2019

Schwabsky, Barry. David Weiss Drawings. New York: Matthew Marks Gallery, 2019.

One hundred drawings. New York: Matthew Marks Gallery, 2019.

2016

Marta, Karen, and Simon Castets, eds. David Weiss: Works, 1968–1979. New York: Swiss Institute, 2016.

2014

David Weiss: Nine Books 1973–1979. Zurich: Edition Patrick Frey, 2014.

Kunz, Stephan. David Weiss: Die Wandlungen. Translated by Catherine Schelbert. Zurich: Edition Patrick Frey and Edition Weiss, 2014.

Kunz, Stephan, and Iwan Schumacher. David Weiss: Werke/Works, 1968–1979. Chur, Switzerland: Bündner Kunstmuseum, 2014.

1981

Armleder, John. 30 Künstler aus der Schweiz. Innsbruck, Austria: Galerie Krinzinger; Vienna: Galerie nächst St. Stephen, 1981.

1980

Lüdi, Anita, Elisabeth Kaufmann, and Bice Curiger. Saus und Braus. Zurich: Städtische Galerie zum Strauhof, 1980.

1976

Mentalität Zeichnung. Lucerne, Switzerland: Kunstmuseum Luzern, 1976.

1976

Weiss, David. Wandlungen. Zurich: Edition Stähli, 1976.

1975

Lüthi, Urs, Elke Kilga, and David Weiss.The desert is across the street. Amsterdam: De Appel; Zurich: Galerie Stähli, 1975.

Weiss, David. Up and Down Town. Zurich: Edition Stähli, 1975.

1974

Drei Geschichten. Zurich: Edition Stähli, 1974.

2019

“Best Art Shows Right Now: David Weiss, Drawings.” Time Out (New York), February 6 – 19, 2019, p. 33.

Brock, Harvey. "David Weiss: Drawings.” The Brooklyn Rail, March 2019, p. 68.

2015

Blood, Anne. “David Weiss.” Studio International, February 12, 2015.

“David Weiss: Works, 1968–1979.” The New Yorker, January 9, 2015.

Halle, Howard. “David Weiss.” Time Out (New York), February 4, 2015.

Muscionico, Daniele. “David Weiss: Works, 1968–1979.” January 22, 2015.

Plagens, Peter. “David Weiss: Works 1968–1979.” The Wall Street Journal, January 16, 2015.

Schwendener, Martha. “David Weiss: Works, 1968–1979.” The New York Times, January 16, 2015, p. C32.

Schwabsky, Barry. "David Weiss." Artforum 53, no. 7, March 2015, pp. 283–84.

2014

“David Weiss: Bündner Kunstmuseum.” Frieze, no. 15, June/August 2014. Translated by Jesse Coburn.

“David Weiss: Works, 1968–1979.” Time Out (New York), December 17, 2014.

Tobler, Konrad. “Early Work, Newly Discovered.” Passages, no. 63, February 2014, pp. 34–35. Translated by Marcy Goldberg.

———. “Noch ein Einfall, und noch einer.” Berner Zeitung, March 11, 2014.

2012

“A Cultivated Poise.” Artforum 51, no. 3, November 2012, pp. 224–34.

Obrist, Hans Ulrich. “David Weiss Obituary.” The Guardian, April 30, 2012.

Patterson, Simon. “David Weiss, 1946–2012.” Art Monthly, no. 357, June 2012, p. 19.

1980

Gibson, Michael. “Galleries in Paris.” International Herald Tribune, October 4 – 5, 1980, p. 7.

1977

Frauen, Portfolio published by David Weiss

1970

Sketches, Portfolio with Urs Lüthi and Willy Spiller, Edition Toni Gerber, Bern

2020

von Moos, Stanislaus, ed. Peter Fischli, David Weiss: Haus. Cologne: Walther König, 2020.

Stephenson, Sarah, ed. Wade Guyton Peter Fischli David Weiss. Aspen, CO: Aspen Art Museum, 2020.

2016

Spector, Nancy, and Nat Trotman. Peter Fischli David Weiss: How to Work Better. New York: Guggenheim and Delmonico/Prestel, 2016.

Vischer, Theodora, et al. Alexander Calder & Fischli/Weiss. Ostfildern, Germany: Hatje Cantz, 2016.

2015

Peter Fischli & David Weiss: Plötzlich Diese Übersicht. Basel: Laurenz Foundation; Basel: Schaulager Basel, 2015.

Ubi, Ralph. Future Present: The Collection of the Emanuel Hoffmann Foundation. Basel: Laurenz Foundation, Schaulager Basel, 2015.

2014

Peter Fischli David Weiss: Polyurethane Objects. New York: Matthew Marks Gallery; Cologne: Walther König, 2014.

2013

Rales, Emily Wei, and Ali Nemerov. Peter Fischli David Weiss. Potomac: Glenstone Foundation, 2013

2011

Berg, Stephan, et al. Through the Looking Brain. Ostfildern: Hatje Cantz Verlag, 2011.

Birnbaum, Daniel, et al. Defining Contemporary Art: 25 Years in 200 Pivotal Artworks.London: Phaidon, 2011.

2010

Goetz, Ingvild, and Karsten Lockemann, eds. Peter Fischli, David Weiss. Munich: Sammlung Goetz; Munich: Hatje Cantz, 2010

2009

Frey, Patrick, et. al. Peter Fischli David Weiss: Are Animals People? Madrid: Museo Nacional Centro de Arte Reina Sofía, 2009

Roland No. 4. London: Institute of Contemporary Arts, December 2009.

2007

Goldman, Renate. Peter Fischli & David Weiss: Ausflüge, Arbeiten, Ausstellungen Ein offener Index. Cologne: Walther König, 2007.

