Matthew Marks Gallery

Gary Hume

  • Books and Catalogues


    Hudson, Suzanne. Gary Hume: Destroyed School Paintings. Deurle, Belgium: Museum Dhondt-Dhaenens; New York: Matthew Marks Gallery; London: Sprüth Magers, 2020.


    Nagel, Alexander. Gary Hume Mum. New York: Matthew Marks Gallery; London: Sprüth Magers, 2017.


    Frankland, Claire, and Mark Halliday. Gary Hume: Lions and Unicorns & Night Time. London: White Cube, 2014.

    Ibel, Rebecca, et al. NOW-ISM: Abstraction Today. Columbus, OH: Pizzuti Collection, 2014.


    Bader, Graham. Gary Hume: The Wonky Wheel. New York: Matthew Marks Gallery, 2013.

    Stout, Katherine. Gary Hume. London: Tate Publishing, 2013.


    Hickey, Dave. Gary Hume: Flashback. London: Hayward Publishing, 2012.

    Higgie, Jennifer. Gary Hume: The Indifferent Owl. London: White Cube, 2012.


    Hickey, Dave. Gary Hume, Yardwork. New York: Matthew Marks Gallery, 2009.

    Gary Hume: A Cat on a Lap. London: Other Criteria, 2009.


    Art for Baby: Twelve Works by Famous Contemporary Artists to Explore with Your Baby
    . Dorking, United Kingdom: Templar, 2008.

    Bernstein, Joanne, ed. Moving Horizons: UBS Art Collection: 1960s to the present day. Beijing: NAMOC and UBS, 2008.

    Hume, Gary. Gary Hume: Door Paintings. Oxford, United Kingdom: Modern Art Oxford, 2008.


    Anfam, David, Gary Hume, and Ulrich Loock. Gary Hume. London: Jay Jopling/White Cube, 2007.

    Bright, Susan, Mario Sorrenti, Julianne Moore, Vince Aletti, Mert Alas, Marcus Piggott, Corinne Day, Steven Klein, Paolo Roversi, and Mario Sorrenti. Face of Fashion. London: National Portrait Gallery, 2007.

    Clarke, Michael. Verbalising the Visual: Translating Art and Design into Words. London: Bloomsbury Press, 2007.

    Hirst, Mark, and Alistair Hicks. Beyond Sensation. London and Frankfurt: Deutsche Bank Art Collection, 2007.

    Livingstone, Marco. Gary Hume Prints. London: White Cube; London: The Paragon Press, 2007.

    Loock, Ulrich, and David Anfam. Gary Hume: American Tan – Gloss, Charcoal, Bronze, Marble. London: White Cube, 2007.

    Lullin, Etienne, and Florian-Oliver Simm. Contemporary Art in Print: The Publications of Charles Booth-Clibborn and His Imprint, The Paragon Press 2001–2006. London: The Paragon Press: Contemporary Editions Ltd, 2007.


    Bracewell, Michael, Pi Li, and Emily Butler. Aftershock: Contemporary British Art 1990–2006. London: The British Council, 2006.

    Gasparina, Jill. L’ Art Contemporain et la Mode. Paris: Editions Cercle D’ Art, 2006.

    Howgate, Sarah, and Sandy Nairne. The Portrait Now. London: National Portrait Gallery, 2006.

    Nemitz, Barbara. Pink. Ostfildern, Germany: Hatje Cantz, 2006.


    Grosenick, Uta. ART NOW. Taschen, 2005.

    Hume, Gary. Gary Hume. New York: Matthew Marks Gallery, 2005.

    Johannesen, Ina, Marianne Holtermann and Sarah Kent. London Calling: Y(oung) B(ritish) A(rtists) Criss-Crossed. Oslo: Galleri Kaare Berntsen, 2005.

    Keller, Anne, Beatrix Ruf, Stefan Kalmar. Art at 30 St Mary Axe. Zurich: Swiss Reinsurance Group, 2005.

    Kopp, Robert, Philippe Büttner, and Ulf Küster. Blumenmythos: Flower Myth. Riehen / Basel: Fondation Beyeler, 2005.

    Richer, Francesca, and Matthew Rosenzweig.No. 1 First Works by 362 Artists.New York: Distributed Art Publishers, Inc., 2005.

    Rose, Andrea, and Caroline Douglas. Supernova. London: British Council, 2005.

    Schwabsky, Barry. Matisse: Masterpieces at Statens Museum for Kunst. Denmark: Statens Museum, 2005.


    Barrett, David, and Lucy Head. Gary Hume. London: Royal Jelly Factory 2004.

    Brumfield, Jane. Painting is Dead, Long Live Painting: Contemporary British Painting Part One. Hastings, United Kingdom: Hastings Museum & Art Gallery, 2004.

    Farr, Christopher, Matthew Bourne, and Fiona Leslie. Contemporary Rugs. New York: Merrell, 2004.

    Malik, Suhail. Paper Democracy: Contemporary Art in Editions on Paper. São Paulo: Edifício Cultura Inglesa, 2004.

    Postle, Martin, Stephen Daniels, Nicholas Alfrey, Brent Elliott, Stephan Bann, and Mary Horlock. Art of the Garden: The Garden in British Art, 1800 to the Present Day. London: Tate Publishing. 2004.

