institute, 2008.

Temkin, Ann. Color Chart: Reinventing Color, 1950 to Today. New York: The Museum of Modern Art; London: Thames & Hudson, 2008.

2007

Cichocki, Sebastian, and Matthias Winzen, eds. Bodycheck: anlässlich der 10. Triennale Kleinplastik. Cologne: Snoeck, 2007.

Farronato, Milovan, and Angela Vettese. Katharina Fritsch. Modena, Italy: Galleria Civica, 2007.

Gardner, Belinda Grace, ed. True Romance: Allegorien der Liebe von der Renaissance bis heute. Cologne: Dumont, 2007.

Hirsch, Thomas, and Peter Liese, eds. Künstler in Düsseldorf: 80 Beiträge. Cologne: Salon, 2007.

Hüsch, Anette, and Beatrice von Bismarck. Visit(e): Werke aus der Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland. Cologne: DuMont-Literatur-und-Kunst-Verlag, 2007.

Raulff, Helga, and Michael Dorrmann. Schlaf & Traum. Cologne: Böhlau, 2007.

Sander, Karin, and Harry Walter, eds. Skulpturen in Braille. Fellbach: Stadt Fellbach, 2007.

Woodrow, Bill. Royal Academy Illustrated 2007. London: Royal Academy of the Arts, 2007.

Zeller, Ursula, ed. Die deutschen Beiträge zur Biennale Venedig 1895–2007. Cologne: DuMont, 2007.

2006

Cauteren, Philippe van, Emiko Yoshioka, and Meruro Washida. We Humans are Free: From the Collection of S.M.A.K., Museum of Contemporary Art, Ghent. Kanazawa, Japan: 21st Century Museum of Contemporary Art, Kanazawa, 2006.

Katharina Fritsch. Cologne: Walther König, 2006.

Doorman, Maarten, and Sara Weyns. Long leve beeldhourokunst! Antwerp, Belgium: Middelheimmuseum, 2006.

Farronato, Milovan. Egomania: Just When I Think I’ve Understood. Milan: Silvana, 2006.

Hagen, Susanne van, Danielle Gaudry Cazeau, Anne Zweibaum, John Tittensor, and Till Zimmerman. Art’Fab: L’Art, La Femme, L’Europe. Paris: Terrail, 2006.

Jopling, Jay. Dark Matter. London: White Cube, 2006.

Loock, Ulrich. The 80s: A Topology. Porto, Portugal: Fundação de Serralves, 2006.

Scott, Kitty, and Jonathan Shaughnessy, eds. Art Metropole: The Top 100. Ottawa: National Gallery of Canada, 2006.

Six Feet Under: Autopsy of Our Relation to the Dead. Bielefeld and Leipzig, Germany: Kerber; New York: Distributed Art Publishers, 2006.

Wye, Deborah, and Wendy Weitman, eds. Eye on Europe: Prints, Books, and Multiples. New York: The Museum of Modern Art, 2006.

2005

Arseniew, Ludmilla O’von, and Udo Scheel. Zwischen Tür und Angel. Münster, Germany: Westfälischen Landesmuseum für Kunst und Kulturgeschichte Münster, 2005.

Curiger, Bice ed. Katharina Fritsch. Cologne: Walther König, 2006.

From Van Gogh to Beuys: Masterpieces of Modern Art from Ten German and Dutch Museums. Ostfildern: Hatje Cantz; New York: Distributed Art Publishers, 2005.

Fürstenberg, Adelina von. Donna Donne. Florence: Giunti, 2005.

Hardenberg, Irene, and Reto Guntil. Künstlerinnen: Atelierbesuche in Berlin, Moskau, New York. Hildesheim, Germany: Gerstenberg, 2005.

Heynen, Julian, and Valeria Liebermann, eds. Sammlung: Kunst der Gegenwart in K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf. Cologne: DuMont, 2005.

Jahresgaben 2005. Goslar, Germany: Mönchehaus Museum für moderne Kunst, 2005.

Kaiser, Philipp, ed. Flashback: Revisiting the Art of the 80s. Ostfildern-Ruit, Germany: Hatje Cantz; Basel: Kunstmuseum Basel, Museum für Gegenwartskunst, 2005.

Van Eck, Tricia ed. Universal Experience: Art Life, and the Tourists Eye. Chicago: Museum of Contemporary Art, 2005.

2004

100 Artists See God. New York: Independent Curators International, 2004.

Kaphetse, Anna. Transcultures. Athens: National Museum of Contemporary Art, 2004.

Mönig, Roland, and Joachim Plum. Sammlung Plum. Kleve, Germany: Freundeskreis Museum Kurhaus und Koekkoek-Haus Kleve, 2004.

Schneider, Christine, ed. Animals. London: Haunch of Venison, 2004.

The Eclectic Eye: Selections from the Fredrick R. Weisman Art Foundation. Los Angeles: Frederick R. Weisman Philanthropic Foundation, 2004.

Vissault, Maïté. Cremers Haufen: Alltag, Prozesse, Handlungen, Kunst der 60er Jahre und heute. Bielefeld, Germany: Kerber; Münster: Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 2004.

2003

7e Biennale d’Art Contemporain de Lyon. Dijon, France: Presses du réel and Fage, 2003.

Bee, Andreas, ed. Zehn Jahre Museum für Kunst, Frankfurt am Main. Cologne: DuMont, 2003.

Boog, Eric, and Ragip Basmazölmez. Sukûn – Stille: über den Wunsch und die Mühsal, Kunst zum Beruf zu machen. Essen: Mobile Städtische Galerie im Museum Folkwang, 2003.

Curiger, Bice, Carter Ratcliff, and Peter Johannes Schneemann. Georgia O’Keeffe. Ostfildern-Ruit, Germany: Hatje Cantz, 2003.

Grynsztejn, Madeleine, ed. Supernova: Art of the 1990s from the Logan. San Francisco: San Francisco Museum of Modern Art; New York: DAP, Distributed Art Publishers, 2003.

Troncy, Éric. Coollustre, Weather Everything, Dramatically Different. Dijon, France: Les Presses du réel, 2003.

Winzen, Matthias, and Isabel Greschat. Durchgehend geöffnet: Skulpturensommer in Baden-Baden. Cologne: DuMont, 2003.

2002

Blazwick, Iwona, ed. Katharina Fritsch. London: Tate Publishing; New York: Matthew Marks Gallery, 2002.

———. Katharina Fritsch. London: Tate Publishing, 2002.

———. Katharina Fritsch. Düsseldorf: K21 Kunstsammlung im Ständehaus; Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 2002.

Catalogue Raisonné: Collection of Contemporary Art Fundación “la Caixa.” Barcelona: Fundación “la Caixa,” 2002.

Cimerman, Zvjedana, Daniel Ammann, and Adolf Muschg. Das Tier in der Zeitgenössischen Kunst. Zürich: Tierschutzverlag Zürich, 2002.

Fitschen, Jürgen, ed. Die Pop Art und die Zeitgenössische Bildhauerkunst. Bremen, Germany: Gerhard-Marcks-Haus, 2002.

Hollein, Max, Christoph Grunenberg, and Chantal Béret, eds. Shopping: 100 Jahre Kunst und Konsum. Ostfildern-Ruit, Germany: Hatje Cantz, 2002.

Heynen, Julian, ed. Sammlung Ackermans. Ostfildern-Ruit, Germany: Hatje Cantz, 2002.

———. Startkapital. Ostfildern-Ruit, Germany: Hatje Cantz, 2002.

Logan, Kent, and Vicki Kent. The Logan Collection: A Portrait of Our Times, a Collector’s Odyssey and Philosophy. Vail, CO: Logan Collection Vail, 2002.

SFMOMA Painting and Sculpture Highlights. San Francisco: San Francisco Museum of Modern Art, 2002.

White Cube. Göttingen, Germany: Steidl, 2002.

Zweite, Armin. Das Ständehaus in Düsseldorf: 1875–2002. Cologne: DuMont, 2002.