2006

Curiger, Bice, Peter Fischli, and David Weiss. Fischli Weiss: Flowers & Questions: A Retrospective. London: Tate Publishing, 2006.

2005

Danto, Arthur C., Robert Fleck, and Beate Söntgen. Peter Fischli David Weiss. London: Phaidon Press Limited, 2005.

Fitzpatrick, Robert. Universal Experience: Art, Life And The Tourist's Eye. Chicago: Museum of Contemporary Art; New York: D.A.P., 2005.

2004

Chillida, Alicia. Paisaje y memoria. Madrid: La Casa Encendida, 2004.

Blume, Eugen, Joachim Jäger, and Gabriele Knapstein, eds. Friedrich Christian Flick Collection im Hamburger Bahnhof: A Space for Contemporary Art. Cologne: DuMont, 2004.

Ich will, dass Du mir glaubst: 9. Triennale Kleinplastik Fellbach. Fellbach, Germany: Triennale Kleinplastik Fellbach, 2004.

Ohrt, Karsten, and Thorsten Sadowsky, eds. Peter Fischli & David Weiss: Major and Minor Questions, Works from the Goetz Collection. Odense, Denmark: Kunsthallen Brandts Klædefabrik, 2004.

Padon, Thomas. Contemporary Photography and the Garden: Deceits and Fantasies. New York: Henry Abrams, 2004.

2003

Bee, Andreas. Zehn Jahre Museum für Moderne Kunst Frankfurt am Main. Cologne: DuMont, 2003.

Fiedler, Andreas. Natürlich gebaut: Die Landschaft zwischen Konstruktion und Narration. Zurich: Helmhaus Zürich, 2003.

Fogle, Douglas, and Kathy Halbreich. The Last Picture Show: Artists Using Photography, 1960–1982. Minneapolis: Walker Art Center, 2003.

Jongbloed, Marjorie, and Brigitte Oetker, eds. Jahresring 50. Cologne: Walther König, 2003.

Olivares, Rosa. Objetos cotidianos /Ordinary things: William Eggleston, Takashi Yasumura, Silvia Gruner, Chema Madoz, Cinthya Soto, Fischli & Weiss. Madrid: Olivares & Asociados, 2003.

Paschal, Huston, et. al. Defying Gravity: Contemporary Art and Flight. Raleigh: North Carolina Museum of Art, 2003.

2002

Heynen, Julian, et. al. Sammlung Ackermans. Dusseldorf: K21 Kunstsammlung Nordrhein-Westfalen; Ostfildern-Ruit, Germany: Hatje Cantz, 2002.

Michaelis, Margot. Thema Kunst: Plastik-Objekt-Installation. Leipzig, Germany: Klett, 2002.

Museum Ludwig, Marjorie Jongbloed, and Boris Groys. Peter Fischli David Weiss: Fragen Projektion. Cologne: Walther König, 2002.

Peeters, Wim, ed. The Big Show. Antwerp: Netherlands: NICC, 2002.

Schulz, Bernd, ed. Übergänge im Grenzbereich: Aus der Sammlung FRAC Lorraine. Saarbrücken, Germany: Stadtgalerie Saarbrücken, 2002.

2001

Berry, Ian. Chain reaction: Rube Goldberg and Contemporary Art. Williamstown, MA: Williams College Museum of Art; Saratoga Springs, NY: Tang Teaching Museum and Art Gallery at Skidmore College, 2001.

Grigoteit, Ariane. Ein Jahrhundert: One Century, 100x Kunst 100x Art. Frankfurt: Deutsche Bank, 2001.

Tenth Anniversary Exhibition: 100 Drawings and Photographs. New York: Matthew Marks Gallery, 2001.

Norton Museum of Art. Burn: Artists Play with Fire. West Palm Beach, FL: Norton Museum of Art, 2001.

Yokohama 2001. Yokohama: Yokohama Triennale, 2001.

Schregenberger, Thomas, ed. As Found: The Discovery of the Ordinary. Baden, Switzerland: Lars Müller Publishers; Zurich: Museum für Gestaltung, 2001.

Work: Shaker Design and Recent Art. Saratoga Springs, NY: Tang Teaching Museum and Art Gallery at Skidmore College, 2001.

2000

Cappellazzo, Amy, Adriano Pedrosa, and Peter Wollen. Making time: Considering Time as a Material in Contemporary Video & Film. Lake Worth, FL: Palm Beach Institute of Contemporary Art, 2000.

XL Photography, Art Collection Neue Börse. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 2000.

Goetz, Ingvild, and Reinald Schumacher. Mike Kelley - Peter Fischli, David Weiss. Munich: Sammlung Goetz, 2000.

Some Parts of this world. Helsinki: Helsinki Photography Festival, 2000.

Martin, Patricia, ed. Aprendiendo menos/ Learning less. Gabriel Orozco, Fischli & Weiss, Richard Wentworth. Mexico City: Consejo Nacional para la Cultura y las Artes, Centro de la Imagen; Guadalajara: Museo de las Artes, Universidad de Guadalajara, 2000.

Voilà - le monde dans la tête. Paris: Les Musées de la Ville de Paris, 2000.

Nemitz, Barbara. Trans ' Plant: Living Vegetation in Contemporary Art. Ostfildern- Ruit, Germany: Hatje Cantz Publishers, 2000.

Orbis Terrarum: Ways of Worldmaking, Cartography and Contemporary Art. Amsterdam-Ghent: Ludion, 2000.

Stegmann, Markus, ed. Fleurs: Blumen in der zeitgenössischen Kunst und Naturkunde.Basel: Schwabe & Co, 2000.

Zdenek, Felix, ed. HausSchau: Das Haus in der Kunst. Ostfildern-Ruit, Germany: Hatje Cantz, 2000.

1999

Bossé, Laurence. Peter Fischli and David Weiss. Paris: Musée d’art Moderne de la Ville de Paris; Cologne: Walther König, 1999.