    Prenzler, Anne, and Michael Wilson. Gary Hume: Carnival/Karneval. New York: Matthew Marks Gallery; Hanover, Germany: Kestnergesellschaft, 2004.

    Royal Academy Illustrated 2004. London: Royal Academy of Arts, 2004.

    Schneider, Eckhard, Kay Heymer, and Rudolf Sagmeister. The Bird Has a Yellow Beak. Bregenz, Austria: Kunsthaus Bregenz, 2004.

    Tøjner, Poul Erik, and Ernst Jonas Bencard. The Flower as Image. Humlebaek, Denmark: Louisiana Museum of Modern Art, 2004.

    Van Tuyl, Gijs, and Carl H. Hahn. The Open Museum. The First Ten Years. Wolfsburg, Germany: Kunstmuseum Wolfsburg, 2004.


    De Cruz Gemma, and Amanda Eliasch. British Artists at Work. London: Assouline, 2003.

    Hwa Joo, Yeon, British Contemporary 28 October – 31 January 2004. Korea: Arario Gallery, 2003.

    Painting Pictures: Painting and Media in the Digital Age. Wolfsburg, Germany: Kunstmuseum Wolfsburg, 2003.

    Supernova: Art of the 1990s from the Logan Collection. San Francisco: San Francisco Museum of Modern Art, 2003.


    Burgi, Berhard, and Pakesch, Peter. Painting on the Move. Basel: Kunstmuseum Basel, Museum für Gegenwartskunst Basel, Kunsthalle Basel, 2002.

    Cook, Angus. Gary Hume. London: Jay Jopling / White Cube, 2002.

    Gillick, Liam. 44 Duke Street, St James’ London. Gottingen, Germany: Steidl, 2002.


    Blake, Peter. Royal Academy Illustrated, Summer Exhibition 2001. London: Royal Academy of Arts, 2001.

    Booth-Clibborn, Charles, Patrick Elliot, and Jeremy Lewison. Contemporary Art in Print: The Publications of Charles Booth-Clibborn and his Imprint the Paragon Press, 1995–2000. London: Booth-Clibborn; London: Paragon, 2001.

    Invisible London
    . London: Ellipsis, 2001.

    Kyander, Pontus. Sur face. Lund, Sweden: Lunds Konsthall, 2001.

    Melly, George, and Louisa Buck. 2001 A Space Oddity. London: A22 Projects, 2001.

    Muir, Gregor, Gavin Eddy, and Sam Cowan. Group Exhibition. London: UBS Warburg, 2001.

    Schimmel, Paul. Public Offerings. New York and London: Thames and Hudson 2001.

    Sprüth, Monika, Frank Frangenberg, and Suhail Malik. Spy – Thomas Grunfeld, Gary Hume, Andreas Schluze. Colgne and Munich: Monika Sprüth, Philomene Magers, 2001.


    Gibson, Robin, and Norbert Lynton. Painting the Century: 101 Portrait Masterpieces 1900–2000. London: National Portrait Gallery, 2000.

    Grosenick, Uta. ART NOW. Cologne: Taschen, 2000.

    Rose, Andrea, Enrique Juncosa, Keith Hartley, and Adrian Searle. Gary Hume. Barcelona: Fundación ‘La Caixa’, 2000.

    Thorkildsen, Åsmund, and Øystein Ustvedt. Sincerely Yours. Oslo: Astrup Fearnley Museum of Moderne Art, 2000.


    Collings, Matthew. This is Modern Art. London: Weidenfield & Nicholson, 1999.

    Examining Pictures: Exhibiting Paintings. London: Whitechapel Art Gallery, 1999.

    Forrester, Gillian. Graphics! British Prints Now. New Haven: Yale Center for British Art, 1999.

    Fortes, Márcia. ArtLovers Tracey. Liverpool, United Kingdom: The Liverpool Biennial of Contemporary Art, 1999.

    Gary Hume. London: Whitechapel Art Gallery, 1999.

    Hartley, Keith. Gary Hume. Edinburgh: National Galleries of Scotland, 1999.

    Hirst, Fairhurst, Hume, Helly. London: Nahmad Gallery Ltd., 1999.

    Kent, Sarah, Richard Cork, and Dick Price, eds. Young British Art: The Saatchi Decade. London: Booth-Clibborn Editions, 1999.

    Searle, Adrian, and David Batchelor. Gary Hume: British Pavilion, XLVIII Venice Biennale. London: The British Council, 1999.

    Stallabrass, Julian. High Art Lite. London: Verso, 1999.


    Beudert, Monique, and Sean Rainbird. Contemporary Art: The Janet Wolfson de Botton Gift. London: Tate Gallery Publications, 1998.

    Distinctive Elements: Contemporary British Art Exhibition. Seoul: National Museum of Contemporary Art, 1998.

    Krinzinger, Ursula, Eva Ebersberger, and Brian Muller. UK Maximum Diversity. Vienna: Atelierhaus der Akademie der bildenden Künste Wien, 1998.

    Livingstone, Marco. Signature Pieces: Contemporary British Prints and Multiples. London: Alan Cristea Gallery, 1998.

    Malbert, Roger. Richard Wentworth’s. Thinking Aloud, Kettle’s Yard. Cambridge 1998.