2001

100 Drawings and Photographs: Tenth Anniversary Exhibition. New York: Matthew Marks Gallery, 2001.

Herbert, Lynn M., Klaus Ottmann, and Peter Schjeldahl. The Inward Eye: Transcendence in Contemporary Art. Houston: Contemporary Art Museum, 2001.

Keiper, Elke. Die Sammlung als Bild – Kugelkopf. Waldkraiburg, Germany: Stadt Waldkraiburg, 2001.

König, Kasper, Thomas Weski, and Ulrich Wilmes. Museum of our Wishes. Cologne: Museum Ludwig, 2001.

LeVitte-Harten, Doreet, and Markus Masher. Exodus. Haifa, Israel: Haifa Museum of Art, 2001.

Meister, Helga. Und keiner hinkt: 22 Wege vom Schwegler wegzukommen. Düsseldorf: Kunsthalle Düsseldorf, 2001.

Putnam, James. Art and Artifact: The Museum as Medium. New York: Thames & Hudson, 2001.

Schleyerbach, Julia. Katharina Fritsch, Robert Gober. Frankfurt am Main: Museum für Moderne Kunst, 2001.

Schoppmann, Wolfgang, Peter Friese, and Eva Schmidt, eds. Without Hesitation: The Olbricht Collection, Part 2. Heidelberg: Edition Braus, 2001.

Smith, Elizabeth A.T. Katharina Fritsch. Chicago: Museum of Contemporary Art, Chicago, 2001.

Rugoff, Ralph. A Contemporary Cabinet of Curiosities: Selections from the Vicki and Kent Logan Collection. San Francisco: California College of Arts and Crafts Institute, 2001.

Viso, Olga M., and James Rondeau. Robert Gober: The United States Pavilion, 49th Venice Biennale. Chicago: The Art Institute of Chicago; Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 2001.

2000

Food for the Mind: die Sammlung Udo und Anette Brandhorst. Ostildern, Germany: Hatje Cantz, 2000.

Curiger, Bice, and Christoph Heinrich. Hypermental: Rampant Reality, 1950–2000, Salvador Dali to Jeff Koons. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 2000.

Göritz, Hansjörg, ed. Arche. Bad Salzdetfurth, Germany: Kunstverein Bad Salzdetfurth, 2000.

Heymer, Kay. Food for the Mind - Die Sammlung Udo und Anette Brandhorst, Bayrische Staasgemäldesammlung / Staatsgalerie moderner Kunst München. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 2000.

Lingl, Karin. Kabinett der Zeichnung. Düsseldorf: Richter, 2000.

Nyg°ard, Øivind. Bias: 33 Artists’ Views on Sculpture. Copenhagen: Royal Danish Academy of Fine Arts, 2000.

Ross, David A. The Continuity of the Everyday in 20th Century Art. Milan: Charta, 2000.

Temkin, Ann, Susan Rosenberg, Michael Taylor, eds. Twentieth Century Painting and Sculpture in the Philadelphia Museum of Art. Philadelphia: Philadelphia Museum of Art, 2000.

Varnedoe, Kirk, Paola Antonelli, and Joshua Siegel. Modern Contemporary: Art at MoMA Since 1980. New York: The Museum of Modern Art, 2000.

Wood, James N., Debra N. Mancoff, Laura J. Kozitka, and Catherine Steinmann. Treasures from the Art Institute of Chicago. Chicago: The Art Institute of Chicago, 2000.

1999

Almost Warm & Fuzzy: Childhood and Contemporary Art, Activity Book for Kids. Des Moines: Des Moines Art Center, 1999.

Am Horizont. Krefeld, Germany: Kaiser-Wilhelm-Museum and Stadt Krefeld, der Oberbürgermeister, 1999.

Bärnreuther, Andrea, ed. Das XX, Jahrhundert: Kunst, Kultur, Politik und Gesellschaft in Deutschland. Cologne: DuMont, 1999.

Bonami, Francesco, and Hans Ulrich Obrist. Dreams. Turin, Italy: Fondazione Sandretto Re Rebaudengo per l’Arte; Rome: Castelvecchi Editoria & Comunicazione srl, 1999.

Braster, Fenja, and Sandra Sartori. Frauenpräsenz in Ausstellungen Düsseldorfer Kunstinstitutionen, 1969–1988. Düsseldorf: Das Kulturamt, 1999.

C/O Haus Lange – Haus Esters, 1984/1999. Krefeld, Germany: Fördererkreis Krefelder Kunstmuseen, 1999.

Damenwahl: Katharina Fritsch, Alexej Koschkarow. Munich: Siemns Kulturprogramm, 1999.

Fairbrother, Trevor J., and Bagley Wright. The Virginia and Bagley Wright Collection. Seattle: Seattle Art Museum and University of Washington Press, 1999.

Pfleger, Susanne, ed. Katharina Fritsch. Wolfsburg: Städtische Galerie, 1999.

Obrist, Hans Ulrich, and Francesco Bonami. Dreams. Turin, Italy: Fondazione Sandretto Re Rebaudengo per l'Arte; Rome: Castelvecchi Editoria & Comunicazione srl, 1999.

Kreul, Andreas. Doppelgänger: Repliken und 'andere Originale' zu Werken aus der Sammlung der Kunsthalle Bremen. Bremen: Kunsthalle Bremen und Kunstverein, 1999.

Lampugnani, Vittorio Magnago, and Friedrich Achleitner, eds. Museums for a New Millennium: Concepts, Projects, Buildings. Munich, London, and New York: Prestel, 1999.

Salvioni, Daniela. Looking at Ourselves: Works by Women Artists from the Logan Collection. San Francisco: San Francisco Museum of Modern Art, 1999.

Save the Day! eine Aktion anlässlich des 60. Geburtstags von Jean-Christophe Ammann. Frankfurt am Main, Germany: Museum für Moderne Kunst, 1999.

Szeemann, Harald, and Cecilia Liveriero Lavelli, eds. 48a Esposizone Internationale D’arte: La Biennale Di Venezia, Dapertutto. Venice: Biennale di Venezia, 1999.

1998

7 Triennale der Kleinplastik 1998: zeitgenössische Skulptur, Europe, Afrika. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 1998.

Artificial: Figuracions Contemporànies. Barcelona: Museu d’Art Contemporani de Barcelona, 1998.

Brock, Bazon. Die Macht des Alters – Strategien der Meisterschaft. Cologne: DuMont, 1998.

Bürgi, Bernhard. Auf der Spur: Kunst der 90er Jahre im Spiegel von Schweizer Sammlungen. Zürich: Kunsthalle, 1998.

Burckhardt, Jacqueline. Im Auftrag: Druckgraphik 1918 bis 1998 für die Schweizerische Graphische Gesellschaft. Zurich: Graphische Sammlung der ETH, 1998.

Haenni, Jean-Paul, and Blaise Mulhauser. Rats. Neuchâtel, Switzerland: Muséum d’historie naturelle, 1998.

Im Auftrag: Druckgraphik 1918 bis 1998 für die Schweizerische Graphische Gesellschaft von Paul Klee, Germaine Richier, Alberto Giacometti, Miriam Cahn. Zurich: Graphische Sammlung der ETH, 1998.

Jürgensen, Andreas. The Mass Ornament: The Mass Phenomenon at the Turn of Millennium. Odense, Denmark: Kunsthallen Brandts klædefabrik, 1998.

Katharina Fritsch. Gunma, Japan: The Museum of Modern Art, Gunma, 1998.

Storck, Gerhard. Artist’s Proof: grafische/fotografische Arbeiten aus den letzen dreissig Jahren. Cologne: Oktagon, 1998.

Wally, Barbara. Skulptur, Figur, Weiblich. Linz, Austria: Landesgalerie Oberösterreich, 1998.

1997

4e Biennale d’art contemporain de Lyon: L’Autre. Paris: Réunion des Musées nationaux, 1997.

Alhäuser, Sonja, and Andreas Bee. Kochbuch. Weilerswist, Germany: Landpresse, 1997.

Block, René. Pro Lidice: 52 umelcu z Nemeck, 52 Künstler aus Deutschland. Praha, Czech Republic: Praha Ceské Muzeum Vytvarných Umení, 1997.

