The New York Times
June 12, 2024
![](https://mmg.nyc3.cdn.digitaloceanspaces.com/online/nyt-ray-review-june-2024/_1000xAUTO_crop_center-center_none/Charles-Ray_2024_Matthew-Marks-Gallery_02.jpg)
“Charles Ray is very good at white. He’s also good at silver, gray, variations of scale, excess and precision. But the three sculptures in this unfathomably elegant show — a 24-inch crashed car made of cut Japanese paper, a blurry nine-foot-tall, cast-paper-pulp woman, and two naked marble men lying on a slab — are all bright, bleachy white.” —Will Heinrich