    Roberts, James. Real/Life: New British Art. Tokyo: Asahi Shimbun, 1998.

    Schorr, Collier. The Sound of One Hand: The Collection of Collier Schorr. New York: Apex Art C.P., 1998.

    Wentworth, Richard, and Nick Groom. Richard Wentworth's Thinking Aloud. London: Hayward Gallery, 1998.


    Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal, and Richard Shone. Sensation: Young British Artists From The Saatchi Collection. London: Royal Academy of Arts, 1997.

    A Ilha do Tesouro. Lisbon: Fundação Calouste Gulbenkian, 1997.

    Anderson, Michael. Display. Copenhagen: Charlottenborg Museum of Contemporary Art, 1997.

    Buck, Louisa. Moving Targets: A User's Guide to British Art Now. London: Tate Gallery, 1997.

    Bumpus, Judith. Jerwood Painting Prize 1997. London: Jerwood Foundation, 1997.

    Button, Virginia. The Turner Prize. London: The Tate Gallery, 1997.

    Collings, Matthew. Blimey! From Bohemia to Britpop: The London Artworld from Francis Bacon to Damien Hirst. Cambridge, United Kingdom: 21 Publishing Ltd., 1997.

    Fiona Rae, Gary Hume. London: The Saatchi Gallery. 1997.

    Gallagher, Ann. Dimensions Variable: New Works for the British Council Collection. London: The British Council, 1997.

    Package Holiday. Hydra, Greece: Hydra Workshops, 1997.

    Roberts, Sara. Multiple Choice: Obras impresas de jovenes artistas Britanicos. London: The British Council, 1997.

    Sieja, Janine, ed. Truce: Echoes of Art in an Age of Endless Conclusions. Santa Fe, NM: New Mexico Site Santa Fe, 1997.

    Shand Kydd, Johnnie. Spit Fire: Photographs from the Artworld. London: Thames & Hudson, 1997.


    Bonami, Francesco. Gary Hume. Maastricht, Netherlands: Bonnefantenmuseum Maastricht, 1996.

    Bill, Simon. XXIII Bienal de São Paulo. São Paulo: Fundação Bienal de São Paulo, 1996.

    Button, Virginia. The Turner Prize 1996. London: Tate Gallery Publishing Ltd, 1996.

    Codognato, Mario. Artisti Britannici a Roma. Rome: Umberto Allemandi & Co, 1996.

    Douglas, Caroline. Gary Hume: Floor to Ceiling. London: The British Council, 1996.

    Elliott, Davi. About Vision: New British Painting in the 1990s. Oxford, United Kingdom: Museum of Modern Art, 1996.

    Görner, Veit. Full House: Young British Art. Wolfsburg, Germany: Kunstmuseum Wolfsburg, 1996.

    Robson, Gavin. Ace! Arts Council Collection New Purchases. National Touring Exhibitions, London: The South Bank Centre, 1996.


    Brilliant! New Art from London
    . Minneapolis: Walker Art Center, 1995.

    Coelewij, Leontine, Rudi Fuchs, and Titia Fuchs. Wild Walls. Amsterdam: Stedelijk Museum, 1995.

    Cork, Richard, Vicky Lewis, Kathrina Crookall, and Andrew Patrizio. The British Art Show 4. London: South Bank Centre, 1995.

    Freedman, Carl. Minky Manky. London: South London Art Gallery, 1995.

    Gallagher, Anne, and James Roberts, eds. General Release: Young British Artists at Scuola di San Pasquale. London: The British Council, 1995.

    Loock, Ulrich, and Gregor Muir. Gary Hume Paintings. London: Institute of Contemporary Arts; Bern: Kunsthalle Berne, 1995.

    Loock, Ulrich. Jahresbericht des Vereins Kunsthalle Bern. Bern: Kunsthalle Bern, 1995.

    Searle, Adrian. New Voices. London: The British Council, 1995.

    Wilson, Andrew. From Here. London: Waddington Galleries/Karsten Schubert, 1995.


    Kent, Sarah. Shark Infested Waters: The Saatchi Collection of British Art in the 90s. London: Zwemmer, 1994.

    The Magic Touch: New works by Gary Hume, Mark Wigan and PPQ. London: PPQ, 1994.

    Searle, Adrian, Unbound: Possibilities in Painting. London: The South Bank Centre, 1994.


    Johnson, Diana L. The Rome Studio.Providence, R.I.: David Winton Bell Gallery, List Art Center, Brown University, 1993.


    Etats spécifiques
    . Le Havre, France: Musée des Beaux-Arts André Malraux, 1992.

    Hedley, Gill. New Voices: New works for the British Council Collection. London: The British Council, 1992.

    Il Mistero dei 100 Dollari Scomparsi. Milan: Gio’ Marconi Gallery, 1992.


    Confrontaciones: Arte último británico y español.
    Madrid: Instituto de la Juventud, 1991; Madrid: Museo Nacional Centro de Arte Reina Sofía, 1992.

    Davenport, Guy. Artists’ Sketchbooks. New York: Matthew Marks Gallery, 1991.

    Graham-Dixon, Andrew. Broken English. London: Serpentine Gallery, 1991.

