Matthew Marks Gallery

Charles Ray

  • Books and Catalogues


    Baum, Kelly, and Brinda Kumar. Charles Ray: Figure Ground. New York: The Metropolitan Museum of Art, 2022.

    Criqui, Jean-Pierre, and Caroline Bourgeois, eds. Charles Ray. Paris: Bourse de Commerce – Pinault Collection / Editions du Centre Pompidou, 2022


    Rales, Emily Wei, Charles Ray, and Rusel Ferguson. Charles Ray: Volume II. Potomac, MD: Glenstone Museum, 2021.


    Foster, Hal. Philosophical Objects: An Essay on the Sculpture of Charles Ray. Santa Monica, CA: Charles Ray Studio, 2019.


    Rales, Emily Wei, and Charles Ray. Charles Ray. Potomac, MD: Glenstone Museum, 2018.

    Ray, Charles. Three Lectures at the Menil Collection. Santa Monica, CA: Charles Ray Studio, 2018.


    Delahunty, Gavin, Mark Godfrey, and Charles Ray. Charles Ray. Athens: The George Economou Collection, 2017.


    Miller, Dana, ed. Whitney Museum of American Art: Handbook of the Collection. New Haven: Yale University Press, 2015.

    Vo, Danh, Caroline Bourgeois, Elizabeth Lebovici, and Amy Zion. Slip of the Tongue. Venice: Marsillio Editori, 2015.


    Bankowsky, Jack, Thomas Crow, Nicholas Cullinan, and Michael Fried. Sculpture After Sculpture: Fritsch, Koons, Ray. Ostfildern, Germany: Hatje Cantz, 2014.

    Bürgi, Bernhard Mendes, and James Rondeau, eds. Charles Ray: Sculpture 1997–2014. Ostfildern, Germany: Hatje Cantz; Chicago: The Art Institute of Chicago, 2014.

    Kries, Mateo, Janna Lipsky. Konstantin Grcic – Panorama. Weil am Rhein, Germany: Vitra Design Museum, 2014.

    Ray, Charles. Young man by Charles Ray. New York: Olympic Productions; New York: Matthew Marks Gallery, 2014.


    Gioni, Massimiliano, Gary Carrion-Murayari, Jenny Moore, and Margot Norton, eds. NYC 1993: Experimental Jet Set, Trash and No Star. New York: New Museum, 2013.


    McElheny, Josiah, Michael Lobel, and Siri Engberg. Lifelike. Minneapolis: Walker Art Center, 2012.


    Roselione-Valadez, Juan, ed. Beg, Borrow, and Steal. Miami: Rubell Family Collection, 2011.


    Bonami, Francesco, and Gary Carrion-Murayari. 2010 Whitney Biennial. New York: Whitney Museum of American Art; New Haven: Yale University Press, 2010.


    Bonami, Francesco, and Alison Gingeras, eds. Mapping the Studio: Artists from the François Pinault Collection. Venice: François Pinault Foundation and Mondadori Electa, 2009.

    Ray, Charles. Charles Ray. New York: Matthew Marks Gallery, 2009.

    ———. Log. Los Angeles: Self-published, 2009.


    Arte Contemporanea. Milan: La Biblioteca di Repubblica-L’espresso, 2008.

    Dennison, Lisa. Wall Rockets. New York: The FLAG Art Foundation, 2008.

    Heiser, Jörg. All of a Sudden: Things that Matter in Contemporary Art. Berlin: Sternberg Press, 2008.

    MoMA Contemporary Highlights. New York: The Museum of Modern Art, 2008.

    Rales, Emily Wei, and Jeffrey Weiss. If we could imagine. Potomac, MD: Glenstone, 2008.

    Schimmel, Paul, ed. This is Not to be Looked At. Los Angeles: Museum of Contemporary Art, 2008.


    Coetzee, Mark, ed. Red Eye: L.A. Artists from the Rubell Family Collection. Miami: Rubell Family Collection, 2007.

    de Corral, María, and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art. Dallas: Dallas Museum of Art, 2007.

    Living in the Material World: “Things” in Art of the 20th Century and Beyond. Tokyo: National Art Center, 2006.


    Bankowsky, Jack, and Alison Gingeras, eds. Where Are We Going? Selections from the François Pinault Collection. Venice: Palazzo Grassi, 2006.

    Barron, Stephanie, and Michael Draguet, eds. Magritte and Contemporary Art: The Treachery of Images. Los Angeles: Los Angeles County Museum of Art, 2006.

    Grenier, Catherine. Los Angeles 1955–1985. Paris: Centre Pompidou and Panama Musées, 2006.

    Kvaran, Gunnar B., ed. Charles Ray: Black & White. Oslo: Astrup Fearnley Museum of Modern Art, 2006.

    Loock, Ulrich. The 1980s: A Topology. Porto, Portugal: Serralves Museum of Contemporary Art, 2006.

    Ray, Charles. A four dimensional being writes poetry on a field with sculptures. New York: Matthew Marks Gallery; Göttingen, Germany: Steidl, 2006.


    Blume, Eugen. Friedrich Christian Flick Collection Im Hamburger Bahnhof. Cologne: SMB DuMont, 2005

    Bonafoux, Pascal, Jorge Semprún, and David Rosenbergl. Moi Je, par soi-même: L’autoportrait au XXe siècle. Paris: Diane de Selliers, 2005.

    Druker, Johanna. Sweet Dreams: Contemporary Art and Complicity. Chicago: The University of Chicago Press, 2005.

    Glimcher, Marc. Logical Conclusions: 40 Years of Rule-based Art. New York: PaceWildenstein, 2005.

    Moorhouse, Paul, ed. Anthony Caro. London: Tate Publishing, 2005.


    Not Afraid: The Rubell Family Collection. London: Phaidon, 2004.

    Rinder, Lawrence. Tim Hawkinson. New York: Whitney Museum of American Art and Harry N. Abrams, 2004.

    Spector, Nancy et al. Singular Forms (Sometimes Repeated): Art from 1951 to the Present. New York: Solomon R. Guggenheim Museum, 2004.


    Arnason, H.H. History of Modern Art. Upper Saddle River, NJ: Prentice Hall, 2003.

    Bonami, Francesco, and Raf Simons. The Fourth Sex. Florence: Fondazione Pitti Immagine Discovery, 2003.

    Campany, David. Art and Photography. London: Phaidon Press, 2003.

    Dreams and Conflicts: The Dictatorship of the Viewer, la Biennale di Venezia, 50th International Art Exhibition. Venice: Marsilio Editori, 2003.

    Fairbrother, Trevor. Family Ties: A Contemporary Perspective. Salem, MA: Peabody Essex Museum, 2003.

    Fogle, Douglas. The Last Picture Show. Minneapolis: Walker Art Center, 2003.

    Gerdts, William H., Susan Landauer, and Patricia Trenton. The Not-So-Still-Life: A Century of California Painting and Sculpture. Berkeley, CA: University of California Press, 2003.

    Hickey, Dave. Subjective Realities: Works from the Refco Collections of Contemporary Photography. New York: Refco Group, Ltd., 2003.

    Weaver, Suzanne, and Lane Relyea. Come Forward: Emerging Art in Texas. Dallas: Dallas Museum of Art, 2003.

    Weintraub, Linda. In the Making: Creative Options for Contemporary Art. New York: DAP, 2003.


    Anderson, Maxwell L. American Visionaries: Selections from the Whitney Museum of American Art. New York: Harry N. Abrams, 2002.

