2024

Effetto notte: Nuovo realismo americano, Palazzo Barberini, Rome
Between Pixel and Pigment: Hybrid Painting in Post-digital Times, Marta Herford Museum for Art Architecture, Design, Herford, Germany; Kunsthalle Biefeld, Germany
When Image Processing Became Painting, Miguel Abreu Gallery, New York

2023

Paraventi: Folding Screens from the 17th to 21st Centuries, Fondazione Prada, Milan
Reaching for the Stars: From Maurizio Cattelan to Lynette Yiadom-Boakye, Fondazione Palazzo Strozzi, Florence, Italy
Together in Time: Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles

2022

Bad Manners, Luxembourg + Co., London
Monochrome Multitudes, Smart Museum of Art, Chicago
The Painter’s New Tools, Nahmad Contemporary, New York (catalogue)

2021

Main Street, Greene Naftali Gallery, East Hampton, NY
Disturbances in the Field: Art in the High Desert from Andrea Zittel’s A–Z West to High Desert Test Sites, Nevada Museum of Art, Reno
Stop Painting!, Fondazione Prada, Venice
After all, a collection is only human, Museum Dhondt-Dhaenens at Villa Vandenbussche, Tielt, Belgium
Hanne Darboven, Wade Guyton, Allan McCollum, Stephen Prina, Samson Young, Friedrich Petzel Gallery, New York

2020

I Yield My Time Fuck You, Altman Siegel, San Francisco
00.s Cranford Collection – The 2000s, MO.CO. Hôtel des collections, Montpellier, France (catalogue)
Ice and Fire: A Benefit Exhibition in Three Parts, The Kitchen, New York
With Wings That Beat, Skarstedt, London
Artists for New York, Hauser & Wirth, New York
Milléniales.Peintures 2000–2020, FRAC Nouvelle-Aquitaine MÉCA, Bordeaux, France
It never ends: None of the above, KANAL – Centre Pompidou, Brussels
It never ends: All of the above, KANAL – Centre Pompidou, Brussels
Drawings 2020, Gladstone Gallery, New York (catalogue)
Technological Transformation, K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf
UNIQUE, PARKETT Space, Zürich
Arrows, Galerie Francesca Pia, Zürich
Photography to the Test of Abstraction, Fonds Regional d'Art Contemporain, Marseille, France
Normandie Rouen, Sotteville-lès-Rouen, France
Museo di Capodimonte, Naples
All for the Hall, Guild Hall, East Hampton, NY
.paint, Museum of Contemporary Art Chicago
room enough for former teasers, Galerie Gisela Capitain, Cologne
Au-dela de la couleur. Le noir et le blanc dans la Collection Pinault, Couvent de Jacobnis, Rennes, France
Amish Quilts meet Modern Art, Staatliches Textil- und Industrienmuseum Augsburg, Germany
Overwrite, Greene Naftali Gallery, New York
The Way We Were 2.0, Weserberg Museum of Modern Art, Bremen, Germany
Out of Order, Works from the Haubrok Collection, Part 2, Neues Museum, Nuremberg
Blanc sur Blanc, Gagosian Gallery, Paris

2019

Thonet 200 Project: Reimagined, Schellmann Art, Munich
One hundred drawings, Matthew Marks Gallery, New York (catalogue)
Concerning Superfluities: Shaker Material Culture and Some Affinities, Essex Street Gallery, New York
Out of Order, Works from the Haubrok Collection, Part 1, Neues Museum, Nuremberg
Hard Feelings, Nahmad Contemporary, New York
Chairs Beyond Right & Wrong, R & Company, New York
STEP BY STEP – Visions of an art dealer’s collection, Nouveau Musée National de Monaco
The Way We Are 1.0, Weserberg Museum of Modern Art, Bremen, Germany
New Order: Art and Technology in the Twenty-First Century, The Museum of Modern Art, New York
Strategic Vandalism: The Legacy of Asger Jorn’s Modification Paintings, Friedrich Petzel Gallery, New York (catalogue)
A Vision for Painting, Fondation Louis Vuitton, Paris