    Gillick, Liam, and Andrew Renton, eds. Technique Anglaise: Current Trends in British Art. London: Thames and Hudson, 1991.


    Collier, Caroline, Andrew Nairne, and David Ward. The British Art Show 1990. London: South Bank Centre, 1990.

    Cooke, Lynne. A Paintings Show: Michael Craig-Martin, Gary Hume, Christopher Wool. London: Karsten Schubert Ltd, 1990.

    East Country Yard Show. London: East Country Yard, 1990.

    Graw, Isabelle, ed. Supply: The Köln Show. Cologne: SPEX, 1990.

  • Selected Articles


    Searle, Adrian. “Michael Jackson: On the Wall Review­–King of Pop as the Ultimate Muse.” The Guardian, June 27, 2018 (online).


    Hume, Gary, and Amy Macpherson. “’It’s like making a garden.’ Gary Hume on Printmaking.” Royal Academy Magazine, February 17, 2017.

    Hume, Gary, and Martin Gayford. “The abstract paintings all went in the bin.’ Gary Hume Interviewed.” The Spectator, August 26, 2017.

    Katz, Marisa Mazria. “Hume with a View.” Monocle, October 2017, pp. 109–12.

    Pollack, Babara. “Gary Hume’s Valentine to His Mum.” The New York Times, October 29, 2017, p. F30.

    Wullschlager, Jackie. “Critic’s Choice.” Financial Times, October 7–8, 2017.


    Jury, Louise. “New Sculpture Trail, The Line, to Appear Along East London’s Waterways.” The London Evening Standard, July 11, 2014.

    Royce-Greensill, Sarah. “Star Names to Line East London’s Walk of Art.” The Telegraph, July 13, 2014.

    Shaw, Anny. “Former YBAs and Conceptual Artists Take Part in London Sculpture Trail.” The Art Newspaper, July 11, 2014.


    Aldridge, Nick. “I like to not know what I’m doing most of the time.” Tate Britain, June 2013, pp. 31–25.

    Cumming, Laura. “Patrick Caulfield/Gary Hume- review.” The Observer, June 6, 2013.

    Darwent, Charles. “Charles Darwent on Art: Brushes out! It’s the Gary Hume and Patrick Caulfield show.” The Independent, June 8, 2013.

    Dorment, Richard. “Gary Hume, Tate Britain, Review.” The Telegraph, June 3, 2013.

    Gayford, Martin. “Kate Moss Inspires Gary Hume, Caulfield Heads to the Bar.” Bloomberg, June 7, 2013.

    O’Hagan, Sean. “Gary Hume: ‘I couldn’t hold down a job. That’s why I became an artist.’” The Observer, May 18, 2013.

    Vogel, Carol. “Finding Meaning in the Mundane.”The New York Times, June 20, 2013, p. C26.

    Wullschlager, Jackie. “Shared passions.” Financial Times, June 8–9, 2013, p. 17.


    Millard, Coline. “‘I’m Not an Intellectual Artist, I’m Instinctive’: Gary Hume Returns to Canvas.” ArtInfo, January 19, 2012.

    Sooke, Alastair. “Gary Hume: The Indifferent Owl, White Cube Hoxton Square & Mason’s Yard.” The Telegraph, January 23, 2012.


    Brown, Mark. “Art Council’s third Flashback tour puts artist Gary Hume in spotlight.” The Guardian, December 21, 2011.

    “In the studio: Gary Hume.” RA Magazine, Winter 2011.

    Wong, Matthew. “Made In Britain—Contemporary Art from the British Council 1980–2010.” Time Out Hong Kong Online, July 20, 2011 (online).

    Yüksel, Burcu. “Interview with Gary Hume.” RES, No. 7, June 2011, pp. 74–89.


    Smith, Roberta. “Art in Review: Gary Hume.” The New York Times, June 19, 2009, p. C29.

    Straub: Kimberly. “Art: In Living Color.” Style, May 12, 2009 (online).

    Wei, Lilly. “Gary Hume.” ARTnews, September 2009, pp. 110, 112.


    Adrin, Rose. “The Many Lives of a Collector.”Apollo, January 2008, pp. 62–66.

    Barber, Lynn. “Profit and Gloss.” The Observer Magazine, October 12, 2008, pp. 16–24.

    Falconer, Morgan. “Gary Hume’s Door Paintings are Enjoyably Off-the-Wall.” The Times, June 7, 2008 (online).

    Neal, Jane. “Gary Hume.” Modern Painters, October 2008, p. 119.

    Sooke, Alastair. “Gary Hume: the Doors that Unhinged the Rstablishment.” Telegraph, June 14, 2008 (online).

    Williams, Gilda. “Gary Hume, White Cube.” Artforum 46, no. 5, January 2008, p. 291.


    Cummings, Laura. “New American Beauties.” The Observer, September 9, 2007, p. 22.

    Greenberg, Sarah. “American Dreams.” RA Magazine, Autumn 2007, p. 103.

    Lewis, Ben. “What’s left when you strip away all the gloss (paint)?” Evening Standard, September 14, 2007, pp. 38–39.

    Pearman, Hugh. “A New Gloss on American Culture.”The Sunday Times Culture Magazine, September 9, 2007, pp. 20–21.

    Perry, Grayson. “How Unfashionable: An Artist Who Makes Beautiful Things.” The Times, August 29, 2007.