8e Biennale de l'Image en Mouvement. Geneva: Centre pour l’Image Contemporaine, 1999.

Contemporary Swiss Art. Budapest: Ludwig Museum,1999.

Peter Fischli David Weiss: Musée d’art moderne de la ville de Paris. Paris: Paris Musées; New York: Matthew Marks Gallery; Cologne: Walther König, 1999.

Colección Jumex. Mexico: Museo de Arte Carrillo Gil, 1999.

Le Repubbliche dell'Arte, Schweiz. Suisse. Svizzera. Svizra. Siena, Italy: Palazzo delle Papesse, 1999.

1998

Every Day. Sydney: Biennale of Sydney, 1998.

Bossé, Laurence, ed. La Ville, Le Jardin, La Mémoire. Rome: Académie de France, 1998.

Janus, Elizabeth, and Marion Lambert. Veronica’s Revenge: Contemporary Perspectives on Photography. Zurich: Scalo Publishers, 1998.

Matzner, Florian, ed. Peter Fischli and David Weiss: Gärten. Cologne: Oktagon, 1998.

Eight people from Europe: Peter Fischli David Weiss. Gunma, Japan: Museum of Modern Art, 1998.

Peter Fischli David Weiss. Photographs. Bern: Patrick Frey Edition, 1998.

1997

Andreu, Paul, Stephen Bode, and Jeremy Millar. Airport: The Most Important New Buildings of the Twentieth Century. London: The Photographers Gallery, 1997.

Documenta X: Short Guide. Ostfildern, Germany: Cantz Verlag, 1997.

Arbeiten Im Dunkeln. Ostfildern, Germany: Cantz, 1997. (Expanded edition of In a Restless World. Minneapolis: Walker Art Center, 1996).

Kuspit, Donald B. Timeframes. Reading, PAa: Albright College, Freedman Gallery, Center for the Arts, 1997.

Traveling Eye. Vienna: Museum in Progress, 1997.

Die Sammlung Ackermanns. Cologne: Salon Verlag, 1997.

Oetker, Brigitte, and Christine Schneider, eds. Realisation. Kunst in der Leipziger Messe. Cologne: Oktagon, 1997.

1996

Armstrong, Elizabeth, Arthur C. Danto, and Boris Groys. Peter Fischli and David Weiss: In a Restless World. Minneapolis: Walker Art Center, 1996.

Grütter, Tina, and Heike Föll, eds. Von den Dingen: Gegenstände in der zeitgenössischen Kunst. Ostfildern, Germany: Cantz, 1996.

Syring, Marie-Louise, ed. ‘Happy End.’ Zukunfts- und Endzeitvisionen der 90er Jahre.Düsseldorf: Kunsthalle, 1996.

Weaver, Thomas. Handmade Readymades. New York: Hunter College of the City University of New York, 1996.

1995

Ammann, Jean-Christophe, and Rolf Lauter. Peter Fischli/David Weiss Raum unter der Treppe. Frankfurt: Schriften zur Sammlung des Museums für Moderne Kunst / Cantz, 1995.

Peter Fischli David Weiss: XLVI Biennale di Venezia 1995. Baden, Switzerland: Lars Müller, 1995.

Cagnard, Héléne, and Andreas Meier, eds. Artistes-Cinéastes/Filmemacher- Künstler. Biel/Bienne, Switzerland: Centre PasquArt, 1995.

Curiger, Bice, ed. Zeichen und Wunder. Niko Pirosmani (1862–1918) und die Kunst der Gegenwart. Küsnacht, Switzerland: Cantz, 1995.

Kittelmann, Udo, ed. Der Stand der Dinge. Cologne: Kölnischer Kunstverein, 1995.

Peter Fischli/ David Weiss: Raum unter der Treppe. Frankfurt: Cantz, 1995.

Obrist, Hans-Ulrich, ed. Peter Fischli David Weiss. Bericht über den künstlerischen Schmuck im Neubau der Börse Zürich. Zurich: Oktagon Verlag, 1995.

Puvogel, Renate. Lehrgeld: Zwanzig Künstlerportraits. Cologne: Oktagon Verlag, 1995.

1994

Museum der Stadtentwässerung Zürich/Hans-Ulrich Obrist, ed. Cloaca Maxima.Ostfildern: Cantz, 1994.

Kommentar zu Europa. Wien: Museum Moderner Kunst Stiftung Ludwig, 1994.

Another Continent. Tokyo: Tokyo Metropolitan Museum of Photography.

1993

Peter Fischli David Weiss: Siedlungen, Agglomerationen. Zurich: Edition Patrick Frey, 1993.

Weski, Thomas, ed. Konstruktion Zitat: Kollektive Bilder in der Fotografie. Hanover, Germany: Sprengel Museum, 1993.

1992

Peter Fischli David Weiss. Paris: Centre Pompidou/ Musée National d'Art Moderne, Galeries Contemporaines,1992.

Deitch, Jeffrey, and Dan Friedman. Post Human. Pully/Lausanne, Switzerland: FAE Musée d'Art Contemporain; Turin, Italy: Castello di Rivoli; Athens: DESTE Foundation for Contemporary Art; Hamburg: Deichtorhallen Hamburg; New York: DAP/Distributed Art Publishers, 1992.

Kellein, Thomas, and Eva Keller, eds. Projekt Schweiz. Basel: Kunsthalle, 1992.

Obrist, Hans-Ulrich, et. al. Album, Peter Fischli David Weiss. Paris: Centre Pompidou, 1992.

Queloz, Catherine, ed. Hyperbate. Geneva: Sous-sol, 1992.

1991

Gianelli, Ida. Sguardo di Medusa (Regarding Medusa). Milan: Fabbri, 1991.