2018

Bilduma: Rethinking the Boundaries of Painting, Cibrián Gallery, San Sebastián, Spain
Wade Guyton and Stephen Prina, Friedrich Petzel Gallery, New York
Trance by Albert Oehlen, Aïshti Foundation, Beirut, Lebanon (catalogue)
Exclusivement contemporain, Musée d'art et d'histoire, Geneva (catalogue)
Internazionalismo e «eccezione elvetica». 100 anni d’arte grafica in Svizzera, Museo Civico Villa dei Cedri, Bellinzona, Switzerland (catalogue)
True Luxury…Art Acquisitions 2012–2018, Stedelijk Museum, Amsterdam
The Vitalist Economy of Painting, Galerie Neu, Berlin
Immer anders, immer gleich: Ein versuch über Kunst und Systeme, Bündner Kunstmuseum, Chur, Switzerland (catalogue)
Chaos and Awe: Painting for the 21st Century, Frist Art Museum, Nashville, TN
Readymades Belong to Everyone: Annual Architecture and Design Series, Swiss Institute, New York
Art Imprimé. Triennale, Musée des beaux-arts, Le Locle, Switzerland
Art in the Synthetic Age, Moderna Museet, Stockholm
The Scale of Persona and Possibility, Super Dakota, Brussels
ReCycle, Galerie Chantal Crousel, Paris (catalogue)
Nouvelles Images: Donations, Bequests, and Acquisitions 2016–2017, Museé d’art moderne et Contemporain, Geneva
Wendepunkte: Von Nolde bis Oppenheim. 100 Jahre Schweizerische Graphische Gesellschaft, Graphische Sammlung ETH Zürich (catalogue)

2017

The Everywhere Studio, ICA Miami (catalogue)
Pompei@Madre: Materia Archeologica, Museo d’arte contemporanea Donnaregina, Naples
The Electric Comma, V-A-C Foundation, Palazzo delle Zattere, Venice
Publishing as an Artistic Toolbox: 1989–2017, Kunsthalle Wien
An Ephemeral History of High Desert Test Sites: 2002–2015, Joshua Tree, CA
Unpainting, Art Gallery of New South Wales, Sydney (catalogue)
Minimalism & Beyond, Mnuchin Gallery, New York (catalogue)
Wade Guyton and Stephen Prina, Friedrich Petzel Gallery, New York
Photographic Objects, Städel Museum, Frankfurt
Social Photography V, Carriage Trade, New York
Abstract Painting Now!, Kunsthalle Krems, Austria (catalogue)
Wade Guyton Peter Fischli David Weiss, Aspen Art Museum, CO (catalogue)
Blue Black, Pulitzer Arts Foundation, Saint Louis (catalogue)
Mentally Yellow (High Noon): Presentation of the Collection Art After 1945, Lenbachhaus, Munich
White Trash, Luhring Augustine, New York
Oklahoma and Beyond: Selections from the George R. Kravis II Collection, Oklahoma State University Museum of Art, Stillwater, OK
Paint On: Dimensionen des Malerischen, Pinakothek der Moderne, Munich

