Tabernacle 2019
Steel, red cedar, American cypress, pine, makore veneer, canvas, printed cotton fabric, glass, stainless steel
74 × 90 × 96 inches; 188 × 229 × 244 cm

“Interior space is often the secret space of sculpture… I think of interior space as a world with enormous conceptual potential.”

—Martin Puryear, 2007

The shape of Tabernacle is based on a cap worn by soldiers in the Civil War. The sculpture’s elemental form is a steel lattice from which Puryear has suspended cotton textiles: black canvas and an early-nineteenth-century floral fabric draped underneath. Through openings in the textiles one can see its interior, which houses a Civil War siege mortar that Puryear constructed from wood, its barrel holding a polished stainless-steel cannonball. “Tabernacle contains a world within a world,” Brooke Kamin Rapaport has observed, adding, “A tabernacle is a place of worship, whether large enough to house a congregation or intended to hold a single icon.” As she points out, “Tabernacle is Puryear’s meditation on American gun violence.”

<p><em>Tabernacle</em> in progress at the<br />artist’s studio, 2018</p>

Tabernacle in progress at the
artist’s studio, 2018

<p>Soldiers in the 4th US Colored Infantry at Fort Lincoln, Washington, DC, c. 1863</p>

Soldiers in the 4th US Colored Infantry at Fort Lincoln, Washington, DC, c. 1863

<p>Mortar cannon outside Petersburg, VA, 1864</p>

Mortar cannon outside Petersburg, VA, 1864

<p><em>Tabernacle</em> and <em>Aso Oke</em> in the US Pavilion at the Venice Biennale, 2019</p>

Tabernacle and Aso Oke in the US Pavilion at the Venice Biennale, 2019