    Crewdson, Gregory. American Standard: (Para)Normality and Everyday Life. New York: Barbara Gladstone Gallery, 2002.

    Tempo. New York: The Museum of Modern Art, 2002.

    Wolf, Sylvia, and Andy Grundberg. Visions from America: Photographs from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 2002.


    Ardenne, Paul. L’image Corps: Figures de l’humain dans l’art du 20e siècle. Paris: Éditions du Regard, 2001.

    Blistène, Bernard. Au-delà du spectacle. Paris: Centre Pompidou, 2001.

    Crow, Thomas, et al. Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collection. Los Angeles: Los Angeles County Museum of Art; New York: Harry N. Abrams, 2001.


    Barron, Stephanie, et al. Made in California: Art, Image, and Identity, 1900–2000. Los Angeles: Los Angeles County Museum of Art; Berkeley, CA: University of California Press, 2000.

    Kertess, Klaus. 00. New York: Barbara Gladstone Gallery, 2000.

    Vergne, Phillipe, ed. Let’s Entertain: Life’s Guilty Pleasures. Minneapolis: Walker Art Museum, 2000.


    The American Art Book. London: Phaidon Press Limited, 1999.

    Grosenick, Uta, and Burkhard Riemschneider, eds. Art at the Turn of the Millennium. Cologne: Taschen, 1999.


    Bonami, Francesco. L.A. Times: Arte da Los Angeles nella Collezione Re Rebaudengo Sandretto. Turin, Italy: Fondazione Sandretto Re Rebaudengo per l’Arte, 1998.

    Bonami, Francesco, and Jose Lebrero Stals. Artificial: figuracions contemporànies. Barcelona: Museu d’Art Contemporani de Barcelona, 1998.

    Janus, Elizabeth, and Marion Lambert, eds. Veronica’s Revenge: Contemporary Perspectives on Photography. Zurich: Scalo, 1998.

    Philips, Lisa, and Paul Schimmel. Charles Ray. Los Angeles: Museum of Contemporary Art, 1998.


    1997 Biennial Exhibition. New York: Whitney Museum of American Art, 1997.

    Bubmann, Klaus, Kasper Konig, and Florian Matzner, eds. Sculpture: Projects in Munster 1997. Munster, Germany: Verlag Gerd Hatje, 1997.

    Crenzien, Helle, and Lars Nittve. Sunshine & Noir: Art in L.A.1960–1997. Humlebaek, Denmark: Louisiana Museum of Modern Art, 1997.

    Guidi, Anna Cestelli. American Art 1975–1995 from the Whitney Museum: Multiple Identity. Milan: Charta, 1997.

    Cestelli Guidi, Anna. La Documenta di Kassel. Milan: Costa & Nolan, 1997.

    Rowell, Margit. Objects of Desire: The Modern Still Life. New York: The Museum of Modern Art, 1997.

    Sobel, Dean. Identity Crisis: Self-Portraiture at the End of the Century. Milwaukee: Milwaukee Art Museum, 1997.


    Benezra, Neal, and Olga Viso. Distemper: Dissonant Themes in the Art of the 1990s. Washington, DC: Smithsonian Institute Hirshhorn Museum and Sculpture Garden, 1996.

    Deitch, Jeffrey. Young Americans: New American Art in the Saatchi Collection. London: Saatchi Gallery, 1996.

    Drucker, Johanna. Art at the End of the 20th Century: Selections from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1996.

    Ferguson, Bruce. NowHere. Humlebaek, Denmark: Louisiana Museum of Modern Art, 1996.

    Flynn, Leo. “Law and the Erotic.” In Abstract Eroticism: Touch Me. London: Art & Design, 1996.

    Narcissism: Artists Reflect Themselves. Escondido, CA: California Center for the Arts, 1996.


    Deitch, Jeffrey, ed. Everything That’s Interesting is New. Athens: DESTE Foundation for Contemporary Art, 1995.

    Feminin-masculin: le sexe de l’art. Paris: Centre Georges Pompidou and Gallimard/Electa, 1995.

    Kertess, Klauss. 1995 Whitney Biennial Exhibition. New York: Whitney Museum of American Art, 1995.

    Perchuk, Andrew, and Helaine Posner. The Masculine Masquerade. Cambridge, MA.: MIT List Visual Arts Center and MIT Press, 1995.

    Still Leben. Stockholm: Nationalmuseum, 1995.

    Tannenbaum, Judith. PerForms: Janine Antoni, Charles Ray, Jana Sterbak. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1995.

    Yksityinen/Julkinen (Private/Public): Ars 95. Helsinki: National Museum, 1995.


    Consey, Kevin E. Radical Scavenger(s): The Conceptual Vernacular in Recent American Art. Chicago: Museum of Contemporary Art, 1994.

    Face-Off: The Portrait in Regent Art. Philadelphia: Institute of Contemporary Art, 1994.

    Ferguson, Bruce W. Charles Ray. Malmö, Sweden: Rooseum Center of Contemporary Art, 1994.

    Jahresbericht des Vereins Kunsthalle Bern. Bern: Kunsthalle Bern, 1994.


    Sussman, Elisabeth, Thelma Golden, John G. Hanhardt, and Lisa Phillips, eds. 1993 Whitney Biennial Exhibition. New York: Whitney Museum of American Art; New York: Harry N. Abrams, 1993.


    Gudis, Catherine, Paul Schimmel, Norman M. Klein, and Lane Relyea. Helter Skelter: L.A. Art in the 1990s. Los Angeles: Museum of Contemporary Art, 1992.


    Barry, Judith, and Dan Cameron. The Savage Garden. Madrid: Fundación Caja de Pensiones, 1991.

    Mechanika. Cincinnati: The Contemporary Arts Center, 1991.

    Sangster, Gary. Cadences: Icon and Abstraction in Context. New York: New Museum of Contemporary Art, 1991.


    Barnes, Lucinda, Dennis Cooper, and Charles Ray. Charles Ray. Newport Beach, CA: Newport Harbor Art Museum, 1990.

    Freeman, Phyllis. New Art. New York: Abrams, 1990.

    Kertess, Klaus. Recent Drawings: Roni Horn, Charles Ray, Jim Shaw, Michael Tetherow. New York: Whitney Museum of American Art, 1990.


    Armstrong, Richard, ed. 1989 Whitney Biennial Exhibition. New York: Whitney Museum of American Art; New York: W.W. Norton, 1989.


    Farm. Chicago: Feature and the Institute of Contemporary Ideas, 1987.

    Awards in Painting, Sculpture, Printmaking, and Craft Media. New York: Louis Comfort Tiffany Foundation, 1987.

    Nature. Chicago: Feature, 1987.


    Tucker, Marcia. Choices: Making an Art of Everyday Life. New York: New Museum of Contemporary Art, 1986.

  • Selected Articles


    Farago, Jason. “He’s Pushing Sculpture to Its Limit.” The New York Times, January 30, 2022, pp. AR1, AR20, AR22.

    Schjeldahl, Peter. “Shocks of the Sublime.” The New Yorker, February 14 & 21, 2022, pp. 82–83.

    Smith, Roberta. “Amid the Open Space, Sculptures That Amaze.” The New York Times, February 11, 2022, pp. C1, C17.

    Woodward, Richard B. “A Mercurial Artist’s Mini Retrospective.” The Wall Street Journal, February 3, 2022, p. A13.