2016

A Slow Succession with Many Interruptions: Art in the 21st Century, San Francisco Museum of Modern Art
Warhol, Wool, Guyton, Nahmad Contemporary, New York (catalogue)
Olympia, Galerie Patrick Seguin, Paris
ETHER, Galerie Chantal Crousel, Paris (catalogue)
between frames, Haubrok Foundation, Berlin
Quodlibet, Lempertz, Brussels
OVER/UNDER, P! and Room East, New York
Fine Young Cannibals, Friedrich Petzel Gallery, New York (catalogue)
Wade Guyton and Stephen Prina, Friedrich Petzel Gallery, New York
Good Dreams/Bad Dreams, Aïshti Foundation, Beirut, Lebanon (catalogue)
Painting 2.0: Expression in the Information Age, Museum moderner Kunst Stiftung Ludwig Wien (catalogue)
The Cable Guys II, Future Gallery, Berlin
Lines of Flight, Columbia University, Miriam and Ira D. Wallach Art Gallery, New York
Painting After Technology, Tate Modern, London
Pandora’s Box, Musée d’art modern de la Ville de Paris (catalogue)
The Hyena is a Striped Dog Who Thought He was a Laughing Horse, Halsey McKay, East Hampton, NY
Image Tech: Making Pictures in a Post Digital Age, The College of New Jersey, Ewing
Les Fleurs du Mal, Nahmad Contemporary, New York (catalogue)
From Minimalism into Algorithm, Phase 3, The Kitchen, New York
Images, Fridericianum, Kassel
Récit d’un temps court, Musée d’art modern et contemporain, Geneva

2015

The Answer. The Question, Artist Curated Projects, Los Angeles
NOCHROME, Repertorio, London
The Collections. The Invention of the Modern. The Incursion of the Contemporary, Museo di arte modernae contemporenea di Trento e Rovereto, Italy
They Printed It!, Kunsthalle Zürich
Painting 2.0: Expression in the Information Age, Museum Brandhorst, Munich
New Skin, Aishti Foundation, Beirut, Lebanon (catalogue)
Black Sun, Fondation Beyeler, Basel
Artists at Work, Stanford University, Cantor Arts Center, CA
Unpacking My Library, 6 Decades, San Francisco
Eppur Si Muove: Art et Technique, un Espace Partagé, Mudam Luxembourg
Sprayed: Work from 1929 to 2015, Gagosian Gallery, London (catalogue)
Collecting Lines, Chapter 1: Drawings from the Ringier Collection, Villa Flora, Winterthur, Switzerland
Drawing Show, Greene Naftali Gallery, New York
America is Hard to See, Whitney Museum of American Art, New York
Sorry, I’ve Been Trying to Teach a Peacock How to Act, Rachel Uffner Gallery, New York
Printed Matters, Gesso Art Space, Vienna
Wade Guyton and Stephen Prina, Friedrich Petzel Gallery, New York
CNTRL+P: Printmaking in the 21st Century By University of Tennessee Alumni, University of Tennessee, Ewing Gallery of Art and Architecture, Knoxville, TN
Yes, We’re Open, Gió Marconi, Milan
Group Show, Marc Jancou, Geneva
75 Gifts for 75 Years, Walker Art Center, Minneapolis

2014

Fiona Banner Selects from the V-A-C Collection, Whitechapel Gallery, London
Beneath the Surface, de la Cruz Collection Contemporary Art Space, Miami
Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts, Matthew Marks Gallery, New York
The Contract, Essex Street, New York
John Armleder, Burning Bridges, New York
Drawing Biennial 2014: The Future Shapes the Past, Kunsthall Oslo
Stars + Stripes: American Art of the 21st Century from the Goldberg Collection, Bathurst Regional Art Gallery, Australia
Another, Once Again, Many Times More, Martos Gallery, New York
Love Story: The Anne and Wolfgang Titze Collection, Belvedere Museums, Vienna
Prima Materia, Punta della Dogana, Pinault Collection, Venice
Loveless, Greene Naftali Gallery, New York
This Page Intentionally Left Blank, Akbank Art Center, Istanbul (catalogue)
American Academy of Arts and Letter, New York
KUB Collection Showcase: New Acquisitions from Ai Weiwei to Zobernig, Kunsthaus Bregenz, Austria
Les Gueules Cassées, Kunsthalle Mainz, Germany