    Vallely, Paul. “Colour Magic.” The Independent, September 8, 2007, pp. 35–39.


    Buck, Louisa. “Elton John’s Bathroom More Inspiring than Renaissance Art.” The Art Newspaper, July/August 2006, p. 35.

    Coomer, Martin. “Dark Matter.” Time Out, July 26–August 2, 2006, p. 34.

    Davis, Serena. “The art of darkness cast its spell.” The Daily Telegraph, July 11, 2006, p. 23.

    Hubbard, Sue. “Monomania.” The Independent, August 12, 2006, p. 12.

    Lubbock, Tom. “Apocalypse Now and Again.” The Independent, June 26, 2006, p. 15.

    Theobald, Stephanie. “Life is Sweet.” Harper’s Bazaar, June 2006, pp. 82–83.

    Wullschlager, Jakie. “Mortal concerns against a dark background.” Financial Times, July 14, 2006, p. 11.


    Jury, Louise. “Christmas at the Tate – and a Flock of Blackbirds in a Fire Tree.” The Independent, December 3, 2005, p. 13.

    Reynolds, Nigel. “Tate and Bile as Stuckists Round on Arts Elite.” The Daily Telegraph, December 3, 2005, p. 11.

    “Strong’ Art for Sale in Show.” Battle Observer, August 5, 2005, p. 79.


    “Artwork with a Cutting Edge.” East London Advertiser, April 22, 2004, p. 25.

    Moore, Toby. “Portrait of an Enigma.” FT Magazine, September 4, 2004, p.8.

    Stocks, Christopher. “Budding genius.” The Independent on Sunday, May 30, 2004, p. 29.

    Sweet, Matthew. “Surviving Britart.” The Independent Magazine, June 12, 2004, pp. 26–32.

    “Vespa Art.” Art Monthly, 281, November 2004, p. 16.


    Aidin, Rose. “The Future’s Bright.” The Times Magazine, March 1, 2003, pp. 30–31.

    Dunne, Aidan. “Preview: Hanging Out.” RA Magazine, Summer 2003, p. 36.

    “Gary Hume: Irish Museum of Modern Art.” The Art Newspaper, April 2003, p. 26.

    Graham-Dixon, Andrew. “Gary Hume.” Contemporary, December 2003, no. 58, pp. 62–65.


    Buck, Louisa. “I want to abolish ‘me’ in my art.” The Art Newspaper, September 2002, p. 28.

    “Gary Hume.” Modern Painters, Winter 2002, p. 139.

    Gayford, Martin. “Happy as Gary.” Harpers & Queen, September 2002, pp. 113–14.

    Gayford, Martin. “Sense of mystery without depth.” The Daily Telegraph, October 2, 2002, p. 20.

    Güner, Fisun. “Somber but Still Sexy.” Metro London, October 1, 2002, p. 18.

    Hall, Sarah. “The Misfits, Gary Hume’s Royal Academy exhibition.” The Guardian, May 17, 2002, p.10

    Kino, Carol. “Gary Hume at Matthew Marks.”Art in America, February 2002, p.121.

    O’Reilly, Sally. “Gary Hume.” Time Out, October 9, 2002, p. 58.

    Schwabsky, Barry. “Gary Hume.” Tema Celeste, November/December 2002, pp. 44–49.


    A.M. Holmes. “Hume for More.” Vanity Fair, March 2001, p. 46.

    Gleadell, Colin. “Artists’ Colony.” Telegraph Magazine, October 13, 2001, pp. 40–41.

    Muir, Robin. “Nude awakening.” The Independent Magazine, October 20, 2001, pp. 7–8.

    Wilson, Simon. “Deep Reflections.” Tate Magazine, Summer 2001, p. 6.


    Fulcher, Dawn. “The Enchanted Garden.” Contemporary Visual Arts, no. 19, p. 90.

    Higgins, Rita. “Mixing It In the Art World.” The Sunday Times, March 7, 1999, Magazine, p. 17.


    Auerbach, Annabella. “Review: Art's New Establishment.” Independent on Sunday, August 31, 1998, Reviews, pp. 9–14.

    Baker, Lindsay. “The Beauty Bomber.” The Guardian, May 2, 1998, pp. 40–43.

    Buck, Louisa. “London Calling: Gary Hume at Sadler's Wells.” The Art Newspaper 10, no. 85, October 1998, p. 53.

    Collings, Matthew. “Sensation.” Artforum 36, no. 5, January 1998, pp. 94–95.

    Falconer, Morgan. “Beneath the Surface of a Shy Superstar of Painting.” Highbury & Islington Express, October 30, 1998, Arts & Leisure, p. 27.

    Higgie, Jennifer. “Gary Hume.” Bijutsu Techo (Tokyo), November 1998, pp. 10–15.

    Ingleby, Richard. “Art.” The Independent, September 15, 1998.

    Lee, Sook-Kyung. “A look at Life and Art: British Contemporary Art Exhibition at the National Museum of Contemporary Art.” Woolgan Misool (Korea), August 1998, pp. 54–57.

    Mi-Lui, Kim. “New Era in British Contemporary Art on Show in Seoul.” The Korean Times, September 4, 1998, p. 2.