    Farago, Jason. “Now’s the Time to Stand Up for Sculpture.” The New York Times, January 3, 2020, pp. C17, C19.


    Abramovich, Alex. “Termite Art and the Modern Museum.” The New Yorker, February 28, 2019.

    Fry, Naomi. “Walking and Talking.” The New Yorker, December 2, 2019, pp. 17–18.


    Doupas, Vassilios. “Charles Ray: The George Economou Collection / Athens.” Flash Art, February 22, 2018.

    Kennicott, Philip. “The Met looks at the body, stripped of its old ‘whiteness.’” The Washington Post, March 21, 2018.

    Knight, Christopher. “Review: Helen Molesworth’s Final Show at MOCA is the Anti-Celebrity Show We Need Right Now.” Los Angeles Times, October 19, 2018.

    Masello, David. “Favorite.” Fine Art Connoisseur, February 2018, p. 25.

    Schjeldahl, Peter. “‘Life Like’ Shows Seven Hundred Years of The Body.” The New Yorker, April 2, 2018.


    Lipsky-Karasz, Elisa. “A Museum of the Ages.” The Wall Street Journal Magazine, December 2017, pp. 112–19.

    Povoledo, Elisabetta. “Charles Ray Unveils Sculpture in Rome.” The New York Times, May 27, 2017, p. C3.

    Dunne, Carey. “All in the Smooth, White, Vacant-Eyed Family of Contemporary Figurative Sculpture.” Hyperallergic, July 21, 2016.

    Hine, Thomas. “‘Embracing the Contemporary’ a glimpse into PMA’s ambitious expansion plan.” Philadelphia Inquirer, June 26, 2016.

    Johnson, Ken. “51 Contemporary Artists, but Just Three Women.” The New York Times, August 26, 2016, p. C25.

    Ray, Charles. “Making and Looking.” The Wall Street Journal, February 6 – 7, 2016, p. C12.

    Salisbury, Stephan. “Major Philadelphia Museum of Art donors talk about some of their favorite works.” Philadelphia Inquirer, June 28, 2016.

    Sussman, Elisabeth. “Mission Statements.” Artforum, Summer 2016, pp. 135–36.


    Benson, Frank. “The Artists’ Artists.” Artforum, December 2015, p. 107.

    Bankowsky, Jack. “Best of 2015.” Artforum, December 2015, pp. 210–11.

    “Charles Ray.” Time Out (New York), February 4, 2015.

    “Charles Ray.” The New Yorker, February 23, 2015, p. 65.

    Cothier, Peter. “Charles Ray: Edgy, Provocative Presences.” ARTnews, July 3, 2015.

    Gioni, Massimiliano. “Human and All Too Human.” Artspace, July 22, 2015.

    Golden, Thelma. “Best of 2015.” Artforum, December 2015, pp. 200–01.

    Farago, Jason. “Charles Ray: Sculpture review – Chicago’s figurative king crashes through art taboo.” The Guardian, June 13, 2015.

    Foumberg, Jason. “Charles Ray’s Controversial Sculpture Debuts at the Art Institute of Chicago.” Chicago Magazine, June 16, 2015.

    Johnson, Ken. “Charles Ray at Matthew Marks Gallery.” The New York Times, March 12, 2015.

    ———. “‘Charles Ray: Sculpture 1997–2014’ is at the Art Institute of Chicago.” The New York Times, May 22, 2015.

    Johnson, Steve. “Art Institute of Chicago gets its largest gift ever, including 9 Warhols.” Chicago Tribune, April 22, 2015.

    Knight, Christopher. “Charles Ray’s sculptures cast a forceful modern eye on antiquity.” Los Angeles Times, June 12, 2015.

    Kordic, Angie. “Charles Ray at Matthew Marks Gallery.” Widewalls, February 4, 2015.

    Nagel, Alexander. “Charles Ray with Alexander Nagel.” The Brooklyn Rail, September 8, 2015.

    Plagens, Peter. “‘Charles Ray: Sculpture, 1997–2014’ Review.” The Wall Street Journal, June 30, 2015.

    Reiman, Joshua. “The Space in Between.” Sculpture Magazine, July 2015, pp. 38–45.

    Tomkins, Calvin. “Meaning Machines.” The New Yorker, May 11, 2015, pp. 54–63.

    Wagner, Anne M. “Sculpture After Sculpture.” Artforum, February 2015, p. 226–27.

    Waxman, Lori. “Charles Ray gets a major survey at the Art Institute.” Chicago Tribune, June 9, 2015.

    Yood, James. “Charles Ray: Sculpture 1997–2014 at the Art Institute of Chicago.” Art ltd., July 2015.


    Mizota, Sharon. “Evolving sculptural ideas from Charles Ray.” Los Angeles Times, December 12, 2014.

    Pop, Andrei. “Charles Ray.” Artforum, October 2014, p. 272.


    Doran, Anne. “Charles Ray, Matthew Marks.” Art in America, February 2013.

    Fried, Michael. “Charles Ray.” Artforum, February 2013, p. 242.

    Genta, Umberta. “Using Time.” Flash Art, January/February 2013, pp. 50–52.

    Kerr, Merrily. “Charles Ray.” Time Out (New York), January 10 – 16, 2013, p. 44.

    Self, Will. “Charles Ray.” Interview, February 2013, pp. 120–29.


    Mizota, Sharon. “Visual links to the past.” Los Angeles Times, May 11, 2012, p. D12.

    Russeth, Andrew. “Shoeless Ray.” The New York Observer, November 26, 2012, pp. B1, B10.

    Smith, Roberta. “Charles Ray.” The New York Times, November 23, 2012, p. C32.

    ———. “No Substitute at Glenstone.” Here l Elsewhere, May 29, 2012.

    Wilkinson, A. “Los Angeles: Charles Ray at Matthew Marks...” Observed, May 18, 2012.


    “Charles Ray.” Artforum, October 2011, p. 265.

    Johnson, Ken. “Bringing Heavy Metal to the Met’s Roof.” The New York Times, April 30, 2011, p. C1.

    “Getty Museum Puts Sculpture by Celebrated…Artist Charles Ray on View.” Art Daily, July 27, 2011 (online).


    Akers, W.M. “It’s Members-Only at These Museum Events.” The New York Observer, April 12, 2010, p. 46.

    Aletti, Vince. “Critic’s Notebook: Medium of Exchange.” The New Yorker, August 30, 2010, p. 16.

    Bruck, Connie. “The Art of the Billionaire: How Eli Broad took over Los Angeles.” The New Yorker, December 6, 2010, pp. 50–61.

    Conner, Jill. “Breaking Through Cultural Amnesia: A Review of 2010, the Whitney Biennial.” White Hot Magazine, April 2010 (online).

    Crow, Kelly. “The Whitney Biennial Lightens Up.” The Wall Street Journal, February 19, 2010.

    Davis, Ben. “It’s not the Size.” Artnet, March 12, 2010.

    Dezeuze, Anna. “Exhibitions.” Art Monthly, September 2010, pp. 22–24.

    Gartenfeld, Alex. “The Incredible Shrinking Art World.” Interview, March 2010, p. 82.

    ———. “Whitney Museum of American Art.” Art in America Magazine, May 30, 2010 (online).

    Goldstein, Andrew M. “What ‘Skin Fruit’ Says About Jeff Koons.” Art Info, April 5, 2010 (online).

    Goodman, Jonathan. “Charles Ray: Matthew Marks.” Sculpture, April 2010, pp. 74–75.

