Tabernacle 2019
Steel, red cedar, American cypress, pine, makore veneer, canvas, printed cotton fabric, glass, stainless steel
74 × 90 × 96 inches; 188 × 229 × 244 cm
“Interior space is often the secret space of sculpture… I think of interior space as a world with enormous conceptual potential.”
—Martin Puryear, 2007
The shape of Tabernacle is based on a cap worn by soldiers in the Civil War. The sculpture’s elemental form is a steel lattice from which Puryear has suspended cotton textiles: black canvas and an early-nineteenth-century floral fabric draped underneath. Through openings in the textiles one can see its interior, which houses a Civil War siege mortar that Puryear constructed from wood, its barrel holding a polished stainless-steel cannonball. “Tabernacle contains a world within a world,” Brooke Kamin Rapaport has observed, adding, “A tabernacle is a place of worship, whether large enough to house a congregation or intended to hold a single icon.” As she points out, “Tabernacle is Puryear’s meditation on American gun violence.”

Tabernacle in progress at the
artist’s studio, 2018

Soldiers in the 4th US Colored Infantry at Fort Lincoln, Washington, DC, c. 1863

Mortar cannon outside Petersburg, VA, 1864

Tabernacle and Aso Oke in the US Pavilion at the Venice Biennale, 2019