Obrist, Hans-Ulrich. Worldsoup. Küchenausstellung 1991. Stuttgart, Germany, and Munich: Oktagon, 1991.

Peter Fischli David Weiss: Bilder, Ansichten, Die Sichtbare Welt. Zurich: Edition Patrick Frey, 1991.

1990

Fischer, Robert. Die Kunst in der Schweiz (Art in Switzerland). Cologne: Edition Kiepenheuer & Witsch, 1990.

Frey, Patrick, ed. Das Geheimnis der Arbeit/ Texte zum Werk von Peter Fischli & David Weiss. Munich and Düsseldorf: Edition Patrick Frey, 1990.

1989

Laing Art Gallery. Time and Motion: Peter Appleton, Sokari Douglas Camp, Fischli & Weiss, Stephan Huber, John White, Benedict Whybrow. Newcastle upon Tyne, United Kingdom: Laing Art Gallery, 1989.

1988

Frey, Patrick. Die Kunst der sanften Abstossung: Über das Gummihafte in den neuen Arbeiten von Peter Fischli und David Weiss. Zurich: Pro Helvetia, 1988.

Frey, Patrick. Peter Fischli/David Weiss. Frankfurt: Portikus, 1988.

High, Steven S. The Way Things Go. Richmond, VA: Anderson Gallery, Virginia Commonwealth University, 1988.

Marta, Karen. (C)overt: A Series of Exhibitions at P.S.1. New York: P.S.1, 1988.

Peter Fischli David Weiss. Le cour des choses. Grenoble, France: Musée de Grenoble, 1988.

1987

Peter Fischli David Weiss. Cambridge, MA: MIT List Visual Arts Center, 1987.

Aspekte junger Schweizer Kunst. Zurich: Kunsthaus Zürich, 1987.

1986

Bos, Saskia and Jan Brand, eds. Sonsbeek 86: Internationale beelden tentoonstelling.Utrecht, Netherlands: Reflex; Arnheim, Netherlands: Sonsbeek, 1986.

1985

Calvocoressi, Richard. Crosscurrents in Swiss Art. London: Arts Council of Great Britain, 1985.

Frey, Patrick. Ein ruheloses Universum. Zu den gemeinsamen Arbeiten von Peter Fischli und David Weiss. Basel: Kunsthalle, 1985.

1984

McShine, Kynaston, Harriet Schoenholz Bee, and Jane Fluegel. An International Survey of Recent Painting and Sculpture. New York: Museum of Modern Art, 1984.

1981

Bilder. Winterthur, Switzerland: Kunstmuseum, 1981.

2018

Cotter, Holland. “10 Can’t-Miss Summer Shows.” The New York Times, July 6, 2018, p. C13.

Kachur, Lewis. “Peter Fischli’s Sculpture Garden.” Burlington Contemporary, December 12, 2018.

Keats, Jonathon. “Global Warming? A Refrigerated Snowman In MoMA’s Garden Is Still Dreaming of a White Christmas.” Forbes, December 24, 2018.

Schuender, Martha. “Last Chance.” The New York Times, September 14, 2018, p. C19.

“The Iceman Cometh–to MoMA.” The Art Newspaper, June 12, 2018.

2016

Guyton, Wade. “Peter Fischli David Weiss: How to Work Better.” Artforum, January 2016, p. 126.

2015

Guyton, Wade. “Peter Fischli.” Interview. December/January 2015, pp. 102–11.

Hoberman, J. “Treasure Hunts and Domestic Chain Reactions.” The New York Times, April 26, 2015.

Linden, Christina. “The Way Things Go.” Art in America, June/July 2015, p. 152.

Rosen, Kay. “Kay Rosen on Fischli and Weiss.” Art in America, August 2015, pp. 44, 46.

2014

Keefe, Alexander. “Critics’ Picks: Peter Fischli and David Weiss.” Artforum, February 13, 2014.

Ollman, Leah. “Ingenuity and wisdom come out to play.” Los Angeles Times, February 15, 2014.

Quiroz, Marcela. “Critics’ Picks: A Place in Two Dimensions.” Artforum, February 2014.

2013

Chin, Andrea. “Fischli & Weiss: Suddenly This Overview at Venice Biennale.” Designboom, June 3, 2013.

Cooke, Lynne. “World of Interiors.” Artforum, September 2013.

Lang, Colin. "Peter Fischli and David Weiss." ArtForum, November 2013.

Milliard, Coline. “Peter Fischli on Nature, Tourism, and Working Without David Weiss.” Blouin ArtInfo, March 11, 2013.

Prince, Mark. “Peter Fischli and David Weiss.” Art in America June 2, 2013.

Vogel, Carol. “Like Half the National Gallery in Your Backyard.” The New York Times, April 18, 2013.

Wilson, Michael. “Nomad’s Land.” Artforum, September 11, 2013.

2012

“A Cultivated Poise: Portfolio in Memory of David Weiss.” Artforum, November 2012.

Heyman, Stephen. “Layover Country.” The New York Times Magazine, September 14, 2013.

Smith, Roberta. “Technology Advances, Then Art Inquires.” The New York Times, July 19, 2012.

Allen, Lily. “Pinault Announces Moving-Image Show.” Art in America, May 29, 2012.

Smith, Roberta. “David Weiss, Artist on Team Celebrating the Banal, Dies at 65.” The New York Times, May 6, 2012.

“David Weiss (1946 – 2012).” Artforum, April 27, 2012.

2011

Sheets, Hilary M. “John Waters, the Artful Dodger.” The New York Times, June 23, 2011.

Van Gelder, Hilde. “The End of Money.” Artforum, June 21, 2011.

2010

Bradley, Kimberly. “In Switzerland, a Cast-Concrete Mountain Retreat.” The New York Times, September 1, 2010.