Geisselbrecht-Capecki, Ursula, Roland Mönig, and Guido de Werd. Sammlung Ackermans: Museum Kurhaus Kleve. Cologne: Salon Verlag, 1997.

Kölle, Brigitte, ed. Portikus Frankfurt am Main, 1987–1997. Frankfurt am Main: Portikus, 1997.

Joachimides, Christos M., and Brooks Adams. Die Epoche der Moderne: Kunst im 20. Jahrhundert. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 1997.

Obrist, Hans Ulrich, and Guy Tortosa, eds. Unbuilt Roads: 107 Unrealized Projects. Ostfildern, Germany: Hatje Cantz, 1997.

Storr, Robert, ed. On the Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection. New York: The Museum of Modern Art, 1997.

1996

Baer, Monika, Gerhard Engelking, and Jost Reinert. En Helvetes Förvandling. Stockholm: Kulturhuset, 1996.

Beckmann, Angelika. Sammlung Garnatz: Städtische Galerie Karlsruhe. Karlsruhe, Germany: Städtische Galerie, 1996.

Cooke, Lynne, and Karen J. Kelly, eds. Robert Lehman Lectures on Contemporary Art. New York: Dia Center for the Arts, 1996.

Curtis, Penelope. Private View: Contemporary Art in the Bowes Museum. Leeds, United Kingdom: Henry Moore Institute, 1996.

Deitch, Jeffrey, Richard Pandiscio, and Louise Neri. Everything That’s Interesting Is New: The Dakis Joannou Collection. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 1996.

Deutsche Kunst im 20. Jahrhundert: Vom Expressionismus bis zur Gegenwart. Krefeld, Germany: Galerie Schöewald und Beuse, 1996.

Garrels, Gary, and Theodora Vischer, eds. Katharina Fritsch. San Francisco: San Francisco Museum of Modern Art; Basel: Museum für Gegenwartskunst Basel, 1996.

Katharina Fritsch: Kunstpreis Aachen. Aachen, Germany: Aachen Verein der Freunde des Ludwig Forums für Internationale Kunst, 1996.

Schiess, Adrian. Stilleben. Zurich: Helmhaus, 1996.

Serota, Nicholas. Experience or Interpretation: The Dilemma of Museums of Modern Art.London: Thames & Hudson, 1996.

Young German Art of the 90s from North Rhine-Westphalia. Bangok: Embassy of the Federal Republic of Germany, 1996.

1995

Becker, Christoph, and Annette Lagler. Biennale Venedig: der deutsche Beitrag, 1895–1995. Ostfildern, Germany: Cantz, 1995.

Damus, Martin. Kunst in der BRD, 1945–1990: Funktionen der Kunst in einer demokratisch verfaßten Gesellschaft. Reinbek bei Hamburg, Germany: Rororo, 1995.

Ammann, Jean-Christophe. Katharina Fritsch. Venice: Biennale Venedig; Ostfildern, Germany: Cantz, 1995.

Grachos, Louis, and Kathryn Kanjo. Sleeper: Katharina Fritsch, Robert Gober, Guillermo Kuitca, Doris Salcedo. San Diego: The Museum of Contemporary Art, 1995.

Inboden, Gudrun. Leiblicher Logos: 14 Künstlerinnen aus Deutschland. Stuttgart, Germany: Institut für Auslandsbeziehungen, 1995.

Lauter, Rolf. Kunst in Frankfurt: 1945 bis heute. Frankfurt am Main: Societäts-Verlag, 1995.

Taylor, Brandon. Avant-Garde and After: Rethinking Art Now. New York: Harry N. Abrams; Upper Saddle River, NJL Prentice Hall, Inc., 1995.

———. Kunst heute. Cologne: DuMont, 1995.

Weiss, Wolfgang. Zeichen und Wunder: eine Studie zu der Sprachtradition und ihrer Verwendung im Neuen Testament. Neukirchen-Vluyn: Neukrirchener Verlag, 1995.

Ziesche, Angela. Das Schwere und das Leichte: Künstlerinnen des 20. Jahrhunderts, Skulpturen, Objekte, Installationen. Cologne: DuMont, 1995.

1994

Engelking, Gerard, and Jost Reinert. Junge deutsche Kunst der 90er Jahre aus NRW: die Generation nach Becher, Beuys, Polke, Richter, Ruthenbeck. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 1994.

Fabro, Luciano, Katharina Fritsch, and Craigie Horsfield. Coutts Contemporary Art Awards 1994: Luciano Fabro, Katharina Fritsch, Craigie Horsfield. Zurich: Coutts Contemporary Art Foundation, 1994.

Felix, Zdenek, ed. Das Jahrhundert des Multiple: von Duchamp bis zur Gegenwart. Stuttgart, Germany: Oktagon Verlag, 1994.

Hierholzer, Michael. Modernes Museum: Bilder, Objekte, Installationen im Museum für Moderne Kunst Frankfurt am Main. Frankfurt am Main: Insel Verlag, 1994.

Leonard, Robert, and Priscilla Pitts, eds. Power Works from the MCA Collection. New Plymouth, New Zealand, Govett-Brewster Art Gallery, 1994.

McCollum, Allan, Markus Brüderlin, and Doris Rothauer. Aura: The Reality of the Artwork between Autonomy, Reproduction, and Context. Vienna: Wiener Sucession, 1995.

Meier, Cordula. En miniature: Malerei und Skulptur. Krefeld, Germany: Galerie Schönewald une Beuse, 1994.

Même si c’est la nuit: CapcMusée d’art contemporain de Bordeaux. Bordeaux, France: CapcMusée d’art contemporain, 1994.

Paz, Marga. Noah’s Ark. Porto, Portugal: Fundação de Serralves, 1994.

Schmidt, Katharina, and Theodora Vischer. Zimmer in denen die Zeit nicht zählt: die Sammlung Udo und Anette Brandhorst. Basel: Museum für Gegenwartskunst and Öffentliche Kunstsammlung Basel, 1994.

Wadhwa, Mark, and Walter Meyer. Seeing the Unseen. Nvisible Museum. London: Thirty Shepherdess Walk, 1994.

1993

Ammann, Jean-Christophe. Bewegung im Kopf: vom Umgang mit der Kunst. Regensburg, Germany: Lindinger + Schmid, 1993.

Cooke, Lynne, and Katharina Fritsch. Katharina Fritsch: Rat-King. New York: Dia Center for the Arts, 1993.

Zugabe: 1983–1993. Krefeld, Germany: Kaiser-Wilhelm-Museum, 1993.

1992

Brändli, Hans, and Guido de Werd. Der Teppich des Lebens. Kleve, Germany: Städtisches Museum Haus Koekkoek, 1992.

Cooke, Lynne. Doubletake: Collective Memory and Current Art. London: Hayward Gallery, 1992.

Cooke, Lynne, ed. Carnegie International 1991, Volume 1. Pittsburgh: Carnegie Museum of Art, 1992.

Deitch, Jeffrey. Post Human. Pully, Switzerland: FAE musée d’art contemporain; Rivoli, Italy: Castello di Rivoli; Athens: Deste Foundation for Contemporary Art; Hamburg, Germany: Deichtorhallen Hamburg; New York: North American distribution, DAP/Distributed Art Publishers, 1992.

Dickhoff, Wilifried, and Susan Olsen. Ars pro domo: zeitgenössische Kunst aus Kölner Privatbesitz. Cologne: Die Gesellschaft, 1992.

Jablonka, Rafael. 7: Thomas Bernstein, Günther Förg, Katharina Fritsch, Isa Gentzken, Hubert Kiecol, Wilhelm Mundt, Thomas Schütte. Warszawa, Poland: Galeria Zacheta, 1992.

Kerber, Bernhard, and Reinhard Onnasch. Bestände Onnasch. Berlin: Onnasch Galerie, 1992.

König, Kasper. Kunstprojekt Heizkraftwerk Römerbrücke. Saarbrücken, Germany: Stadtwerke Saarbrücken AG, 1992.

Oh! cet écho!. Paris: Centre culturel suisse, 1992.