2013

Summer in Gstaad, Patrica Low Contemporary, Gstaad, Switzerland
From the Collection: Looking at Process, de la Cruz Collection Contemporary Art Space, Miami
When Now is Minimal: The Unknown Side of the Goetz Collection, Neues Museum, Nuremburg. Traveled to Museion, Bozen, Germany.
Empire State: Art in New York Today, Galerie Thaddaeus Ropac, Paris
Correspondences: Ad Reinhardt at 100, TEMP Art Space, New York
Comrades of Time|Comrades of Time, Cell Project Space, London
The Show is Over, Gagosian Gallery, London
2013 Carnegie International, Carnegie Museum of Art, Pittsburgh
Out of the Blue, Cortesi Contemporary, Lugano, Switzerland
Holes in the Wall, Early Works 1948–2013, Fri Art, Fribourg, Switzerland
Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles
Freak Out, Greene Naftali Gallery, New York
cycle L’Éternel D’étour, Musée d’art modern et contemporain, Geneva
do it, Manchester Art Gallery, United Kingdom
Il Palazzo Enciclopedico, Venice Biennale (catalogue)
ICA Collection: Expanding the Field of Painting, Institute of Contemporary Art, Boston
Empire State: Art in New York Today, Palazzo delle Exposizioni, Rome (catalogue)
less like the object more like the weather: Object Permanence, Hessel Museum of Art, Annandale-on-Hudson, NY
Lies About Painting, Moderna Museet, Mälmo, Sweden
Chat, Jet, Painting <Beyond> The Medium, Künstlerhaus, Graz, Austria
Wade Guyton and Stephen Prina, Friedrich Petzel Gallery, New York
Abstraction Generation: Now in Print, The Museum of Modern Art, New York
MOCA’s Permanent Collection: A Selection of Recent Acquisitions, Museum of Contemporary Art, Los Angeles
Beg, Borrow, and Steal, Palm Springs Art Museum, CA

2012

Haubrok Collection at Deichtorhallen, Falckenberg Collection, Hamburg
From the Collection: 2012 Exhibition, de la Cruz Contemporary Art Space, Miami
Seuls quelques fragments de nous toucheront quelques fragments d’autrui, Galerie Thaddaeus Ropac, Paris (catalogue)
Abstract Possible: The Birmingham Beat, Eastside Projects, Birmingham, United Kingdom
Dikeou Collection, Artpace, San Antonio
The Feverish Library, Friedrich Petzel Gallery, New York
Decade: Contemporary Collecting, 2002–2012, Albright-Knox Art Gallery, Buffalo, NY
HELP/LESS, Printed Matter Inc., New York
Drawing a Blank (On Forgetting, Refusal, Censure and Impotence), David Kordansky Gallery, Los Angeles
Die schönsten Schweizer Bücher 2011, Helmhaus, Zürich (catalogue)
Painting in Space: An Exhibition to benefit CCS Bard, Luhring Augustine, New York
La peinture sans les peintres, Villa du parc, Centre d’art contemporain, Annemasse, France
Telephone Paintings, Almine Rech, Basel (catalogue)
Changing & Growing, KM, Berlin
Steel Life, Michael Benevento, Los Angeles
Contemporary Painting, 1960 to the Present: Selections from the Collection, San Francisco Museum of Modern Art
Phantom Limb: Approaches to Painting Today, Museum of Contemporary Art Chicago, Illinois
The Painting Factory, Museum of Contemporary, Art Los Angeles (catalogue)
Against Interpretation, Tilburg, Netherlands
Wade Guyton and Stephen Prina, Friedrich Petzel Gallery, New York
New Sculpture?, Zachęta National Gallery of Art, Warsaw
In the Space of the Beholder: Contemporary Works from the Sammlung Moderne Kunst, Pinkothek der Moderne, Munich
The Old, the New, the Different, Kunsthalle Bern, Switzerland
In Numbers: Serial Publications by Artists Since 1955, Institute of Contemporary Art, London
Soft Op – Strategies of the Material Transformation, Modern Collections, London
Abstract Possible: The Stockholm Synergies, Tensta Konstall, Spånga, Sweden