Griffin, Jonathan. “For the blind…” Art in America, January 31, 2010.

2009

Cotter, Holland. “Golden Oldies All Over Chelsea.” The New York Times, December 4, 2009.

Genocchio, Benjamin. “The Nature of Time, Ever Passing.” The New York Times, November 20, 2009, p. C12.

Rappolt, Mark. “Fischli and Weiss: Beyond a Joke.” Art Review, no. 32, May 2009, pp. 56–63.

Ewing, John. “Fischli & Weiss: Matthew Marks Gallery.” Art Lies, Spring 2010, p. 82.

Burke, Kate. “Fischli/Weiss: Fotografias.” The Sunday Times, April 5, 2009.

Conley, Sue. “Fischli/Weiss: Fotografias.” Evening Herald, April 2009.

Draxler, Saskia. “Peter Fischli and David Weiss.” Artforum, January 2009.

2008

Lockhart, Sharon. “Best of 2007: The Artists’ Artists.” Artforum, December 2008, p. 100.

O’Neill-Butler, Lauren. “Creature Feature.” Artforum, October 16, 2008.

Birnbaum, Daniel. “Fischli & Weiss: Palazzo Litta, Milan.” Artforum, April 2008, pp. 362–63.

2007

Higgs, Matthew. “Best of 2007.” Artforum, December 2007, pp. 330-31.

Smith, Roberta. “Art in Review: Peter Fischli and David Weiss, Equilibres.” The New York Times, June 15, 2007.

Garwood, Deborah. “Peter Fischli and David Weiss; Equilibres.” New York Sun, June 14, 2007.

Baker, R.C. “Best in Show: Peter Fischli and David Weiss.” The Village Voice, June 6, 2007, p. 59.

Poli, Francesco. “Peter Fischli and David Weiss.” Tema Celeste Contemporary Art, May/June 2007, pp. 82–83.

Fry, Naomi. Peter Fischli and David Weiss at Matthew Marks.” Artforum, May 2007.

Genocchio, Benjamin. “Welcoming Gardens, Whispering ‘Photograph Me.” The New York Times, March 11, 2007, p. E10.

Feaver, William. “Review: Flowers & Questions, Tate Modern, London.” ARTnews, February 2007, p. 143.

2006

Bishop, Claire and Mark Godfrey. “Fischli and Weiss: Between Spectacular and Ordinary.” Flash Art, November/December 2006, pp. 74–77.

Cumming, Laura. “Kings of Comedy.” The Observer, October 15, 2006, p. 19.

Heiser, Jörg. “The Odd Couple.” Frieze, October 2006, pp. 196-205.

Rimanelli, David. “Peter Fischli & David Weiss/Flowers & Questions: A Retrospective.” Artforum, September 2006, pp. 144-45.

Wright, Karen. “The Office: Nine to Five with Fischli and Weiss.” Modern Painters, September, 2006, pp. 84-85.

Storr, Robert. “Night Watchmen.” Frieze, March, 2006, p. 27.

2005

Bell, Kirsty. “The Order of Things.” ArtReview, July 2005, pp. 76–79.

Burton, Joanna. “SlideShow: Baltimore Museum of Art.” Artforum, January 2005, p. 69.

2004

Levin, Kim. “Show World.” The Village Voice, December 28, 2004, p. 76.

Unruh, Rainer. “Peter Fischli/David Weiss: ‘unsettled work’ Kestnergesellschaft, Hannover.” Kunstforum International, November/December 2004, pp. 320-21.

Ortiz, Justin. “New Exhibits give ample opportunity to experience art in a new light.” Queens Courier, July 28 – August 3, 2004.

Lapp, Axel. “Public/Private: Collections in Switzerland.” Sculpture, June 2004, pp. 47–52.

Birnbaum, Daniel. “Query Theory.” Bookforum, Spring 2004, p. 55.

Estep, Jan. “The Last Picture Show.” Frieze, March 2004, p. 97.

Francblin, Catherine. “Peter Fischli, David Weiss: Museum Boijmans van Beuningen.” Art press (France), March 2004, pp. 70–72.

Prominski, Martin. “Landschaft entwerfen.” Zur Theorie aktueller Landschaftsarchitektur, 2004, pp. 78–79.

2003

Herbstreith, Peter. “Baustellen der Subversion: Kunstmuseum Wolfsburg.” Kunstforum International, November/December 2003, pp. 281-83.

Williams, Gilda. “Fischli & Weiss.” Art Monthly, November 2003, pp. 14–15.

Mulholland, Neil. “Aperto Manchester.” Flash Art, October 2003, pp. 69–71.

Searle, Adrian. “Super furry animals.” The Guardian, October 14, 2003, pp. 12–13.

Wulffen, Thomas. “Delays and Revolutions.” Kunstforum International, August/October 2003, pp. 62–91.

Higgie, Jennifer. “50th Venice Biennale.” Frieze, September 2003, p. 119.

Farine, Manou. “Subversif!” Oeil, September 2003, p. 34.

Falguières, Patricia. “Work in Progress: Bernard Frize.” Artforum, February 2003, p. 118.

Fricke, Christiane. “Peter Fischli/David Weiss: ‘Fragen Projektion.’” Kunstforum International, January/February 2003, pp. 322–25.

2002

“25 Werke, die jeder kennen muss.” ART: das Kunstmagazin, December 2002, pp. 24-45, p. 27.

Ratcliff, Carter. “Summer Shows II: Sensibility on Parade.” Art in America, October 2002, pp. 73-75.

Volk, Gregory. “Fischli and Weiss at Matthew Marks.” Art in America, October 2002, p. 156.

Hubl, Michael. “Ein Zipfel vom Weltgeschehen: Versuch über Wurst und Kunst [One end of world events: essay on sausage and art].” Kunstforum International, June/July 2002, pp. 78-89.