Stooss, Toni, and Eleonora Louis. Doubletake: kollektives Gedächtnis & heutige Kunst, Kunsthalle Wien. Vienna: Kunsthalle, 1992.

Tropismes: col·lecció d'art contemporani Fundació La Caixa. L'Hospitalet de Llobregat, Spain: Centre Cultural Tecla Sala, 1992.

1991

Carnegie International 1991. New York: Rizzoli, 1991.

Contemporary Art from the Collection of Jason Rubell. Durham, NC: Duke University Museum of Art, 1991.

Heynen, Julian. Skulpturen für Krefeld 2: ein Projekt der Krefelder Kunstmuseen. Krefeld, Germany: Krefeld Oberstadtdirektor, 1991.

Joachimides, Christos M., and Norman Rosenthal. Metropolis: International Art Exhibition Berlin, 1991. New York: Rizzoli, 1991.

König, Kasper, and Hans-Ulrich Obrist. Der öffentliche Blick. Munich: Verlag Silke Schreiber, 1991.

Oeri, Maja, and Theodora Vischer. Emanuel Hoffmann-Stiftung Basel. Basel: Wiese Verlag, 1991.

1990

Baker, Kenneth. Objectives: The New Sculpture. Newport Beach, CA: Newport Harbor Art Museum, 1990.

Halbreich, Kathy, ed. Culture and Commentary: An Eighties Perspective. Washington, DC: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1990.

Kiffl, Erika. Fotos Rundgänge. Düsseldorf: Kunstakademie Düsseldorf, 1990.

New Work: A New Generation. San Francisco: San Francisco Museum of Modern Art, 1990.

Weitersehen: 1980–1990. Krefeld, Germany: Museen Haus Lange Krefeld, 1990.

1989

Cameron, Dan, ed. What is Contemporary Art? Malmö, Sweden: Rooseum, 1989.

Katharina Fritsch: 1979–1989. Cologne: Walther König; Münster, Germany: Westfälischer Kunstverein; Frankfurt am Main: Prtikus; Cologne: Verlag der Buchhandlung Walther König, 1989.

Meyer zu Eissen, ed. Bremer Kunstpreis 1989. Bremen, Germany: Kunsthalle Bremen, 1989.

Nature morte. Bonn: Galerie Philomene Magers, 1989.

Osaki, Hitoshi, and Tadao Ogura. Color and/or Monochrome: A Perspective on Contemporary Art. Tokyo: National Museum of Modern Art; Kyoto: The National Museum of Modern Art, 1989.

1988

1988 Australian Biennale: From the Southern Cross, A View of World Art, 1940–88. Crows Nest, Australia: ABC Enterprises for the Australian Broadcasting Corporation; Sydney: Biennale of Sydney, 1988.

Caldwell, John, Sarah McFadden, and Joan Simon. Carnegie International. Pittsburgh: Carnegie Museum of Art, 1988.

Fritsch, Katharina. Katharina Fritsch. Basel: Kunsthalle Basel; London: ICA, 1988.

Harten, Jürgen, and David A. Ross. Binationale: deutsche Kunst der späten 80er Jahre, amerikanische Kunst der späten 80er Jahre. Cologne: DuMont, 1988.

Meister, Helga. Kunst in Düsseldorf. Cologne: Kiepenheuer & Witsch, 1988.

1987Anderer Leute Kunst. Krefeld, Germany: Museum Haus Lange Krefeld, 1987.

Bussmann, Klaus, and Kasper König, eds. Skulptur Projekte in Münster, 1987. Cologne: DuMont, 1987.

Jochimsen, Margarethe. Hacen lo que quieren: Arte joven renano. Sevilla, Spain: Museo de Arte Contemporáneo, 1987.

Katharine Fritsch: Elefant. Krefeld, Germany: Kaiser Wilhelm Museum, 1987.

Klinzing, Walter G. Jahresgaben 1987. Düsseldorf: Kunstverein für die Rheinlande und Westfalen, 1987.

Res Publica Ideen und Konzepte für öffentliche Kunst. Berlin: Berlin Galerie Nikolaus Sonne, 1987.

1986

5 Bildhauer als Grafiker: Katharina Fritsch, Ludger Gerdes, Hubert Kiecol, Wolfgang Luy, Thomas Schütte. Essen, Germany: Essen Kunstring Folkwang, 1986.

Bos, Saskia, and Jan Brand, eds. Sonsbeek 86: International Sculpture Exhibition. Utrecht, Netherlands: Veen and Reflex, 1986.

Gohr, Siegfried, and Rafael Jablonka. Europa/Amerika: die Geschichte einer künstlerischen Faszination seit 1940. Cologne: Museum Ludwig, 1986.

Gumpert, Lynn. A Distanced View: One Aspect of Recent Art from Belgium, France, Germany and Holland. Rotterdam and New York: Zien Magazine, 1986.

Jochimsen, Margarethe, and Philomene Magers. Sie machen was sie wollen: junge rheinische Kunst. Stuttgart, Germany: Auswärtig Amt der Bundesrepublik Deutschland and Institut für Auslandsbeziehungen, 1986.

Vester, Karl-Egon. Von Raum zu Raum: Katharina Fritsch, Ludger Gerdes, Stephan Huber, Klaus Jung, Wolfgang Luy, Bernhard Prinz. Hamburg, Germany: Kunstverein Hamburg, 1986.

1984

König, Kasper. Von hier aus: zwei Monate neue deutsche Kunst in Düsseldorf. Cologne: DuMont, 1984.

1983

Möbel perdu – Schöneres Wohnen. Hamburg, Germany: Museum für Kunst und Gewerbe Hamburg, 1983.

Schwegler, Fritz. (Orte) der zehn heiligen Geliebten: Abulvenz. Düsseldorf: Eremiten-Presse, 1983.

2022

Cheshire, Lee. “Koons, Kusama, KAWS: Qatar installs 40 more sculptures in time for the Fifa World Cup,” The Art Newspaper, August 9, 2022.

Cole, Alison. “Slow down and consider Katharina Fritsch’s first Greek exhibition—a ‘retrospective’ with a difference.” The Art Newspaper, June 24, 2022.

Farago, Jason. “Looking Inward, and Back, at a Biennale for the History Books.” The New York Times, April 30, 2022.

Yablonsky, Linda. “Sun Worshippers.” Artforum, July 3, 2022 (online).

2021

Selvin, Claire. “Glentone Museum Gifts Katharina Fritsch Rooster Sculpture to D.C.’s National Gallery.” ARTnews, March 18, 2021.

2020

Diehl, Travis. “The Best Shows to See in LA: Katharina Fritsch, Matthew Marks Gallery.” Frieze, February 11, 2020.

O’Grady, Megan. “The Master of Allusion.” T: The New York Times Style Magazine, February 23, 2020, pp. 154–59.

Stamberg, Susan. "With Surprising Sculptures, Katharina Fritsch Makes the Familiar Fun." NPR, April 20, 2020.

2018

Pobric, Pac. “Katharina Fritsch.” The Brooklyn Rail, February 7, 2018.

2017

Berg, Tatiana. “Must-See Art Guide: Vienna.” Artnet News, September 21, 2017.

Bruch, Michelle. “The Minneapolis Sculpture Garden, reimagined.” Southwest Journal, May 26, 2017.

Cohen, Alina. “10 Places to See Public Art in 2017.” T: The New York Times Style Magazine, January 19, 2017.

Eler, Alicia. “She’s the artist behind that giant blue chicken coming to the Minneapolis Sculpture Garden.” Star Tribune, May 15, 2017.

———. “Walker’s big blue rooster inspires a big blue condom giveaway.” Star Tribune, July 14, 2017.

Gopnik, Blake. “Daily Pic: In DC, a Rooster by Katharina Fritsch Seems to Stand Guard Over the Nation.” Artnet News, January 25, 2017.

“Katharina Fritsch.” The New Yorker, December 18 & 25, 2017, p. 22.

“Katharina Fritsch at Walker Art Center.” Contemporary Art Daily, October 9, 2017.

Kerr, Euan. “Meet the artist behind the big blue rooster.” MPR News, June 8, 2017.

