Happy Jack 2020
Bronze
61 × 74 × 27 inches; 155 × 188 × 69 cm
Throughout his career Puryear has created evocative sculptures by abstracting the human figure. Many of his best-known works, such as the early sculpture Self (1978), are biomorphic in form. Happy Jack, with its round corners and bodily connotations, resembles a monumental torso replete with a barrel chest and sloping shoulders, its neck stopping just below where a head would be.
Puryear’s sculptures are often made with labor-intensive methods that combine practices adapted from different traditions, including wood carving, joinery, and boat building. For Happy Jack he first carved a wood maquette in 1993, then worked with a master basket weaver, who wove the form in willow. Returning to the sculpture nearly a decade later, Puryear has now cast it in bronze.
![<p><em>Happy Jack</em> in progress at the<br />artist’s studio, 2020</p>](https://mmg.nyc3.cdn.digitaloceanspaces.com/online/puryear-47225/_1200xAUTO_crop_center-center_none/Puryear_HappyJack_process-3.jpg)
Happy Jack in progress at the
artist’s studio, 2020
![<p><em>Self</em> 1978<br />Joslyn Art Museum, Omaha, Nebraska</p>](https://mmg.nyc3.cdn.digitaloceanspaces.com/online/puryear-47225/_1200xAUTO_crop_center-center_none/Puryear_Self_1978_02.jpg)
Self 1978
Joslyn Art Museum, Omaha, Nebraska