Dannatt, Adrian. “Fischli & Weiss at Matthew Marks.” Modern Painters, Summer 2002, pp. 119-20.

“Fischli and Weiss.” The New Yorker, March, 18 2002, p. 33.

Aletti, Vince. “Photo: Peter Fischli & David Weiss.” The Village Voice, March 15, 2002.

Bucher, Annemarie, and Sibylle Omlin. “Un bestiaire artistique.” Passages, 2002, pp. 46–47.

2001

Dannatt, Adrian. “Let them eat art: La Colección Jumex opens in Mexico City.” The Art Newspaper, April 2001.

Fischli, Peter and David Weiss. “Centerfold: Büsi/Kitty.” Artforum, Summer 2001, pp. 156–57.

Hubl, Michael. “Verfugungsmasse Welt: Peter Fischli / David Weiss: Sichtbare Welt, Plötzlich diese Übersicht, Grosse Fragen - kleine Fragen.” Kunstforum International, January/March 2001, pp. 403–04.

Krienke, Mary. “Peter Fischli/David Weiss.” ARTnews, April 2001, p.152.

Moure, Gloria. “Peter Fischli and David Weiss. Museu d'art contemporani de Barcelona.” Artforum, February 2001, p. 146.

Perret, Mai-Thu. “Peter Fischli and David Weiss. Museum für Gegenwartskunst, Basel.” Frieze, May 2001, p. 107.

Rimanelli, David. “Ten Best.” Artforum, December 2001.

2000

Berrebi, Sophie. “Voilà. Musée d’Art Moderne de la Ville de Paris.” Frieze, November/December 2000.

Breuvart, Valérie. “Voilà. Paris, Musée d'art moderne de la ville.” Artforum, November 2000, p. 162.

Gerster, Ulrich. “Grosse und Ganze.” Neue Zürcher Zeitung, October 19, 2000, p. 65.

Girst, Thomas. “Mike Kelley. Peter Fischli, David Weiss.” NY Arts, December 2000, p. 65.

Guth, Elisabeth. “Bilder der sichtbaren Welt.” Art Hamburg, July 2000, pp. 100–01.

Herzog, Samuel. “Peter Fischli & David Weiss im Museum für Gegenwartskunst.” Kunst-Bulletin, December 2000, p. 34.

Müller, Silke. “Kabakov im Kurkonzert.” Art, September 2000, pp. 74–75.

“Mundo visible. Peter Fischli and David Weiss.” Barcelona Metropolitan, July 2000.

Ruest, Hans Rudolf. “Die Päpstinnen-Perspektiven: Palazzo delle Papesse in Siena (The high priestesses’ perspectives: Palazzo delle Papesse in Siena).” Kunst-Bulletin, March 2000, pp. 28–30.

Schiff, Hajo. “Kunstwegen. Organisation: Städtische Galerie Nordhorn, seit 21.6.2000.” Kunstforum International, October/December 2000, pp. 357–59.

1999

Beblawi, Nadia El. “8e Biennale de l’Image en Mouvement (8th Biennial of Moving Images).” Kunst-Bulletin, November 1999, pp. 26–27.

Bianchi, Paolo. “Das Archiv als Weltgarten (Garten, Gärtner, Gedächtnis).” Kunstforum International, July/August, 1999, pp. 76, 146–47.

de Brugerolle, Marie. “Extra! & ordinaire.” Beaux Arts Magazine, June 1999, pp. 64–67.

Frey, Patrick. “Peter Fischli/David Weiss.” Kunstforum International, July/August 1999, pp. 76, 146–47.

Groys, Boris. “Top Ten.” Artforum, December 1999, pp. 122–23.

Heiser, Jorg. “Seeing double: Jorg Heiser on the floral tributes of Peter Fischli and David Weiss.” Frieze, January/February 1999, pp. 62–65.

“Peter Fischli and David Weiss.” The New Yorker, March 15, 1999.

Princenthal, Nancy. “Artist’s book beat.” Art On Paper, May/June 1999, pp. 72–73.

Saltz, Jerry. “Double Vision: Peter Fischli – David Weiss.” The Village Voice, March 9, 1999.

Troncy, Eric. “Fischli & Weiss cultivent leur jardin en France.” Beaux Arts Magazine, February 1999, p. 26.

Verzotti, Giorgio. “Peter Fischli/David Weiss. Galerie Hauser & Wirth.” Artforum, January 1999, 127.

Wahler, Marc-Olivier. “Peter Fischli David Weiss. En attendant dimanche. Sunday Bloody Sunday.” Art press (France), March 1999, pp. 18–24.

1998

DPA Hamburg. “Retrospektive der Schweizer Fischli und Weiss erstmals in Europa.” January 29, 1998.

Frangenberg, Frank. “Fischli/Weiss: ‘Arbeiten im Dunkeln.’” Kunstforum International, April/June 1998, pp. 368–71.

French, Blair. “The eleventh Sydney biennale.” Creative Camera, December/January 1998–99, pp. 36–39.

1998

Nobis, Beatrix. “Was Fischli Weiss.” Süddeutsche Zeitung, February 21 – 22, 1998.

Rottmann, Kerstin. “Zusammenbrechende Gleichgewichte.” Die Welt Berlin, February 18, 1998.

1997

Baker, Kenneth. “Swiss Art Collaborators Make It All Fall Down.” San Francisco Chronicle, June 6, 1997.

Blazwick, Iwona. “In Arcadia.” Art Monthly, September 1997, pp. 7–10.

“Fischli & Weiss.” La recherche photographique, Spring 1997, p. 36.

Fischli, Peter, and David Weiss. “Untitled.” Domus, June 1997, p. 100.

Helfand, Glen. “Playtime.” San Francisco Bay Guardian, July 2, 1997, p. 89.