Ross, Jenna. “Ahead of opening, Minneapolis Sculpture Garden gets special delivery: the blue rooster’s 15-ton base.” Star Tribune, May 10, 2017.

Simonini, Ross. “Sightlines: Kasper König.” Art in America, June 2017, p. 49.

———. “Best of the week: Katharina Fritsch, Northern Invasion, Hall & Oates, more.” Star Tribune, May 11, 2017.

2016

Cotter, Holland. “A Bold New Landing for Modern Art at the National Gallery of Art.” The New York Times, September 29, 2016, p. C19.

Farago, Jason. “National Gallery of Art’s East Building review – a new view of America.” The Guardian, October 3, 2016.

Fritsch, Katharina. “Artists’ Artists.” Artforum 55, no. 4, December 2016, p. 100.

Judkis, Maura. “A floor-to-roof-terrace guide to the National Gallery’s renovated East Building.” The Washington Post, September 29, 2016.

Kennedy, Randy. “Coming to Minneapolis, More Cherries on Top.” The New York Times, January 22, 2016, p. C22.

Kennicott, Philip. “Subtle changes make a big impression on the National Gallery East Building.” The Washington Post, September 22, 2016.

Thorston, Alice. “Collector’s Corner: Lewis and Sue Nerman.” KC Studio, May/June 2016, pp. 30–33.

2015
Pes, Javier. “Art Basel: Where there are great works by women artists.” The Art Newspaper, June 19–21, 2015, cover, pp. 14–15.

2013

Bankowsky, Jack. “Best of 2013.” Artforum52, no. 4, December 2013, p. 214.

Barnett, Laura. “Katharina Fritsch on her Fourth Plinth cockerel sculpture…” The Guardian, July 24, 2013.

Coomer, Martin. “Going Public.” TimeOut (London), July 23, 2013, pp. 5, 50–51.

Higgins, Charlotte. “Big blue cock erected on fourth plinth in London’s Trafalgar Square.” The Guardian, July 25, 2013.

———. “What’s French for double entendre?” The Guardian, July 26, 2013.

Luke, Ben. “Cocking a Snook at Nelson: Katharina Fritsch.” London Evening Standard, September 9, 2013.

Malvern, Jack. “Boris crows as French go wild over plinth.” The Times, July 26, 2013, pp. 18–19.

Ochi, Pauli. “Katharina Fritsch’s uncanny sculptures.” Beautiful/Decay, October 25, 2013.

Pearman, Hugh. “This will ruffle some feathers.” The Sunday Times, August 4, 2013.

Searle, Adrian. “Review: Fritsch gives Nelson the bird.” The Guardian, July 26, 2013.

2012
Jacobs, Jodie. “Skulls move onto Art Institute of Chicago terrace.” Examiner, May 3, 2012 (online).

Weinberg, Lauren. “Art Institute of Chicago opens Katharina Fritsch show Sat 21.” TimeOut (Chicago), April 18, 2012.

2011

Bankowsky, Jack. “Best of 2011.” Artforum 50, no. 4, December 2011, pp. 208–09.

Tromble, Meredith. “ILLUMInations +.” Stretcher, September 13, 2011.

Vogel, Carol. “… Color in a Sepia City.” The New York Times, June 3, 2011, p. C22.

2010

Bourland, Ian. “New Work.” Artforum, September 28, 2010.

Criqui, Jean-Pierre. “9 ½ Sur Katharina Fritsch.” M19, 2010, pp. 140–55.

———.“‘This Dream is About You’: Katharina Fritsch and the Laws of Animal Attraction.” Parkett, no. 87, 2010, pp. 46–57.

Gartenfeld, Alex. “A House with a View.” Art in America, June 2009.

Morgan, Jessica. “From Out There to Down Here.” Parkett, no. 87, 2010, pp. 35–40.

2009

Colosimo, Jean-François. “Mystiques Ecritures de l’extase, extases de l'écriture.” Le Magazine Littéraire, December 4, 2008, p. 51.

Criqui, Jean-Pierre. “Previews: Kunsthaus Zurich.” Artforum 47, no. 9, May 2009, pp. 138–39.

Fritsch, Katharina. “Double Life: Project for Artforum.” Artforum 48, no. 3, November 2009, pp. 184–91.

Rothkopf, Scott. “Ritual Presence.” Artforum 48, no. 3, November 2009, pp. 180–83.

2008

Aoki, Kenji. “Exercise in Utility.” T: The New York Times Style Magazine, Winter 2008, p. 90.

Burton, Johanna. “Katharina Fritsch: Matthew Marks Gallery.” Artforum 47, no. 1, September 2008, pp. 456–57.

Levin, Kim. “Katharina Fritsch: Matthew Marks Gallery.” ARTnews 107, no. 7, July 2008, p. 160.

2007

Goddard, Peter. “Lots of Life amid the gloom.” The Toronto Star, May 17, 2007.

“Katharina Fritsch at Galleria Civica di Modena.” E-flux, May 17, 2007.

Milroy, Sarah. “The art of buried connections.” The Globe and Mail, August 25, 2007.

Schecter, Francis. “Dead as a Lining Wonder: Brilliant Exhibition at Ydessa Hendeles Meditates on Survival.” Now Toronto, June 28, 2007 (online).

2006

Smith, Roberta. “In Basel, Contemporary Art Enjoys a Bounty of Friends.” The New York Times, July 6, 2006.

2005

Kraft, Jessica. “New York: Matthew Marks Gallery, Katharina Fritsch.” Contemporary, 2005.

Ouroussoff, Nicolai. “An Expansion Gives New Life to an Old Box.” The New York Times, April 15, 2005.

2004

Berrebi, Sophie. “Cool Lustre.” Frieze, January 2004, pp. 110–11.

Garcia, Camila. “Albright-Knox Opens Renowned Sculpture Exhibition.” Buffalo Rocket, April 21, 2004.

Kunitz, Daniel. “Wish You were Here?” ArtReview, Winter 2004.

Lapp, Axel. “Public/Private: Collections in Switzerland.” Sculpture, June 2004.

Morton, Julia. “Katharina Fritsch.” New York Free Press, November 24 – 30, 2004.

Schwenderer, Martha. “Katharina Fritsch at Matthew Marks.” TimeOut New York, December 16 – 29, 2004.

2003
Beautyman, Mairi. “Update. Catch these events in November and December.” Interior Design, October 2003.

Colard, Jean-Max. “Cool Lustre: Collection Lambert.” Artforum, November 2003.

Deitcher, David. “Stacked.” TimeOut (New York), March 13 – 20, 2003.

Johnson, Ken. “Art in Review: Stacked.” The New York Times, February 28, 2003.

Meister, Helga. “Man sollte als Künstler immer schön zwischen den Stühlen sitzen.” Kunstforum International, no. 165, June/July 2003, pp. 230–41.

Winn, Steven. “Contemporary Art Collection Explodes like a ‘Supernova.’” San Francisco Chronicle, December 15, 2003.

2002

“Von Mücken und Elefanten: zu seiner Eröffnung zeigt das Düsseldorfer Ständehaus die erste Deutsche Werkschau der Pop Künstlerin.” Stern, April 18, 2002.

Withers, Rachel. “Katharina Fritsch: Tate Modern, London.” Artforum 40, no. 5, January 2002, p. 134.

2001

Chapman, Peter. “Art: Katharina Fritsch.” The Independent, September 1, 2001.

Cumming, Laura. “Doubles all round.” The Observer London, September 8, 2001.

Dorment, Richard. “Seriously entertaining.” The Telegraph, September 13, 2001.

Gayford, Martin. “The Rodent that Roared.” The Telegraph, September 7, 2001.

Glatt, Cara. “Exhibit reveals ingrained beauty at MCA.” Hyde Park Herald, April 4, 2001.

Hawkins, Margaret. “Boredom and simplicity: Artists display disparate views in MCA shows.” Chicago Sun-Times, March 16, 2001.

Jones, Jonathan. “Katharina Fritsch.” The Guardian, September 16, 2001.