    Millard, Rosie. “Summer Pudding.” Art Review, July/August 1998, pp. 48–49.

    Pollack, Barbara. “Green Cards: YBA's in the US.” Art Monthly, no. 214, March 1998, pp. 44–45.

    Redhead, David. “When Gary met Georgie.” Elle Decoration, November 1998, pp. 94–101.

    Relyea, Lane. “Virtually Formal.” Artforum 37, no. 1, September 1998, pp. 126–33, 173.

    Sladen, Mark. “The South Bank Show: Young British Artists.” Tate: The Art Magazine, no. 15, Summer 1998, p. 78.

    De Ville, Nicholas. “Ways of Seeing and the Pleasure of the Visual.” Contemporary Visual Arts, no. 18, pp. 56–62.


    Adams, Brooks. “Gary Hume.” Elle Decor (US edition), October/November 1997, pp. 72–78.

    Collings, Matthew. “The New Establishment.” Independent on Sunday, August 31, 1997, pp. 9–14.

    Coomer, Martin. “The Jerwood Painting Prize.” Time Out, no. 1416, October 1997, p. 51.

    Cork, Richard. “Teasing and Pleasing in Full Colour.” The Times, January 21, 1997, p. A35

    Garratt, Sheryl. “Gary Hume.” The Face 3, no. 1, February 1997, pp. 76–80.

    Gayford, Martin. “Painted into a Corner.” The Daily Telegraph, October 1, 1997, p. 16.

    Glueck, Grace. “Gary Hume.” The New York Times, May 16, 1997, p. C24.

    Fortes, Márcia. “XXIII Biennial International de São Paulo.” frieze, no. 32, January/February 1997, p. 76.

    Herbert, Martin. “It's a Sensation but is it Art?” Time Out, no. 1412, September 10–17, 1997, Special Supplement.

    Ingleby, Richard. “Fiona Rae, Gary Hume.” The Independent, January 24, 1997, Arts, p. 23.

    Kent, Sarah. “Access Denied.” Time Out, no. 1377, January 8–15, 1997, p. 48.

    Lambirth, Andrew. “Time to put a little gloss on the presentation.” The Independent, September 30, 1997, Features, p. 19.

    Morrissey, Simon. “Fiona Rae, Gary Hume.” Contemporary Visual Arts, no. 14, 1997, pp. 64–65.

    Reynolds, Nigel. “From Sensation to £30,000 prize.” The Daily Telegraph, September 30, 1997, p.10.


    Barbosa, Mariana. “Gary Hume aspresemta obras figurativas.” O Estado de SãoPaulo, September 19, 1996, p. D7.

    Beckett, Andy. “Is there life after the dead cow?" The Independent on Sunday, October 27, 1996, pp. 18–19.

    Boogerd van den, Dominic. “Schijngestalten: De synthetische schilderijen van Gary Hume.” Jong Holland, no. 1, 1996, pp. 9–14.

    Bovier, Lionel. "Special feature on Gary Hume". Parkett, no. 48, pp. 12–39.

    Buck, Louis. “Works in progress.” GQ Magazine, no. 90, December 1996, pp. 86–90.

    Caderno, Dois. “Gary Hume.” Correio Brazilense, October 16, 1996, p. 1.

    Chant, Katharine. “Gary Hume.” Exeter Express & Echo, January 17, 1996, p. 19.

    Garnett, Robert. “Beyond the Hype.” Art Monthly, no. 195, April 1996, pp. 43–44.

    Floravante, Celso. “Grã-Bretanha traz Gary Hume de São Paulo.” Folha de São Paulo, August 10, 1996, p. 4.

    Graham-Dixon, Andrew. “Spreading the Word.” The Independent, November 12, 1996, pp. 4–5.

    Gonçalves Filho, Antonio. “Gary Hume.” O Estado de São Paulo, October 3, 1996.

    Herbert, Martin, and Saunders, Mark. “Next Stop Barbados.” Dazed & Confused Magazine, no. 26, pp. 54–57.

    Lister, David. “Worry on Virginia.” Modern Painters, January 1996, pp. 63–64.

    MacMillan, Ian. “Bold with beauty.” Modern Painters 9, no. 4, Winter 1996, pp. 36–37.

    MacRitchie, Lynn. “Their Brilliant Careers.” Art in America 84, no. 4, April 1996, pp. 80–84.


    Adams, Brooks. “Gary Hume.” frieze, no. 20, January/February 1995, pp. 50–51.

    Archer, Michael. “Home and away.” Art Monthly, no. 188, July/August 1995, pp. 8–10.

    Bangma, Anke. “Wild Walls.” frieze, no. 25, November/December 1995, pp. 61–62.

    Bevan, Roger. “Entrepreneurial, Confrontational and Working Class: it's Brilliant!” The Art Newspaper, no. 52, October 1995, p. 10.

    Collings, Matthew. “Welcome to our repartee.” Modern Painters 8, no. 4, Winter 1995, pp. 25–28.

    Cork, Richard. “Figures add up to newfound freedom.” The Times, September 12, 1995, p. A33.

    ––––. “Hirst Among Equals.” The Times, May 10, 1995, p. A31.

    Corrigan, Susan. “Americana.” The Observer, November 12–19, 1995, p. 46.