Rutledge, Virginia. “Suddenly It All Makes Sense.” Art in America, June 1997, pp. 104–07.

Shelton, Jason. “Fischli and Weiss.” Art Papers, May/June 1997, p. 77.

Ziegler, Ulf Erdmann. “Report from Munster: open city.” Art in America, September 1997, pp. 34–35, 37, 39.

1996

Affentranger-Kirchrath, Angelika. “Eine Frage der Zeit – Peter Fischli und David Weiss in der Zürcher Börse.” Neue Zürcher Zeitung, September 18, 1996, p. 54.

Hainley, Bruce. “Double Takes.” Artforum, Summer 1996, p. 86.

Kamps, Toby. “Fischli & Weiss.” Sculpture, July/August 1996, pp. 8–9.

Morrisey, Simon. “Peter Fischli, David Weiss.” Creative Camera, August/September 1996, p. 36.

Robertson, Jean. “Peter Fischli and David Weiss.” New Art Examiner October 24, 1996, p. 47

Schjeldahl, Peter. “Child’s play.” Artforum, Summer 1996, p. 84.

Silberman, Robert. “Minneapolis and Philadelphia: Fischli and Weiss.” Burlington Magazine, November 1996, pp. 770–71.

Smith, Roberta. “Partners in Creation And Entertainment.” The New York Times, December 27, 1996.

Storr, Robert. “Hulot’s holiday.” Artforum, Summer 1996, p. 80.

Vetrocq, Marcia E. “The Birthday Biennale: Coming Home to Europe.” Art in America, September 1995, pp. 72–81, 120.

Verzotti, Giorgio. “Fischli and Weiss: Wonder Bar.” Art and Text, October 1996, pp. 66–71.

Williams, Gilda. “Fischli & Weiss.” Art Monthly, July/August 1996, pp. 23–25.

1995

Fricke, Harald. “The easy-listening of everyday life: the power of speed is a power of boredom – Godard, Gordan, Fischli & Weiss.” Be Magazine, October 1995, pp. 46–51.

Rudolph, Karen. “Fischli & Weiss.” L'Architecture d'Aujourd'hui, September 1995, pp. 18–19.

1994

Groys, Boris. “Simulierte Ready-Mades von Fischli/Weiss /Simulated Readymades by Peter Fischli and David Weiss.” Parkett, June 1994, pp. 24–40.

Lauter, Rolf. “Peter Fischli/David Weiss: die doppelte Wirklichkeit der Dinge.” Kunstforum International, October/December 1994, pp. 134–35.

Rutledge, Virginia. “Peter Fischli & David Weiss at Sonnabend.” Art in America, September 1994, p. 114.

Schorr, Collier. “Untitled (Polyurethane Objects and Real Objects).” Artforum, February 1994, pp. 63–65.

Silverthorne, Jeanne. “On the Studio’s Ruins.” Sculpture, November/December 1994, pp. 26–29.

Tobler, Jay. “Fischli & Weiss.” Flash Art, October 1994, p. 92.

1993

Cemalest, Robin, et. al. “Fast Forward.” ARTnews, November 1993, pp. 122–33.

Demare, Paul. “Fischli and Weiss, the Same and the Other.” La Recherche photographique, Autumn 1994, pp. 40–45.

Jouannais, Jean-Yves. “Fischli & Weiss: Centre Georges Pompidou.” Art press (France), January 1993, p. 85.

Künding, Maya. “Wenn Triviales zur Kunst wird.” Cash, March 19, 1993.

Mack, Gerhard. “Zürich: Fischli/Weiss in der Kunsthalle.” Kunst Bulletin, April 1993, p. 44.

Vachtova, Ludmila. “Schön, geheimnisvoll, ohne Gestank. Das Künstlerduo Fischli/ Weiss in Zürich: Wer fischt? Wer weiss!” Die Weltwoche, April 22, 1993.

Wechsler, Max. “Der Blick von tief hinten und weit unten.” Basler Zeitung, April 1, 1993.

1992

Cameron, Dan. “Through the Looking Glass, Darkly: Fischli/Weiss.” Artforum, September 1992, pp. 67–69.

Carboni, Massimo. “Peter Fischli and David Weiss.” Artforum, January 1992, pp. 133–34.

Isler, Ursula. “Orte, menschenleer.” Neue Zürcher Zeitung, June 11, 1992, p. 29.

Killer, Peter. “Ist eine Flasche Rigi-Chrüter ein Kunstwerk?” Tages-Anzeiger, September 22, 1992.

Killer, Peter. “Anti-Postkarten aus dem Niemandsland.” Tages-Anzeiger, June 1992.

Kurjakovic, Daniel. “Forsythien in der Hölle.” Zürichsee-Zeitung, June 4, 1992.

Schenker, Christoph. “Peter Fischli/David Weiss. Walcheturm, Zurich. Francesca Pia, Bern.” Flash Art, 1992, p. 109.

1991

Becker, Jochen. “Peter Fischli/David Weiss. Bilder der Sehnsucht.” Kunstforum International, March/April 1991.

Dittmar, Peter. “Fotos von Fischli und Weiss in Düsseldorf. Wenn Belanglosigkeit zur Offenbarung wird.” Die Welt, February 1991.

Flusser, Vilém. “ ‘Der Lauf der Dinge:’ Ein Film von Peter Fischli und David Weiss.” European Photography, January/March 1991.

Kopka, Christiane. “Fotos vom Künstlerduo Fischli/Weiss: Magie in tausendfach gesehenen Bildern.” Westfälische Rundschau, January 23, 1991.

Levin, Kim. “Collective Conscious: Contemporary Sculpture Collaborations.” Sculpture, March/April 1991, pp. 32–39.

Messler, Norbert. “Peter Fischli & David Weiss, Dusseldorf.” Artforum, April 1991, p. 139.