“’Man and Mouse 1991–92’ by Katharina Fritsch.” The Independent, September 7, 2001.

McLaren, Duncan. “Katharina Fritsch: Tate Modern London.” The Independent, September 23, 2001.

Smyth, Cherry. “Katharina Fritsch: Tate Modern.” Art Monthly, October 2001.

Tumlir, Jan. “Katharina Fritsch.” Artforum International 40, no. 1, September 2001.

Yood, James. “Katharina Fritsch: Museum of Contemporary Art, Chicago.” Tema Celeste, May 2001, p. 90.

2000

Cotter, Holland. “Katharina Fritsch.” The New York Times, Friday, June 9, 2000.

Kino, Carol. “Katharina Fritsch at Matthew Marks.” Art in America 88, no. 11, November 2000, p. 162.

Robinson, Walter. “Weekend Update.” Artnet, Magazine Reviews, 2000.

1999

“Ausstellung im Schloß zeigt inszenierte Arbeiten: Wolfsburger Kunstpreis geht an Katharina Fritsch.” Wolfsburger Nachrichten, August 19, 1999.

Bauermeister, Volker. “Alles offen: Das Leben ist eine Baustelle, Venedig wird heute die 48. Kunstbiennale eröffnet.” Badische Zeitung, June 12, 1999.

Bernrieder, Irmgard. “Die Maus zog um: Das Privatmuseum Haus Fürstenberg in Xanten wird am 1. Mai eröffnet / Wettstreit mit Kleve.” Rheinische Post, March 11, 1999.

Bianchi, Paolo. “Venezia (im)possible: Künstlerische Öffnung an der Lagune.” Kunstforum International, no. 147, September/November 1999, pp. 160–73.

Bonik, Manuel. “Acht Ecken für die Kunst.” Cosmopolitan, February 1999.

Bosetti, Annette. “Zeitreise durch das Wunder namens Leben: Vorsicht Kunst, Diese Schau über ‘Die Macht des Alters’ könnte Ihre Perspektiven verändern - dafür haben wir schon vorgearbeitet.” Aachener Nachrichten - Magazin, no. 25, January 30, 1999.

Brunn, Vera. “Installateure im Museum: Die Kunsthalle zeigt das Ideal - Museum von Katharina Fritsch und eine Installation von Alexej Koschkarow.” Prinz, February 1999.

Coomer, Martin. “Katharina Fritsch.” TimeOut (New York), September 29–October 6, 1999.

Drühl, Sven. “Damenwahl der anderen Art: Katharina Fritsch & Alexej Koschkarow.” Marabo, March 1999, pp. 46–47.

“Düsseldorf bittet zur ‘Damenwahl.’” Die Welt, February 19, 1999.

Fernandez-Kröner, M. “Wer paßt ins Raster? Symposion ‘Qualität und Quote’ in der Kunsthalle Düsseldorf/ Die weibliche Position in der Kunst.” Rheinische Post, February 12, 1999.

Fischer, Guido. “Engagement mit Augen-Maß: Katharina Fritsch in der Kunsthalle.” Überblick, February 1999, pp. 68–69.

Greenberg, Sarah. “The Marco Polo Biennale.” The Art Newspaper, no. 94, July/August 1999, p. 30.

Haase, Amine. “Versöhnung der Gegensätze: 48 Biennale von Venedig." Kunstforum International, no. 147, September/November 1999, p. 157.

Hirsch, Thomas, “Katharina Fritsch: Museum im Museum.” Biograph, March 1999, p. 49.

Hoffmans, Christiane. “Künstler über die 'Macht des Alters.’” Welt am Sonntag, February 2, 1999.

“Ideal-Museum und sein ironisches Gegenstück. Rauminstallationen von Katharina Fritsch und Alexej Koschkarow.” Düsseldorfer Amtsblatt, February 20, 1999.

Imdahl, Georg. “Gymnastik im Lustgarten über dem Tempel.” F.A.Z., no. 46, February 24, 199, p. 48.

“‘Junge Stadt sieht Junge Kunst’: Kunstpreisträger der Stadt Wolfsburg 1999.” Wolfsburger Kurier, November 7, 1999.

Kampmann, M. “Komische Idealvorstellung. Katharina Fritsch ‘Damenwahl’ Alexej Koschkarow in der Düsseldorfer Kunsthalle.” Westfälischer Anzeiger, February 9, 1999.

Karweik, Hans-Adelbert. “Magische Bilderwelt in verzerrten Proportionen.” Wolfsburger Nachrichten, October 23, 1999.

“Katharina Fritsch, Alexej Koschkarow.” Messemagazin Düsseldorf, January 1999.

“Katharina Fritsch.” The Independent, September 19, 1999, p. 5.

“Katharina Fritsch: Kunstpreis-Gewinnerin.” Wolfsburger Rundblick, October 31, 1999.

“Katharina Fritsch: Junge Stadt sieht junge Kunst 1999.” Wo & Was, Wolfsburg, November 1999.

Kramer, Hilton. “The Wrights have a calling for collecting.” The New York Observer, March 15, 1999.

Meister, Helga. “Damenwahl: Katharina Fritsch / Alexej Koschkarow.” Kunstforum International , no. 144, March/April 1999, pp. 346–47.

———. “Traumgebilde und Liebeslust: Damenwahl in der Kunsthalle.” WZ Westdeutsche Zeitung, February 11, 1999.

Merten, Ulrike. “Museum mit Schwarz-Wald. Ein Entwurf von Katharina Fritsch.” NRZ, February 6, 1999.

Müller, Bertram. “Derbe Damenwahl: Fritsch und Koschkarow in Düsseldorf.” Rheinische Post, February 6, 1999.

Peinhardt-Franke, Ingrid. “‘Altwerden ist nichts für Feiglinge’: Über 40 Künstler beziehen Position.” GrenzEcho, February 28, 1999.

Richthofen, Alice von. “Katharina Fritsch. Das ideale Museum.” Düsseldorfer Hefte, March 1999, pp. 16–17.

Röhmel, Cordula. “Im Kunst-Garten der Lüste: Ausstellung ‘Damenwahl’ in der Düsseldorfer Kunsthalle.” Recklinghäuser Zeitung, February 12, 1999.

Schenk-Sorge, Jutta. “Die Macht des Alters: ‘Strategien der Meisterschaft.’” Kunstforum International 143, January/ February 1999, pp. 350–51.

Shottenkirk, Dena. “Fritsch's Fables: Katharina Fritsch's Artworks Draw on the Dark Side of Fairy Tales.” World Art, no. 20, January 1999, pp. 62–67.

Singer, Wolf. “Vom Geschöpf zum Schöpfer: Wie die Entzauberung des Lebens das Selbstbildnis des Menschen verändert.” FIKRUN WA FANN 36, no. 70, 1999, pp. 2, 18–20.

Traub, Ulrich. “Acht Portale und goldene Wände: ‘Damenwahl’ mit Katharina Fritsch und Alexej Koschkarow in Düsseldorf.” Südwest Presse, February 12, 1999.

Winter, Marianne. “Subjektive Spuren sind präzise getilgt: Städtische Galerie im Schloss Wolfsburg zeigt Arbeiten von Katharina Fritsch.” Wolfsburger Nachrichten, November 16, 1999.

1998

Attias, Laurie. “Close to the Edge.” ARTnews, Summer 1998, pp. 150–53.

Liebermann, Valeria. “Blindgänger!” Parkett, no. 53, pp. 169–73.

Nemeczek, Alfred. “Vollendung vor dem letzten Ende, Berlin: Die Macht des Alters.” Art: Das Kunstmagazin, no. 10, October, 1998, p. 100.

“Protest: Künstler kämpfen für den Kunstpalast Düsseldorf.” Art, no. 1, January 1998, p. 99.

1997

Baur, Eva Gesine. “Die Tischgesellschaft der schweigenden Herren.” Wir, Magazin der Dresdner Bank, August 20, 1997, pp. 20–24.

Bilger, Burkhard. “Cell Block.” The Sciences 37, no. 5, September/October 1997, pp. 17–19.

