In Study for Blue White, two round forms occupy most of the composition, connecting ever so slightly, like overlapping leaves or pieces of fruit arranged together. This motif first appeared in Kelly’s 1955 collage Study for Rebound.
In Study for Blue White, two round forms occupy most of the composition, connecting ever so slightly, like overlapping leaves or pieces of fruit arranged together. This motif first appeared in Kelly’s 1955 collage Study for Rebound.