Moser, Uli. “Fischli / Weiss.” Parnass (Vienna), July 1991.

“Thailändische Tipps für Zürcher Büroleute.” Tages-Anzeiger, September 27, 1991.

Wagner, Thomas. “Um die Welt in mehr als hundert Fotos. Peter Fischli und David Weiss im Düsseldorfer Kunstverein.” Frankfurter Allgemeine Zeitung, February 12, 1991.

1990

Raynor, Vivian. “A Provocative Look at Collaborations.” The New York Times, November 25, 1990.

Dreher, Thomas. “Fischli & Weiss.” Artscribe, September/October 1990, pp. 94–95.

Hoffmann, Justin. “Die Fotografien von Fischli & Weiss.” Artist, July/August 1989.

Frey, Patrick. “Fischli/Weiss.” Kunstforum International, April/May 1989, pp. 142–45.

1989

Kuspit, Donald. “Peter Fischli & David Weiss.” Artforum, November 1989, p. 146.

Beck, Ernest. “Activism to Eclecticism: Stirring the Alpine Calm.” ARTnews, September 1989, pp. 140–42.

Bobka, Vivian. “Images and Icons from the Airline Culture.” Flash Art, October 1989, p. 124.

———. “Peter Fischli and David Weiss.” Flash Art, October 1989, p. 124.

Decter, Joshua. Arts Magazine, September 1989.

Puvogel, Renate. Noema, September/October 1989, pp. 78–79.

Malsch, Friedemann. Kunstforum International, July/August 1989.

Russell, John. “Peter Fischli & David Weiss.” The New York Times, May 19, 1989, p. C3.

Frey, Patrick. “Fischli/Weiss.” Kunstforum International, April/May 1989, pp. 142–45.

Baker, Kenneth. “Review of Carnegie International, Carnegie Museum of Art.” Artforum, March 1989, pp. 138–39.

Heartney, Eleanor. “The 50th Carnegie, A fin de siecle brew of pessimism and hope.” New Art Examiner, pp. 26–29.

1988

Von Drathen, Doris. Kunstforum International, November/December 1988, pp. 300–02.

Kibbins, Gary. “Der Lauf der Dinge.” Afterimage, November 1988, pp. 16–17.

Hammond, Pamela. “Peter Fischli David Weiss at Museum of Contemporary Art, Los Angeles.” ARTnews, October 1988.

Blume, Johannes Bernhard. “Peter Fischli and David Weiss.” Parkett, September 1988, pp. 83–87.

Celant, Germano. “Fischli/Weiss: In Appearance.” Parkett, September 1988, pp. 40–51.

Hugo, Joan. “How things themselves are.” Artweek, June 4, 1988, pp. 3–4.

Saltz, Jerry. “The Way Things Go.” Arts Magazine, April 1988, pp. 11–12.

Grundberg, Andy. “Photographs That Reflect and Confront Cultural Icons.” The New York Times, January 29, 1988, pp. 1, 29.

Wallach, Amei. “Sculpture in Rubber From Swiss Bad Boys.” Newsday, January 24, 1988, p. 9.

Fischli, Peter and David Weiss. “Szenen aus der Wursterie.” Du, 1988, pp. 26–27.

1987

Artner, Alan G. “Two Swiss Artists have a Knack for Whimsy.” Chicago Tribune, December 11, 1987.

Meinhardt, Johannes. “Präambel und Promenade.” Kunstforum International, July/September 1987, pp. 250–67.

Tazzi, Pier Luigi. “Peter Fischli and David Weiss.” Artforum, Summer 1987, pp. 132–33.

Baker, Kenneth. “Chemical Physical Reactions Create a Moving Artwork.” San Francisco Chronicle, May 14, 1987.

Grazioli, Elio. “Peter Fischli & David Weiss.” Flash Art, May 1987.

Reck, Hans-Ulrich. “Das Ringen um den Gegenstand. Teil 3.” Kunstnachrichten, March 1987.

Ratcliff, Carter. “Masters of the Glum Eureka.” Art in America, January 1987, pp. 98–101.

Burckhardt, Jaqueline. “Peter Fischli David Weiss.” Noema, 1987, pp. 80–81.

1986

Heller, Martin. “Schiefer Universalismus.” Werk, Bauen + Wohnen, November 1986, pp. 18–19.

Curiger, Bice. “Peter Fischli und David Weiss.” Das Kunstwerk, September 1986, pp. 58–59.

Schütz, Sabine. Kunstforum International, June/August 1986.

1985

Schneider, Bruno. Kölnische Rundschau, August 22, 1985.

Burri, Peter. “Und ein fragiles Gleichgewicht.” Der Bund, March 30, 1985.

Gassert, Siegmar. “Schwebefahrt durch den Alltag.” Basler Zeitung, March 18, 1985.

Hollenstein, Roman. “Ironie und Mystifikation.” Neue Zürcher Zeitung, March 18, 1985.

Windhöfel, Lutz. “Am Abgrund des schönen Scheins.” Tagesanzeiger, March 21, 1985.

1984

Bataillon, Francoise. “Peter Fischli/David Weiss, Galerie Crousel-Hussenot.” Artefactum, April/May 1984, pp. 60–61.

Winter, Peter. “Zwischen Plastik und Malerei.” Das Kunstwerk, April 1984, pp. 79–80.

1983

Richter, Robert. Zoom, November 2, 1983.

Marek, Jan. Die Weltwoche, August 17, 1983.

1982

Curiger, Bice. “Peter Fischli & David Weiss in the Pablo Stähli Gallery.” Flash Art, February/March 1982, p. 61.

Prerost, Irene. “Neue Heiterkeit.” Weltwoche, January 1982.

1981

Egger, Christoph.Neue Zürcher Zeitung, May 8, 1981.