Boschmann, Hella. “Maxi-Ratten, minimalistisch.” Die Welt, January 23, 1997, p. 10.

“Du Hundevolk, erschrecke nicht: Eine Skulptur von K.F.” F.A.Z., December 24, 1997, p. 31.

Jansen, Gregor. “Siemens-Winzen bietet Damenwahl an.” Blitz Review, no. 372, November 10, 1997.

Kent, Bill. “See Cruise.” Art & Antiques, June 1997, pp. 75–79.

Knapp, Gottfried. “Im Schatten des Rattenkönigs.” Süddeutsche Zeitung, July 28, 1997, p. 10.

Morché, Pascal. “Lebendiger reiz statt heiligem Ernst.” Zug, April 1997, pp. 30–35.

Müller, Hans-Joachim. “Alles unter Kontrolle, alles im Griff oder vielleicht doch nicht?” Basler Zeitung, April 16–27, 1997, p. 45.

Oehmigen, Karin. “Schrecklich harmlos: Das Basler Museum für Gegenwartskunst zeigt Installationen von Katharina Fritsch.” Sonntags-Zeitung, April 20, 1997, p. 61.

Schmid, Karlheinz. “Prinzip Zukunft: Die Ausstellung des Jahres.” Kunstzeitung, no. 12, August 1997, p. 1.

Schmitz, Rudolf. “Katharina Fritsch.” Lufthansa Bordbuch, June 1997, p. 48.

Spinelli, Claudia. “Auftürmung der reinen hohlen Form.” Neue Luzerner Zeitung, 1997, p. 47.

———.“Katharina Fritsch im Museum für Gegenwartskunst.” Das Kunst-Bulletin, July/August 1997, p. 32.

Tillessen, Rosemarie. “Die perfekte Inszenierung.” Südkurier, May 3, 1997, p.12.

Wagner, Thomas. “Das Märchen vom Warengestell.” F.A.Z., June 4 1997, p. 37.

1996

Amirrezvani, Anita. “Sculptor creates art of contrast.” The Times, August 11, 1996, p. 37.

Benet, Carol. “Playing the numbers.” Marin Independent Journal, November 3, 1996.

Karmel, Pepe. “Katharina Fritsch at Matthew Marks Gallery.” The New York Times, May 10, 1996, p. C23.

Nicolaus, Frank. “Frauen wagen mehr.” Brigitte, 1996, pp. 158–66.

Pfleiderer, Verena, “Unauslöschliche Zeichen der Kunst.” Neue Presse, November 6, 1996.

1995

Ammann, Jean-Christophe. “Ich stecke gewiss in keiner autistisch-regressiven Phase purer Selbstbespiegelung, Gespräch mit Heinz-Norbert Jocks.” Kunstforum International, no. 131, 1995, pp. 72–78.

“Biennale Venedig: Ein Rundgang.” Kunstforum International, no. 131, 1995, pp. 79–81.

Blase, Christoph. “Die Biennale in zehn Szenen.” Das Kunst-Bulletin, no. 9, 1995.

Criqui, Jean-Pierre. “Best of Show.” Artforum 34, no. 1, September 1995, pp. 35–36.

Flemming, Viktoria von. “Katharina Fritsch: Mythen reichlich im Angebot.” Art, no. 6, 1995, pp. 16–27.

Geduldig, Gernot. “Die magische Zahl acht: Katharina Fritsch und der Kunstpreis Aachen.” Aachener Nachrichten, October 2, 1995.

———. “Schwarzer Pudel und weiße Schäfchen.” Aachener Nachrichten, November 16, 1995.

Gropp, Rose-Maria. “Eier am Rande des Nervenzusammenbruchs.” F.A.Z., September 1995.

Hohmeyer, Jürgen. “Niedlich, aber fies.” Der Spiegel, no. 23, 1995, pp. 174–76.

Lösel, Anja. “Langeweile im Klobürsten Wald.” Stern, no. 25, June 14, 1995.

Mack, Gerhard. “Viele Zeichen, keine Wunder.” Süddeutsche Zeitung, no. 125, June 1, 1995.

Metken, Günter, and Paolo Bianchi. “Stillhaltezeit.” Kunstforum International, no. 131, 1995, pp. 64–69.

Müller, Hans-Joachim. “Die Lehre der Panther.” DIE ZEIT, no. 10, March 3, 1995.

———. “Die Zeit, die Kunst, der Stachelbaum.” DIE ZEIT, no. 25, June 16, 1995.

Plagens, Peter. “Whistling in the park.” Artforum 34, no. 1, September 1995, pp. 39, 106–08.

Poschardt, Ulf. “Kein Pardon.” Vogue (Germany), no. 6, 1995, pp. 190–94.

Puvogel, Renate. “Katharina Fritsch: Das Ding als Phänomen.” Artis 47, no. 6, 1995, pp. 32–37.

———. “Biennale Venedig 1995.” Artis, Zeitschrift für neue Kunst 47, no. 8, 1995.

Reginato, James. “The Cyber Barons.” W 24, no. 7, July 1995.

Spies, Werner. “Das rote Disaster.” F.A.Z., June 10–11, 1995.

———. “Videos Heimkehr nach Oberammergau.” F.A.Z., June 27, 1995.

Vetrocq, Marcia E. “The Birthday Biennale: Coming Home to Europe.” Art in America 83, no. 9, September 1995, pp. 72–81.

Wedekind, Gregor. “Die schmale Spur der Differenz: Venedigs 46. Biennale.” Neue Zürcher Zeitung, June 17 – 18, 1995.

“Wie eine Weltmeisterschaft.” Westfälische Nachrichten, October 6, 1995.

1994

Eccles, Tom. “Katharina Fritsch at Dia.” Art in America 82, no. 1, January 1994, p. 99.

Gropp, Rose-Maria. “Katzen in fremden Zimmern.” F.A.Z., no. 284, December 7, 1994.

Lauter, Rolf. “Katharina Fritsch: Das Individuum und die kollektive Angst.” Kunstforum International, no. 128, 1994, pp. 216–18.

Troncy, Eric. “Katharina Fritsch at Ghislaine Hussenot.” Flash Art 27, no. 178, October 1994, pp. 102–03.

Winzen, Matthias.” Katharina Fritsch: Ein Gespräch.” Das Kunst-Bulletin, nos. 1–2, January/February 1994, pp. 10–12.

———. “Katharina Fritsch.” Journal of Contemporary Art 7, no. 1, 1994, pp. 59–73.

1993

Ammann, Jean-Christophe. “Dauer Geschöpfe aus Gier und Energie, Wächter der Ohnmacht: Katharina Fritsch im DIA Center for the Arts in New York.” F.A.Z., October 23, 1993.

Bobka, Vivian. “Katharina Fritsch: Immobilizing the Mythical Rat Pack.” Flash Art, no. 171, Summer 1993, p. 112.

Easterly, Freda. “A most unusual exhibition at Dia Center for the Arts.” Staten Island Advance, June 4, 1993.

Kimmelman, Michael. “Avoiding the Clean-White-Box Syndrome.” The New York Times, August 18, 1993.

Krumpl, Doris. “Totale Erinnerung.” Der Standard, January 8, 1993.

Larson, Kay. “Devil’s Advocates.” The New York Times, May 3, 1993.

Müller, Hans-Joachim. “Die Maus, die wacht.” Die Zeit, no. 6, February 5, 1993.

Plagens, Peter. “Invasion of the Rat-King.” Newsweek, June 7, 1993, pp. 60–61.

Rimanelli, David. “Katharina Fritsch at DIA.” Artforum 32, no. 3, November 1993, p. 105.

Schenk-Sorge, Jutta. “Rat-King.” Kunstforum International, no. 123, April 1993, pp. 380–81.

Smith, Roberta. “German Art Still Breathes the Air of Ideas.” The New York Times, April 23, 1993.

Unnützer, Petra. “Doubletake.” Kunstforum International, no. 122, March 1993, pp. 451–54.

1992

Auty, Giles. “On our last legs.” The Spectator, February 29, 1992.

Deitcher, David. “Art of the Installation Plan: MoMA and the Carnegie.” Artforum 30, no. 5, January 1992, pp. 78–84.