    Graffeo, Christopher. “Briefly-Loved Things: reviewing the 2010 Whitney Biennial.” Arts Editor, April 5, 2010 (online).

    Halle, Howard. “2010, Whitney Biennial.” Time Out (New York), March 4 – 10, 2010, pp. 34–35.

    ———. “Skin Fruit: Selections from the Dakis Joannou Collection.” Time Out (New York), March 18–24, 2010, p. 44.

    “Jeff Koons Details Controversial New Museum Show.” Art Info February 10, 2010 (online).

    Johnson, Paddy. “Curators on Display.” City Arts, February 23, 2010, cover, p. 9.

    Katz, Marisa Mazria, et al. “Objects of Desire.” The Art Newspaper (Art Basel Miami Beach Daily Edition), December 4 – 5 2010, p. 6.

    Levin, Todd. “Whitney Biennial: The Voices of Silence, An Art Advisor’s Opinion.” Flash Art, May/June 2010, pp. 61–62, 64.

    Martínez, Chus. “Whitney Biennial: Whitney Museum of American Art, New York.” Artforum, May 2010, pp. 240–41.

    Pollack, Barbara. “A Review of ‘2010.’” ARTnews, March 2010.

    Ray, Charles. “The Artist’s Artists: Best of 2010.” Artforum, December 2010, p. 97.

    Saltz, Jerry. “Change We Can Believe In: The Whitney Biennial is thoughtful, humanly scaled, and blessedly low on hype.” New York Magazine, March 8, 2010, pp. 62–63.

    Schjeldahl, Peter. “Big Time: ‘Skin Fruit,’ at the New Museum.” The New Yorker, March 1, 2010, pp. 78–79

    ———. “No Offense: The Whitney Biennial.” The New Yorker, March 8, 2010, pp. 80–81.

    Smith, Roberta. “Anti-Mainstream Museum’s Mainstream Show.” The New York Times, March 5, 2010, p. C21.

    Wolff, Rachel. “March Madness.” Manhattan, January/February 2010, pp. 4, 41.


    Carey-Kent, Paul. “Fragile at Frieze.” Art World, December/January 2008–09, p. 124.

    “Charles Ray.” The New Yorker, June 22, 2009, p. 14.

    Conte, Paolo. “Il Ragazzo con la Rana cambia Venezia.” Corriere Della Sera (Italy), June 3, 2009, pp. 1, 35.

    Johnson, Ken. “Charles Ray: ‘Ink Line, Moving Wire, Spinning Spot.’” The New York Times, May 15, 2009, p. C27.

    Johnson, Paddy. “Magic vs. Mystery in the Art Worlds.” The L Magazine, July 6, 2009.

    Levi, Anna. “Venetian Canvas.” Art & Auction, June 2009, p. 31.

    Poirier, Agnès. “How the French Charles Saatchi became the merchant of Venice.” The Guardian, June 3, 2009 (online).

    Rich, Sarah K. “Port Authority.” Artforum, September 2009, pp. 246–47.

    Rothkopf, Scott. “Best of 2009.” Artforum, December 2009, p. 182.

    Russeth, Andrew. “Charles Ray, ‘Ink Line, Moving Wire, Spinning Spot,’ at Matthew Marks Gallery.” Art Info December 2009.

    Saltz, Jerry. “Dude, You’ve Gotta See This: Charles Ray’s Minimalist Installations Are as Mind-blowing As Any Hallucinogen.” New York Magazine, June 15 – 22, 2009, pp. 138–39.

    Smith, Roberta. “Grand and Intimate Modern Art Trove...” The New York Times, May 14, 2009, pp. C1, C5.

    Tully, Judd. “To Bling or Not to Bling?” Art Info, June 9, 2009 (online).

    Vogel, Carol. “Frog in Hand (Worth Two Glances).” The New York Times, June 5, 2009, pp. C25–C26.

    Volk, Gregory. “Pinault’s Value-Based Initiative.” Art in America, September 2009, pp. 118–21.

    Wilson, Michael. “Charles Ray.” Time Out New York, June18 – 24, 2009, p. 54.


    Art in America, May 2008, p. 69.

    “The Art of Persuasion.” Vogue, May 2008, p. 247.

    Carey-Kent, Paul. “Cubes.” Art World, February/March 2008, pp. 49–52.

    “LACMA to Remove Popular Sculptures Due to Damage.” Art Info, April 15, 2008 (online).

    Levin, Kim. “Charles Ray: Matthew Marks.” ARTnews, March 2008, p. 132.

    Sleek Magazine, Spring 2008, p. 66.

    Velthuis, Olav. “Accounting for Taste.” Artforum, April 2008, pp. 305–09


    Baker, R.C. “Best in Show.” The Village Voice, December 12 – 18, 2007, p. 59.

    Bankowsky, Jack. “Best of 2007.” Artforum, December 2007, pp. 305, 334–35.

    Bedford, Christopher. “Charles Ray: Regen Projects.” Artforum May 2007 (online).

    Belcove, Julie L. “Charles Ray.” W, November 2007, pp. 346–53.

    Cantor, Melissa. “Look Out Helter Skelter.” White Wall, Winter 2007, pp. 63–72.

    Dambrot, Shana Nys. “Los Angeles: Charles Ray: Regen Projects.” Modern Painters, September 2007, p. 95.

    Finch, Charlie. “Weekday Update.” Artnet, December 4, 2007.

    Goddard, Peter. “Lots of Life Amid the Gloom.” Toronto Star, May 17, 2007.

    Holte, Michael Ned. “Charles Ray: Slow Dissolve.” ArtReview, February 2007, pp. 10, 62–67.

    Kazakina, Katya. “Home Depot Sculpture; Picasso and Lover Circled: Chelsea Art.” Bloomberg, July 5, 2007.

    Kiehl, David. “Charles Ray.” Art on Paper, November/December 2007, p. 60.

    Knight, Christopher. “A wooden creation, as lovely as a tree.” Los Angeles Times, May 11, 2007, p. E14.

    Martens, Anne. “Charles Ray: Regen Projects II.” Flash Art, July/September 2007, p. 133.

    Mizota, Sharon. “Looks almost like Mother Nature’s.” Los Angeles Times, May 5, 2007, p. E20.

    Montreuil, Gregory. “Making Photographic Meaning.” Gay City NewsJune 28, 2007.

    Morton, Tom. “The Shape of Things.” Frieze, November/December 2007, pp. 120–27.

    Ollman, Leah. “Los Angeles: Charles Ray at Regen Projects II.” Art in America, December 2007, p. 166.

    Schechter, Fran. “Dead! A living wonder.” Now Toronto, June 27, 2007 (online).

    Smith, Roberta. “Charles Ray.” The New York Times, November 30, 2007, p. B36.

    Viveros-Fauné, Christian. “The Anxiety of Realism.” The Village Voice, November 28 – December 4, 2007, p. 44.

    Wehr, Anne. “Charles Ray: Matthew Marks Gallery.” Time Out (New York), December 6 – 12, 2007, p. 71.

    Wolin, Joseph R. “Equal, That Is, to the Real Itself.” Time Out (New York), July 5 – 11, 2007, p. 76.

    Young, Paul. “It’s Alive: A New Generation of Eco Artists Plants Itself in the Urban Jungle.” Angeleno, October 2007, pp. 86–88.


    “A Four Dimensional Being Writes Poetry on a Field with Sculptures.” The New Yorker, August 7 & 14, 2006, p. 17.