    Currah, Mark. “Gary Hume.” Time Out, no. 1289, May 3–10, 1995, p. 47.

    ––––. “Beige Watch.” Time Out, no. 1308, September 13–29, 1995, p. 51.

    Dannatt, Adrian. “The Luxury of Doing Nothing.” Flash Art International, no. 183, Summer 1995, pp. 97–99.

    "Frieze talks to Richard Flood, curator of 'Brilliant!'” frieze, no. 25, November/December 1995, pp. 32–36.

    Gale, Iain. “In the realm of the senses.” The Independent, November 28, 1995, Arts section, pp. 8–9.

    “Gary Hume bio.” Gary Hume bio, 1995, pp. 1–2.

    Goodman, Jonathan. “Gary Hume.” Art News 94, no. 1, January 1995, p. 164.

    Gott, Richard. “Where the art is.” The Guardian, October 7, 1995, p. 36.

    Guha, Tania. “A Gloss on Gary.” Vogue, April, p. 71.

    ––––. “Hardcore Part 2.” Time Out, no. 1314, October 25–November 1, 1995, p. 48.

    Hall, James. “Grime under the Gloss.” The Guardian, April 11, 1995, p. 4.

    Kastner, Jeffrey. “Brilliant?” Art Monthly, no. 192, December 1995/January 1996, pp. 10–11, 13–15.

    Lillington, David. “Iconen van vertwijfeling: Een interview met schilder Gary Hume.” Metropolis, no. 3, 1995, pp. 36–39.

    Lutyens, Dominic. “Gary Hume.” What's On In London, September 27, 1995, p. 21.

    Planca, Elisabetta. “Cittá d'arte: Londra.” Arte (Italy), no. 266, October 1995, pp. 98–105.

    Maloney, Martin. “Gary Hume.” Artforum 34, no. 4, December 1995, pp. 62, 65.

    MacRitchie, Lynn. “Shock artists.” Financial Times, November 17, 1995, p. 15.

    Muir, Gregor. “Vague.” Art & Text, no. 51, May 1995, pp. 38–43.

    Searle, Adrian. “Life, the universe and everything.” The Independent, April 18, 1995, p. 20.

    Smith, Roberta. “Some British Moderns Seeking to Shock.” The New York Times, November 23, 1995, pp. C11, C14.

    Tomkins, Calvin. “London Calling.” The New Yorker, December 11, 1995.

    Spinelli, Marcelo. “Gary Hume.” ‘Brilliant!’ March 30, 1995.

    Wakefield, Neville. “Gary Hume.” Artforum 33, no. 5, January 1995, pp. 84–85.

    Wakefield, Neville. “Quite Brilliant.” Tate: The Art Magazine, no. 7, Winter 1995, pp. 32–39.

    Wilson, Andrew. “Breaking content from form.” Art & Design 10, March/April 1995, pp. 7–19.

    Zaugg, Fred. “Schwingtüren und die Farbe Magnolia.” Der Bund, May 12, 1995.


    Archer, Michael. “Unbound.” Art & Text, no. 48, 1994, p. 85.

    Batchelor, David. “Behind a painted smile.” frieze, no. 16, May/June 1994, pp. 18–21.

    Buck, Louisa. “Works in Progress.” CG, January 1992, pp. 87–90.

    Bulloch, Angela. “Freeze.” Art and Design 5, nos. 3–4, January 1994.

    Burnet, Andrew. “Art, B is for British.” Scotland on Sunday, January 1994.

    Currak, Mark. “White Cube.” Time Out, May 3, 1994.

    De Ville, Nicholas. “Ways of Seeing.” Contemporary Visual Arts, No. 18, January 1994, pp. 55–62.

    Flood, Richard. “Smashing!” frieze, January 1994, pp. 32–36.

    Graham-Dixon, Andrew. “Pupils of the cool school -Andrew Graham-Dixon on: The British Art School.” January 30, 1990.

    ———. “Sort of, almost, in a way, nearly.” The Independent, March 15, 1994, p. 23.

    Hall, James. “Pure Gold (smiths’).” Arts and Media, January 1994, p. 50.

    Muir, Gregor. “Interview Gary Hume.” Vogue, January 1994, pp. 44–45.

    Myerson, Clifford. “On Painting I.” Art Monthly, no. 179, September 1994, pp. 13–16.

    Norman, Geraldine. “The contemporary capital.” Sunday Times, March 6, 1994, pp. 34–35.

    Roberts, James. “Gary Hume.” Studio Voice, no. 6, January 1994, p. 100.

    Sanders, Mark. “Next Stop Barbados.” Dazed and Confused, no. 26, January 1994 pp. 54–60.

    Schjeldahl, Peter. “Down Swinging.” The Village Voice, March 13, 1994.

    Smith, Roberta. “Gary Hume.” The New York Times, October 21, 1994, p. C29.

    Stock, John. “Acclaim for the class of ‘88.” The Arts, January 1994.

    “The Magic Touch.” Present, April 12, 1994.


    Searle, Adrian. “Shut that door.” frieze, no. 11, Summer 1993, pp. 46–49.


    Adams, Brooks. “Gary Hume.” Art in America 80, no. 5, May 1992, pp. 134–35.