Dickhoff, Wilfried. “Platz für die jüngere Generation.” Kölner Stadtanzeiger, May 21, 1992.

Faust, Gretchen. “Katharina Fritsch: Luhring Augustine Gallery, New York.” Arts Magazine 66, no. 5, January 1992, pp. 84–87.

Feaver, William. “Once More with Feeling.” Observer, February 23, 1992.

Gillick, Liam. “Doubletake.” Art Monthly, March 1992.

Lillington, David. “Always on my mind: Interview with Greg Hilty.” Frieze, April/May 1992.

Morgan, Stuart. “Thanks for the memories: Review of "Doubletake." Frieze, April/May 1992, pp. 6–11.

Müller, Dorothee. “Nur wenig überraschende Einblicke: Zeitgenössische Kunst in der Londoner Hayward Gallery.” Süddeutsche Zeitung, no. 77, April 1, 1992.

Packer, William. “Doubletake.” Financial Times, February 25, 1992.

Wulffen, Thomas. “RED BOX, Thomas Wulffen über Katharina Fritsch: ‘Roter Raum mit Kamingeräusch.’" META 1, 1992.

1990

Blase, Christoph. “Nacht der Götter.” F.A.Z., May 23, 1990.

Cameron, Dan. “Setting Standards.” Parkett, no. 25, 1990, pp. 64–67.

Garrels, Gary. "Disarming Perception." Parkett, no. 25, 1990, pp. 34–43.

Heynen, Julian. “Speculations on Trucks, Cemeteries, Foxes, and Other Images.” Parkett, no. 25, 1990, pp. 53–63.

Kuoni, Carin. “Kultur und Kommentar, ein Ansatz der achtziger Jahre.” Das Kunst-Bulletin, July/August 1990, pp. 28–35.

Schloss, C. “Katharina Fritsch.” Juliet, April 1990, p. 30.

Smolik, Noemi. “Große Namen, kalte Schulter.” Kölner Stadtanzeiger, December 20, 1990.

1989

Beyer, Lucie. “Katharina Fritsch: Kunstverein Münster/Portikus Frankfurt.” Arena, no. 4, October 1989, pp. 99–100.

Blase, Christoph. “Die Kunst mit den reproduzierenden Medien.” Artis, September 1989, pp. 54–57.

Bos, Saskia. “Topics on Atopy.” De Appel, no. 2, 1989/1990.

Cameron, Dan. “How We Have Changed, Revisited.” Arena, no. 1, 1989, p. 70.

Cottingham, Laura. “The Feminine De-Mystique.” Flash Art, no. 147, 1989, pp. 91–95.

Graw, Isabella. “Carnegie International.” Galeries Magazine, December 1989/ January 1990.

Heynen, Julian. “Katharina Fritsch: Über junge Düsseldorfer Künstler.” Das Kunstwerk 4/5, no. 41, 1989, pp. 129–30.

Koether, Jutta. “Katharina Fritsch: Kunstverein Münster/Portikus Frankfurt.” Artscribe, no. 78, November/ December 1989, pp. 85–86.

Magnani, Gregorio. “This Is Not Conceptual.” Flash Art, no. 145, 1989, pp. 84–87.

Messler, Norbert. “Ordnungstrieb und Präzision.” Wolkenkratzer, no. 5, 1989, pp. 80–81.

Reust, Hans-Rudolf. “Rosemarie Trockel - Katharina Fritsch.” Artscribe, no. 73, 1989, pp. 88–89.

Smolik, Noemi. “Katharina Fritsch: Portikus Frankfurt.” NOEMA, no. 27, 1989, p. 97.

———. “Kunstpreis Glockengasse.” Kunst in Köln, no. 1, 1989, p. 89.

Spector, Nancy. “Carnegie International.” Contemporanea 5, February 1989, pp. 104–05.

Strecker, Raimund. “Über junge Düsseldorfer Künstler.” Das Kunstwerk, January 1989, pp. 129–47.

1988

Acklin, Claudia. “Drei Künstlerinnen in der Kunsthalle.” Basler Kulturzeitung, July/August 1988.

Archer, Michael. “Rosemarie Trockel and Katharina Fritsch.” Art monthly, November 1988.

Beaucamp, Eduard. “Die Aufrührer im soliden Fahrwasser.” F.A.Z., November 12, 1988.

Beyer, Lucie, and Karen Marta. “Report from Germany: Why Cologne?” Art in America 76, no. 12, December 1988, pp. 45–52.

Blase, Christoph. “Katharina Fritsch: Ich wäre gerne eine Firma.” Vogue (Germany), June 1988, pp. 78–80.

Christov-Bakargiev, Carolyn. “Something Nowhere: A Mute Statement of Recent Sculpture Attempts.” Flash Art, no. 140, May/June 1988.

Craddock, Sacha. “Elegant Twists in a familiar Yarn.” The Guardian, November 18, 1988.

Godfrey, Tony. “Report from Germany: A Tale of Four Cities.” Art in America 76, no. 11, Nov. 1988, pp. 33–41.

Jocks, Norbert. “Das verwässerte Menschenbild.” Überblick, no. 10, October 1988.

Koether, Jutta. “A Report from the Field.” Flash Art, no. 141, Summer 1988.

Krebs, Edith. “Katharina Fritsch/Rosemarie Trockel.” NOEMA, no. 20, 1988, p. 79.

Müller, Hans-Joachim. “In der Küche, am Tisch, auf dem Berg.” Basler Zeitung, June, 13, 1988.

“On Katharina Fritsch.” Artscribe, no. 68, March/April, 1988.

Salvioni, Daniela. “Trockel and Fritsch.” Flash Art, no. 42, October 1988, p. 110.

Schenker, Christophe. “Interview mit Jean-Christophe Ammann, Kunsthalle Basel.” Flash Art 2, no. 141, Summer 1988 (News Supplement).

“Sculptor’s Concept of Dinner for 32.” The Times, October 8, 1988.

Taylor, John Russell. “A Brush with the Sinister.” The Times, January 11, 1988.

“Uniforme Männergesellschaft am Tisch.” F.A.Z., July 26, 1988.

1987

Blase, Christoph. “Ein normaler Elefant und anderes Greifbares.” Kunst plus Kunst, 1987, pp. 54–55.

Cameron, Dan. “The Critic’s Way.” Artforum 26, no. 1, September 1987, p. 119.

Cooke, Lynne. “A Distanced View at the New Museum.” Artscribe International, no. 61, January/February 1987, pp. 68–70.

Galloway, David. “Report from Germany.” Art in America 75, no. 12, December 1987, p. 21.

Heartney, Eleanor. “Sighted in Münster.” Art in America 75, no. 9, September 1987, pp. 140–43.

Hermes, Manfred. “Katharina Fritsch: Kaiser Wilhelm Museum Krefeld.” Flash Art, no. 137, November/December 1987, pp. 112–13.

Hoffman, Jörg. “Was macht der Elefant im Museum?” Neue Westfälische, March 16, 1987.

Koether, Jutta. Elephant. Parkett, no. 13, 1987, pp. 90–92.

———. “Katharina Fritsch.” Artscribe International, May 1987, p. 84.

Ponti, L.L. “Il progetto scultura a Münster.” Domus, no. 686, September 1987, pp. 110–11.

Puvogel, Renate. “Katharina Fritsch.” Kunstforum International, no. 89, May/June 1987, pp. 338–40.

“Seelenloser Kiepenkerl.” Der Spiegel, no. 26, June 22, 1987.

Tazzi, Pier Luigi. “Skulptur Projekte Münster.” Wolkenkratzer, no. 5, September/October 1987.

Wulffen, Thomas. “Statements: Katharina Fritsch.” Kunstforum International, no. 91, October/November 1987, pp. 168–73.

1986

Brenson, Michael. “‘A Distanced View,’ by Group from Europe.” The New York Times, October 10, 1986.

Graff, Roberta. “Museum beat.” South Shore Record.

Gumpert, Lynn. “A Distanced View.” Zien, no. 9, 1986, pp. 6–12.