    Berman, Ann. “Developments in Art: How Much is That Cindy Sherman on the Wall?” The Shuttle Sheet, July 2006, pp. 8–11.

    Demos, T.J. “Charles Ray: Astrup Fearnley Museum of Modern Art, Oslo.” Artforum, September 2006, p. 197.

    Gingeras, Alison M. “Best of 2006.” Artforum, December 2006, p. 292.

    Heartney, Eleanor. “Ecstasy Now.” Art in America, March 2006, pp. 46–51.

    Johnson, Ken. “A Four Dimensional Being Writes Poetry on a Field with Sculptures.” The New York Times, July 7, 2006, p. E28.

    Knight, Christopher. “Classic Paint Jobs.” Los Angeles Times, June 21, 2006, p. S32.
    Paterson, Carrie. “Ecstasy: Museum of Contemporary Art, Los Angeles.” Flash Art, January/February 2006, p. 52.

    Kvaran, Gunnar B. “Charles Ray: Black & White.” Astrup Fearnley Museum of Modern Art, September 2006, p. 1.

    Rochette, Anne, and Wade Saunders. “Place Matters: Los Angeles Sculpture Today.” Art in America, November 2006, pp. 168–72.

    Smith, Roberta. “Chelsea Is a Battlefield: Galleries Muster Groups.” The New York Times, July 28, 2006, pp. E27, E33.

    ———. “The Body, Electric: Text and, Yes, Videotape.” The New York Times, August 4, 2006, pp. E25, E31.

    Yablonsky, Linda. “Show Stopper.” Artforum July 4, 2006 (online).


    Cohen, David. “When the Rule Ruled.” New York Sun, March 3, 2005.

    Cotter, Holland. “Probing Fringes, Finding Stars.” The New York Times, April 15, 2005, pp. B29–B31.

    Fried, Michael. “Early One Morning...” Tate Etc., Spring 2005, pp. 50–53.

    Knight, Christopher. “Take a Mind Excursion.” Los Angeles Times, October 11, 2005, pp. E1, E5.

    Larson, Kay. “Take Two. Worlds and Views: Contemporary Art from the Collection.” ARTNews, November 2005, pp. 176–77.

    Muchnic, Suzanne. “Mind-bending Visions.” Los Angeles Times, October 2, 2005, pp. E1, E34–E35.

    Smith, Roberta. “Along the Blurry Line Between Blotto and Buzzed.” The New York Times, August 26, 2005, p. B27.

    Yablonsky, Linda. “Take Two. Worlds and Views: Contemporary Art from the Collection.” Time Out New York, October 2005, p. 71.


    Bankowsky, Jack. “Best of 2004, Charles Ray.” Artforum, December 2004, pp. 162–63.

    Deitcher, David. “The Last Picture Show.” Artforum, February 2004, p. 144.

    Gaines, Malik. “Charles Ray.” Contemporary Issue 64, 2004, pp. 86–89.

    Garcia, Camille. “Albright-Knox Opens Renowned Sculpture Exhibit.” Buffalo Rocket, April 21, 2004, pp. 1, 5.

    Halle, Howard. “Minimum effect.” Time Out (New York), March 18 – 25, 2004, p. 71.

    Hoban, Phoebe. “7BRs, Ocn Vu, WorldClass Art.” The New York Times, March 14, 2004, pp. 1, 30–31.

    Huntington, Richard. “Body of Work.” Buffalo News, May 18, 2004, pp. 1–4.

    Kimmelman, Michael. “How Not Much Is a Whole World.” The New York Times, April 2, 2004, pp. B29, B31.

    Meyer, James. “No More Scale: The Experience of Size in Contemporary Sculpture.” Artforum, Summer 2004, pp. 220–28.


    “Confetti: Charles Ray.” Label, Autumn 2003, p. 23.

    Harvey, Doug. “Don’t Look Back: Mike Kelley’s Proposal.” LA Weekly, December 12 – 18, 2003, p. 68.

    Littlefield, Peter. “The Mother of us All.” San Francisco Opera Program, 2003–04 Season, pp. 10–11.

    Rimanelli, David. “Entries.” Artforum, September 2003, pp. 33–34.

    Rondeau, James. “50th Venice Biennale.” Frieze, September 2003, pp. 96–97.

    Trebay, Guy. “Miami Puts on an Arty Party.” The New York Times, December 7, 2003, pp. 1, 6.

    Vetrocq, Marcia. “Venice Biennale, Every Idea But One.” Art in America, September 2003, p. 136.

    Yablonsky, Linda. “To Thine Own Selves be True.” ARTnews, 2003, pp. 138–43.


    Bankowsky, Jack. “September 1992.” Artforum, September 2002, pp. 39–40.

    Glueck, Grace. “Five by Five.” The New York Times, June 14, 2002, p. B36.

    Kimmelman, Michael. “Queens, The New Modern Mecca.” The New York Times, June 28, 2002, pp. 29, 31.

    Muchnic, Suzanne. “With all its hang-ups, the L.A. gallery scene thrives.” Los Angeles Times, November 24, 2002.

    Myers, Julian. “American Standard.” Frieze, October 2002, p. 86.

    Ray, Charles. “If You Ask Me.” The New York Times, December 29, 2002, p. 39.

    Schwendener, Martha. “American Beauty.” Time Out New York, August 8 – 15 2002.

    Turner, Jonathan. “Italy’s Mini-Boom.” ARTnews, September 2002, p. 90.


    Adrenne, Paul. “L’image Corps.” Éditions du Regard, 2001, cover, pp. 385, 410, 429, 435.

    Cotter, Holland. “Retrieving Magic from the Vault.” The New York Times, January 5, 2001, p. B35.

    Gioni, Massimiliano. “New York Cut Up.” Flash Art, January/February 2001, p. 68.

    Ray, Charles. “Thinking of Sculpture as Shaped by Space.” The New York Times, October 7, 2001.


    Psychiatric Services 51, no. 10, cover.

    Ray, Charles. “Picture.” Frieze, January/February 2000, pp. 56–57.

    Ritter, Peter. “Let’s Entertain.” Flash Art 214, October 2000, p. 98.

    Scanlan, Joe. “Funs Not Dumb.” Art Issues 64, September/October 2000, p. 20.


    “Almost Warm & Fuzzy.” Des Moines Art Center News, September/October 1999, cover, p. 3.

    Benezra, Neal. “Mind Over Matter.” ARTnews, May 1999, p. 143.

    Darling, Michael. “Michael Darling’s Top 10 Plus 1.” Artforum, January 1999, p. 101.

    Dietrich, Kornelia. “Kunstin Los Angeles.” Geo Saison, May 1999, pp. 84–97.

    Feavar, William. “Reawakening Beauty.” ARTnews, October 1999, cover, p. 216.

    Frimbois, Jean-Pierre. “Charles Ray.” Art Actuel, March/April 1999, pp. 8–11.

    Intra, Giovanni. “La Struttura Mobile.” Teme Celeste, February 1999, pp. 51–55.

    Knight, Christopher. “Taking Issues With Ideas About Art.” Los Angeles Times, January 7, 1999, pp. 7, 52.

    Miles, Christopher. “Charles Ray.” Art/Text, May/July 1999, pp. 84–85.

    “Out of Town: Minneapolis.” Los Angeles Times, September 16,1999, p. W39.

    Rawsthorn, Alice. “Best of the world: Five Galleries.” Wallpaper, December 1999, p. 250.