    Ardenne, Paul. “Onze artistes anglais, Musée des Beaux-Arts (Le Havre).” Art Press Magazine, no. 172, September 1992, p. 77.

    Bonami, Francesco. “Gary Hume at Matthew Marks.” The New Yorker, March 2, 1992, p. 11.

    ———. “Young British Artists.” Flash Art International 25, no. 167, November 1992, p. 87.

    “Goings On About Town.” The New Yorker, Feb 17, 1992, p. 12.

    Grout, Catherine. “Etats Spécifiques.” Artefactum, no. 45, September/November 1992, p. 47.

    Liebmann, Lisa. “Gary Hume.” Artforum 30, no. 8, April 1992, p. 94.

    Melrod, George. “Nayland Blake, Richard Burton, Peter Cain and Gary Hume at Matthew Marks.” Art News 91, no. 9, November 1992, pp. 140–42.

    Moore, Susan. “Young brits take center stage.” Art and Auction, Oct 1992.

    Myerson, Clifford. “On Painting I.” Art Monthly, no. 179, September 1992, pp. 13–15.

    Nargi, Lela. “Ridicule & the '80s: New Works by John Alexander and Gary Hume.” New York Perspectives, February 28, 1992, p. 8.

    Schenk-Sorge, Jutta. “Zwölf Junge Britische Künstler: Stein Gladstone und Barbara Gladstone Gallery, New York.” Kunstforum International120, November 1992, pp. 397–98.

    Smith, Roberta. “A Young Group From Britain.” The New York Times, October 16, 1992.

    Troncy, Eric. “London Calling.” Flash Art, Summer 1992, pp. 86–87.


    Brooks, Liz. “Spacier and spacier.” Artscribe, no. 83, September/October 1990, p. 16.

    Collings, Matthew. “New Contemporaries at the ICA and Broken English at the Serpentine Gallery.” City Limits, no. 515, August 15–22, 1991, p. 18.

    Francis, Mary Anne. “London Summer Round Up.”Art Monthly, no. 149, September 1991, pp. 24–25.

    Gale, Iain. “Broken English.” The Independent, August 13, 1991, Arts, p. 13.

    Hall, Charles. “Tests of Raw Nerves.” The Sunday Times, August 10, 1991, p. V10.

    Kent, Sarah. “Breaking Ground.” Time Out, no. 1095, August 14, 1991, p. 39.

    Morgan, Stuart. “Karsten Schubert, London.” Artscribe, no 89, Nov/Dec 1991 p. 98.

    Sewell, Brian. “Putting on the zits.” Evening Standard, August 8, 1991, p. 21.

    White, Tony. “East Country Yard Show.” Artist’s Newsletter, October 1990, pp. 37­–38.


    Brooks, Liz. “Spacier and Spacier.” Artscribe, September/October 1990.

    Collings, Matthew. “Britain is Best.” Modern Painters 3, no. 1, Spring 1990, pp. 90–91.

    ––––. “Gary Hume at Karsten Schubert.” City Limits, no. 510, July 11, 1991, p. 21.

    Gillick, Liam. “Critical Dementia: The British Art Show.” Art Monthly, no. 134, March 1990, pp. 14–16.

    ———. “The Placebo Effect.” Arts Magazine65, no. 9, May 1991, pp. 56–59.

    Graham-Dixon Andrew. “The Midas Touch?” ART July 31, 1990.

    ———. “The Midas Touch?: Graduates of Goldsmiths' School of Art dominate the current British art scene.”The Independent, July 31, 1990, p. 13.

    ———. “Young Turks and Old Masters.” ARTnews89, no. 9, November 1990, pp. 124–26.

    Lillington, David. “Gary Hume at Karsten Schubert.” Time Out, no. 1090, July 10–17, 1991, p. 49.

    Renton, Andrew. “Birth of the Cool.” Blitz Magazine, June 1990, pp. 54–56.

    ———. “Disfiguring: Certain New Photographers and Uncertain Images.” Creative Camera, no. 306, October/November 1990, pp. 16–45.

    “The Koln Show.” View, Summer 1990, p. 13.

    White, Tony. “East Country Yard Show.” Artists Newsletter, October 1990, pp. 37–38.


    Archer, Michael. “Ian Davenport, Gary Hume, Michael Land.” Artforum 27, no. 6, February 1989, p. 147.

    Bulloch, Angela. “Freeze.” Art and Design 5, nos. 3–4, 1989, pp. 52–53.

    Carpenter, Merlin. “Gary Hume.” Artscribe, no. 78, November/December 1989, pp. 74–75.

    Dannatt, Adrian. “Gary Hume.” Flash Art, no. 148, October 1989, pp. 138–39.

    Kent, Sarah. “Gary Hume.” Time Out, no. 986, July 12–19, 1989, p. 37.

    Renton, Andrew. “Gary Hume.” Blitz Magazine, no. 80, August 1989, p. 82.

    Roberts, James. “Gary Hume.” Artefactum 6, no. 31, November/December 1989, p .42.

    Shone, Richard. “Ian Davenport, Gary Hume, Michael Landy.” Burlington Magazine 121, no. 1030, January 1989, p. 56.


    Craddock, Sacha. “Freeze: The fast Dockland train to simplicity.” The Guardian, September 13, 1988, p. 17.