    ———. “L.A. Story: The most exciting art is now produced in Los Angeles.” Vogue (United Kingdom), April 1999, pp. 79–82.

    Schjeldahl, Peter. “Beauty Contest: The Perils of Pleasure.” The New Yorker, November 1, 1999, pp. 108–09.

    Snodgrass, Susan. “Staying Alive.” Art in America, April 1999, pp. 81–87.

    Solomon, Deborah. “How to Succeed in Art.” New York Times Magazine, June 27, 1999, pp. 38–41.

    Stafford, Barbara Maria. “Seeing Double: A Meditation on Errant Perception.” Art Issues, Summer 1999, pp. 22–26.

    Tully, Judd. “The Contemporary Sales.” Art & Auction, November 1999, p. 76.

    Vincent, Steven. “Impact Players.” Art & Auction, May 15, 1999, pp. 75–81.

    Vogel, Carol. “A Sensation of Sorts: Auction Sets Records for 18 Artists.” The New York Times, November 17, 1999, p. A27.

    ———. “Records Set for 11 Artists in Contemporary Sale.” The New York Times, May 20, 1999, p. B7.

    Wagner, Anne. “Charles Ray: Museum of Contemporary Art, Los Angeles.” Artforum, May 1999, pp. 170–72.


    Blake, Nayland. “Defying the Style.” Interview, July 1998, pp. 56–57.

    “Charles in Charge.” Detour, June/July 1998, pp. 52–53.

    Cooper, Dennis. “Charles Ray with Dennis Cooper.” Index, January/February 1998, pp. 38–46.

    Dellinger, Jade. “Cityscape Florida: Donald and Mera Rubell.” Flash Art, March/April 1998, p. 71.

    Duncan, Michael. “Charles Ray at Regen Projects.” Art in America, March 1998, p. 110.

    Goodman, Jonathan. “Constant Confusion, Charles Ray at the Whitney Museum.” Contemporary Visual Arts 20, 1998, pp. 42–47.

    Hainley, Bruce. “Charles Ray: Regen Projects.” Artforum, January/February 1998, p. 91.

    Halle, Howard. “Charles in charge.” Time Out (New York), June 18 – 25, 1998, pp. 54–55.

    Harvey, Doug. “Charles Ray at Regen Projects.” Art Issues, January/February 1998, p. 36.

    ———. “Pos. and Neg.; Up and Down with Sunshine & Noir.” LA Weekly, November 6 – 12, 1998, p. 56.

    ———. “The Charles Ray Experience: At MoCA and Beyond.” LA Weekly, December 4 – 10,1998, pp. 45–46.

    Hughes, Robert. “Sculptural One-Liners.” Time, June 29, 1998, p. 73.

    Hultkrans, Andrew. “Surf and Turf.” Artforum, Summer 1998, pp. 106–13, 146.

    Intra, Giovanni. “Charles Ray: Regen Projects.” Flash Art, January/February 1998, p. 117.

    Kimmelman, Michael. “Sending Up Fashion, Sex, Art and His Own Sheepish Persona.” The New York Times, June 12, 1998, p. B31.

    Knight, Christopher. “A Wealth of Shows and Fund-Raising.” Los Angeles Times, December 27, 1998.

    ———. “Charles Ray, Mind-Bender.” Los Angeles Times, November 17, 1998, pp. F1, F5.

    Koestenbaum, Wayne, and Robert Rosenblum. “The Best of 1998.” Artforum, December 1998, cover, pp. 100–03.

    Madoff, Steven Henry. “The Animated Mind Behind the Mannequin.” The New York Times, May 31, 1998, p. 36.

    McKenna, Christine. “More than Meets the Eye.” Los Angeles Times Magazine, July 26, 1998, cover, pp. 8–11.

    “MoCA Entertains International Audiences.” The Contemporary, Fall 1998, p. 3.

    Morgan, Susan. “What’s the big idea? Charles Ray’s Sculptures Exaggerate to Make their Point.” Elle, June 1998, p. 62.

    “New York and the opening of ‘Charles Ray.’” The Contemporary, Spring 1998, p. 10.

    Pollack, Barbara. “Leaping off the Pedestal.” ARTnews, June 1998, pp. 106–10.

    Rian, Jeff. “Sunshine & Noir and L.A. Times.” Flash Art, October 1998, pp. 61, 67.

    Rutledge, Virginia. “Ray’s Reality Hybrids.” Art in America, November 1998, pp. 96–100, 142–43.

    Schimmel, Paul. Excerpt from “Beside One’s Self.” The Contemporary, 2004, pp. 6–9.

    Schjeldahl, Peter. “Car Talk.” The Village Voice, June 30, 1998, p. 161.

    Sherlock, Maureen P. “Moral Minimalism and the Suburban Spectacle.” Art Papers, May/June 1998, pp. 22–25.

    Steinke, Darcey. “Ray Tripping.” Spin, June 1998, pp. 112–13.

    Storr, Robert. “Charles Ray: Ghosts and Dolls.” Art press (France), July/August 1998, pp. 19–25.

    Storr, Robert, and Charles Ray. “Anxious Spaces.” Art in America, November 1998, pp. 101–05, 143.

    Thomas, Michael. “Can’t Ruin My Summer.” The New York Observer, June 22, 1998, p. 39.

    Tomkins, Calvin. “Mind Games: Charles Ray and Andrew Wyeth collide at the Whitney.” The New Yorker, July 20, 1998, pp. 70–73.

    Vincent, Steven. “What's the Hurry.” Art & Auction, November 16 – 29, 1998, pp. 44–49.


    Auerbach, Lisa Anne. “Charles Ray at Regen Projects.” LA Weekly, October 31 – November 6, 1997, p. 51.

    Conti, Rena, and Ivan Moskowitz. “The Salad Years?” LA Muscle, February/March 1997, p. 19.

    Ericsson, Lars O. “Ljus och svarta fran L.A.” Dagens Nyheter, May 23, 1997.

    “Faces to Watch in ‘98: Here’s Who’ll Be Who.” Los Angeles Times, December 28, 1997, Calendar, p. 5.

    Jonsson, Dan. “LA: so barmhartige ljus.” Sydsvenska Dagbladet, May 21, 1997.

    Knight, Christopher. “Lots of ‘Sunshine’, Little Light.” Los Angeles Times, July 1997, Calendar, pp. 4–5, 85.

    ———. “Sculpted Wreck Turns Gallery Patrons into Looky-Loos.” Los Angeles Times, October 28, 1998, pp. F1, F9.

    “Konsten och varldsstadens sjal.” Arbetet Nyheterna, May 18, 1997.

    McKenna, Kristine. “It Happens Every Two Years.” Los Angeles Times, March 9, 1997, Calendar, pp. 3, 78.

    Movin, Lars. “California dreamin.’” Information, May 17, 1997.

    Muchnic, Suzanne. “Art Windfall.” Los Angeles Times, January 30, 1997, pp. A1, A21.

    Ohman, Richard. “Konstscen Los Angeles.” Nordvästra Skanes Tidningar, May 18, 1997.

    “Permanent Collection: New Acquisitions: The Contemporary.” Museum of Contemporary Art, Los Angeles, Spring 1997, pp. 10–11.

    Rian, Jeff. “Biennale de Lyon: The Other.” Flash Art, October 1997, pp. 94–95.

    Schorr, Collier. “A Pose is a Pose is a Pose: Fashion and Art and Fashion.” Frieze, March/April 1997, pp. 60–65.

    “Szene Los Angeles: Charles Ray.” ART: das Kunstmagazin, December 1997, p. 39.

    Vogel, Carol. “Inside Art.” The New York Times, January 3, 1997, p. B18.

    Wilson, William. “The ‘Gift’ Unwrapped.” Los Angeles Times, 1997, Calendar, pp. 59, 61.


    Birnbaum, Daniel. “Walking and Thinking and Walking Incandescent.” Frieze 30, September/October 1996, pp. 52–53.

    Birnbaum, Daniel, and Lars Nittve. “Ultra Swede.” Artforum, January 1996, pp. 23–24, 99.

    Csaszar, Tom. “PerForms: Janine Antoni, Charles Ray, Jana Sterbak.” Sculpture, March 1996, p. 57.

    Duncan, Michael. “Just Aghast: The temporary in MOCA’s permanent collection.” LA Weekly, November 8 – 14, 1996, pp. 55–56.

    Ferguson, Bruce. “Everything That's Interesting is New.” Flash Art, March/April 1996, pp. 108–09.

    Fricke, Harald. “‘NowHere’ Louisiana Museum.” Artforum, November 1996, pp. 95, 127.

    Jermanok, Stephen. “In Profile: Robert Storr.” Art & Antiques, Summer 1996, p. 144.

    Maloney, Martin. “Young Americans: Parts I & II.” Flash Art 19, no. 188, May/June 1996, pp. 108–09.

    Morgan, Anne Barclay. “Donald and Mera Rubell.” Sculpture, May/June 1996, pp. 16–17.

    Schjeldahl, Peter. “Beauty is Back.” New York Times Magazine, September 29, 1996, p. 161.

    Vine, Richard. “Report from Denmark: Part I: Louisiana Techno-Rave.” Art in America, October 1996, pp. 41–47.

    Watkins, Eileen. “Rutgers artists throw housewarming party.” The Star-Ledger (Newark), March 20, 1996, pp. 39, 50.


    Brown, Gerard. “Discussion After The Show: The ICA’s exhibit of objects created by performance artists begs for interpretation.” Philadelphia Weekly, October 25, 1995, p. 38.

    Callahan, Joe. “Controversial Art Exhibit Shocks.” The Bi-College News, September 30, 1995, p. 12.

    Dickerson, Paul. “Charles Ray.” Bomb 52, Summer 1995, pp. 42–47.

    Erickson, Peter. “Seeing White.” Transition: An International Review 67, Fall 1995, pp. 166–85.

    Goldberger, Paul. “Klaus Kertess: The Art of His Choosing.” The New York Times Magazine, February 26, 1995, pp. 30–39, 52, 55, 61–62.

    Hoving, Thomas. “Art for the Ages.” Cigar Aficionado, Summer 1995, pp. 214–26.

    Kazanjian, Dodie. “Ray Beyond Cool.” Vogue 185, no. 9, September 1995, pp. 556–59, 606.

    Kimmelman, Michael. “A Whitney Biennial That’s Generous, Sensuous and Quirky.” The New York Times, March 24, 1995, pp. B1, B6.

    ———. “A Wrapped Reichstag: That’s the Spirit.” The New York Times, December 31, 1995, p. 37.

    Knight, Christopher. “Toning it Down at the Whitney.” Los Angeles Times, April 16, 1995, Calendar, pp. 5, 54.

    Marincola, Paula. “Prisons, Temples, and Other Alternative Spaces.” ARTnews, October 1995, pp. 61–62.

    Rice, Robin. “PerForms: Janine Antoni, Charles Ray, Jana Sterbak.” Philadelphia City Paper, September 22 – 29, 1995, p. 23.

    Rugoff, Ralph. “The Show of Shows.” Harper’s Bazaar, March 1995, pp. 332–37.

    Schjeldahl, Peter. “One Man Show: Klaus Kertess’s Biennial Moyen sensuel.” The Village Voice, April 1995.

    Sozanski, Edward J. “An exhibition that demonstrates how less can indeed be less.” Philadelphia Inquirer, September 20, 1995, p. G2.

    Uimonen, Anu. “Ars 95 avaa pohjoisen näkökulmaa nykytaiteeseen.” Helsingin Sanomat, February 11, 1995.

    Verzotti, Giorgio. “Charles Ray.” Artforum, February 1995, p. 99.

    Zoviene, Danute. “Kultura: Menas ant amziaus ribos.” Respublika (Vilnius, Lithuania), March 15, 1995.


    Aeschimann, Walter. “Gewagte Kunst für junges Publikum.” Tagblatt der Stadt Zürich, September 19, 1994, p. 1.

    Ahlstrom, Crispin. “Kvinnligt-manligt.” Goteborgs Posten, April 6, 1994.

    Altgard, Clemens. “Djarvhet och forsiktighet.” Sydsvenska Dagbladet, March 18, 1994.

    “Baddat for skandal pa Rooseum?” Arbetet, March 5, 1994.

    Beck, Kurt. “Entlarvte Familienidylle.” Luzerner Neuste Nachrichten, October 6, 1994, p. 20.

    Carlsson, Larsolof. “Alska dig sjalv!” Helsingborgs Dagblad, April 8, 1994.

    Cåstenfors, Marten. “En utstallning utover det vanliga: Den amerikanska konstnaren Charles Ray gor var varld mer oforutsagbar.” Svenska Dagbladet, March 12, 1994.

    “Charles Ray.” Södermanlands Nyheter, February 21, 1994.

    “Charles Ray in Rooseum Spotlight.” Flash Art, May 1994, p. 49.

    “Charles Ray pa Rooseum.” Norrköpings Tidningar, February 22, 1994.

    Dahlqvist, Dennis. “Blickens terrorist.” Expressen, April 24, 1994.

    Damsgard, Helle. “Charles Ray.” Index, June 2, 1994.

    “Det enda sakra sattet att ha sex.” Dag Gt/kvallsposten, March 6, 1994.

    Engzell, Stig. “Charles Ray manipulerar verkligheten pa Rooseum.” Skanslea Dagbladet, March 5, 1994.

    Ergard, Manda. Arbetet, March 12, 1994.

    Eriksson, Bengt. “Se men inte rora...” LO-Tidningen, March 13, 1994.

    “Forskjutna proportioner.” Konstvärlden, January 1994.

    Hansen, Jorgen. “Og kunsten kort.” Hallandsposten, March 8, 1994.

    Hansen, Malene Vest. “Kildt og foruroligende: Charles Rays glasfiber-skulpturer er en oplevelse af de usaedvanlige.” Politiken, March 13, 1994.

    Hasli, Richard. “Der Puppenspieler.” Neue Zürcher Zeitung, September 9, 1994, p. 45.

    Hedberg, Bertil Kaa. “Utmanande amerikansk skulptor: Charles Ray gervaneseendeten knack pa Rooseum-utstallning.” Norra Skane, March 8, 1994.

    Hellmark, Mats. “Ray vacker ur vaneseendet.” Sydostran, March 25, 1994.

    Hygum, Preben. “Planken ud: Charley, Charley, Charley, again, again - et humoristisk hyperbolisk pikhoved fra L.A. i Malmos Rooseum.” Onsdag, March 9, 1994.

    “I jamnhojd pa Rooseum.” Nordvastra Skanes Tidningar, March 5, 1994.

    “Inget konstigt med naken konstnar.” Hallands Nyheter, March 5, 1994.

    Jonsson, Dan. “Vad ar det for fel pa familjen?” IDAG Kvallposten, March 19, 1994.

    Jonsson, Jan. “En livs levande legend avloser Leonardo.” Sydsvenska Dagbladet, March 5, 1994.

    Klinthage, Jorgen. “Efter motet med Charles Ray ar ingenting langre sig likt.” Hallandsposten, April 12, 1994.

    Kimmelman, Michael. “Is Duane Hanson the Phidias of Our Time?” The New York Times, February 27, 1994, p. H39.

    Klinthage, Jorgen. “Var granslosa narcissism.” Arbetet, April 6, 1994.

    Kokkin, Jan. “Postmodernistisk selvutlevering.” Dagens Næringsliv, March 12, 1994.

    “Konst for aids-aldern: Charles Ray staller ut skandalomsusade sexskulpturer pa Rooseum.” Arbetet, March 5, 1994.

    “Konst-igt varre som beror alla.” Svenska Dagbladet, March 5, 1994.

    “Konst: Lamnar fa oberorda.” Damernas Varld, April 1994.

    Kraft, Von Martin. “Selbstporträt des Künstlers als Schaufensterpuppe.” Tages-Anzeiger, August 31, 1994, p. 77.

    Kuoni, Gisela. “Charles Ray in Zurich und Bern.” Die Bündner Zeitung, September 9, 1994, p. 27.

    Kuspit, Donald. “The Decline, Fall and Magical Resurrection of the Body.” Sculpture, May/June 1994, pp. 20–23.

    Kyander, Pontus. “Arte y Cuerpo.” Heterogénesis 7, April 1994, p. 53.

    ———. “Konst och kropp.” Borås Tidning, April 16, 1994.

    Lind, Ingela. “Ode kroppar: Charles Ray pa Rooseum.” Dagens Nyheter, March 11, 1994.

    Mack, Gerhard. “Puppen, Sex und Wurfelspiel.” Cash-Schweiz, September 2, 1994, pp. 90–91.

    ———. “Puppen und Würfel: Die Kunsthallen in Bern und Zürich zeigen das spektakulare Werk von Charles Ray.” Suddeutsche Zeitung, September 18, 1994, p. 14.

    Martensson, Ulf. “Inget konstigt med naken konstnar.” Hallandsposten, March 9, 1994.

    ———. “Inget Konstigt med en naken konstnar.” Nya Wermlands-Tidningen, March 24, 1994.

    ———. “Inget konstigt med naken konstnar.” Trelleborgs Allehanda, March 5, 1994.

    ———. “Naken konst.” Kristianstads - Bladet, March 7, 1994.

    ———. “Naken konstnar inget konstigt.” Gotlands Tidningar, March 5, 1994.

    ———. “Naket sjalvportratt - gjuten succe?” Die Ostgoten, March 5, 1994.

    ———. “Skulptor i egen orgie pa Rooseum.” March 7, 1994.

    Michelson, Anders. “Replikanternes anonyme lyst.” Weekendavisen (Denmark), March 25 – 29, 1994.

    Muller, Von Hans-Joachim. “Dreht sich doch.” Die Zeit, September 9, 1994, p. 52.

    “Naken konstnar efter Leonardo.” ÖrebroKuriren, March 5, 1994.

    Niederhauser, Brigitta. “Reproduktion oder der Verlust des Andern.” Der Bund, August 27, 1994, p. 6.

    Nilsson, Stefan. “Hisnande trick som bryter vart vaneseende.” Nerikes Allehanda-Nerikes Tidningen, March 19, 1994.

    Nilsson, John Peter. “Charles Ray.” Kunst-Bulletin, September 1995, pp. 12–17.

    ———. “Charles Ray at Rooseum.” Flash Art, May 1994, pp. 124–25.

    ———. “Det ar inte vad det verkar vara...” Aftonbladet, March 15, 1994.

    ———. “To break and to push against.” Siksi, Nordic Art Review, June 2, 1994, pp. 14–15.

    Nilsson, Torgny. “Varldsbilden kantrar: Charles Rays konst visas pa Rooseum.” ÖrebroKuriren, March 8, 1994.

    Oberholzer, Niklaus von. “Identitätsfragen - vom Spiel bis zur Horrorvision: Die Kunsthallen von Bern und Zürich zeigen die Plastiken des Amerikaners Charles Ray.” Luzerner Zeitung, August 30, 1994, p. 30.

    Parikas, Dodo. “Go Fuck Yourself!: Charles Ray in Malmö.” Reporter, May 1994.

    “Ray pa Rooseum.” Helsingborgs Dagblad, March 5, 1994.

    Saltz, Jerry. “L.A. Rising.” Art & Auction, April 1994, pp. 88–91, 122.

    “Sexorgier pa konstmuseum.” Norrländska Socialdemokraten, March 5, 1994.

    Steiner, Juri. “Me, Myself, and I.” Zürichsee-Zeitung, September 29, 1994, p. 8.

    Thelander, Eva. “Lek med kanslor: Charles Rays illusionstrick pa Rooseum.” Lordagen, March 5, 1994, p. 32.

    ———. “I jämn höjd pa Rooseum.” Nordvastra Skanes, March 5, 1994.

    Tobler, Konrad. “Staunen über verschobene Sinnbezüge.” Berner Zeitung, August 27, 1994, p. 22.

    Volkart, Yvonne von. “Der Künstler und seine Doubles.” WOZ Die Wochenzeitung (Zurich), September 9, 1994, p. 23.

    Wachtmeister, Marika. “Skulpturer i forvrengt skala.” Kristianstads – Bladet, March 18, 1994.

    Wakefield, Neville. “Out on a Limb.” Vogue (United Kingdom), July 1994, p. 32.

    Viñoles, Pepe. “La exagerada realidad.” Liberación cultural, March 11, 1994, pp. 4–5.

    Zeylon, Hakan. “En drift med schablonerna.” Skanska Dagbladet, April 15, 1994.

    Zwez, Annelise. “Das Leiden an Lüge und Wahrheit.” Solothurner Zeitung, September 22, 1994, p. 29.


    Cameron, Dan. “Backlash.” Artforum, May 1993, pp. 12–13.

  • Selected Interviews


    Bonami, Francesco, and Charles Ray. “Francesco Bonami Visits Charles Ray in His L.A. Studio.” Tar 4, Fall 2010, cover, p. 150.

    Israel, Alex, and Charles Ray. “Charles Ray.” Purple 15, Spring/Summer 2011, pp. 168–75.


    Fried, Michael, and Charles Ray. “Michael Fried and Charles Ray.” In Charles Ray. New York: Matthew Marks Gallery, 2010, pp. 45–55.


    Kuo, Michelle, Charles Ray, et al. “The Producers.” Artforum, October 2007, pp. 352–59, 402.

    Kushner, Rachel, and Charles Ray. “1000 Words: Charles Ray: Talks About Hinoki, 2007.” Artforum, September 2007, pp. 438–39.


    Ray, Charles. “Speaking Volumes: 19 Interviews.” Art in America, November 2006, pp. 171–72.


    Estep, Jan, and Charles Ray. “Going Both Ways: An Interview with Charles Ray.” New Art Examiner, July/August 1999, pp. 20–25.


    Cooper, Dennis, and Charles Ray. “An Interview with Charles Ray.” Grand Street, Winter 1997, pp. 23–34.


    Barnes, Lucinda, and Charles Ray. “Interview with Charles Ray.” Charles Ray. Newport, CA: The Newport Harbor Art Museum, 1990, p. 15.