2011

American Exuberance, Rubell Family Collection, Miami (catalogue)
An American in Tblisi: Trisha Donnelly and Wade Guyton, Georgian National Museum, Tblisi, Georgia
Guyton Guyton Walker Walker, Modern Collections, London (catalogue)
Structure and Absence, White Cube, Bermondsey, London (catalogue)
8 Americans, Maruani & Noirhomme Gallery, Brussels (catalogue)
Aventures, reflets et embuscades, Manoir de la Ville de Martigny, Valais, Switzerland
Silence and Time, Dallas Museum of Art
Wade Guyton, Guyton\Walker, Kelley Walker, Galerie Guy Bartschi, Geneva
Abstract Possible: The Zürich Test with Wade Guyton and Tommy Støkel, University of the Arts, White Space, Zürich
After Images, Musée Juif de Belgique, Brussels (catalogue)
X, Gió Marconi, Milan
So Machen Wir Es, Kunsthaus Bregenz, Austria (catalogue)
Wade Guyton and Stephen Prina, Friedrich Petzel Gallery, New York
Kabinett 6: Cheryl Donegan, Ryan Fenchel, Wade Guyton, Tom Meacham, Devening Projects + Editions, Chicago
Abstract Possible: The Tamayo Take, Museo Tamayo, Mexico City
Black Swan, Regen Projects, Los Angeles
Systemanalyse, Langen Foundation, Neuss, Germany (catalogue)
Abstract & Traces, Ribordy Contemporary, Geneva
Shapes, Sammlung Haubrok, Berlin
Untitled (painting) and Tulsa, 1968: A film by Larry Clark, Luhring Augustine, New York

2010

Die Grosse Inventur, Galerie Francesca Pia, Zürich
Five Year Anniversary Exhibition, Gavlak Gallery, Palm Beach, CA
The More Things Change, San Francisco Museum of Modern Art
Abstract Possible: Trailern, Malmö Konsthall, Sweden
La Règle du jeu, Galerie Chantal Crousel, Paris
Systems Analysis, westlondonprojects, London
The Space Between Reference and Regret, Friedrich Petzel Gallery, New York
Picture Industry (Goodbye to All That), Regen Projects II, Los Angeles
Grass Grows by Itself, Marlborough Gallery, New York
At Home/ Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Hessel Museum of Art, Annandale-on-Hudson, NY (catalogue)
Narcissus Trance, E:vent Gallery, London
Almeria, Galerie Chantal Crousel, Paris (catalogue)
Schwarz auf Weiss, Gesellschaft für Gegenwartskunst, Ausburg, Germany (catalogue)
Alchemy Box, Maison d’Art Bernard Anthonioz, Nogent-sur-Marne, France
One Fine Morning in May…, Gesellschaft für Aktuelle Kunst, Bremen, Germany
Black Mirrors (Miroirs Noirs), Fondation D’Entreprise Ricard, Paris
They Have Not the Art to Argue with Pictures, Cherry & Martin, Los Angeles
The Page, Kimmerich Gallery, New York
Fade into You, Herald Street, London
Wade Guyton and Stephen Prina, Friedrich Petzel Gallery, New York
Fax & Move on Asia, Para/Site, Sheun Wan, Hong Kong
Neugierig? Kunst des 21. Jahrhunderts aus private Sammlung, Kunsthalle der Bundesrepublik Deutschland, Bonn (catalogue)

2009

In Numbers: Serial publications by Artists since 1955, X Initiative, New York (catalogue)
Beg Borrow and Steal, Rubell Family Collection, Miami (catalogue)
edia Int'l Group, Foundation Barbin New York
Space as Medium, Miami Art Museum
Besides, With, Against, And Yet: Abstraction and The Ready-Made Gesture, The Kitchen, New York
Kiosk: Modes of Multiplication, Kunstbibliothek Staatliche Museen zu Berlin (catalogue)
Top 10 Allegories, Geneva, Galerie Francesca Pia, Zürich (catalogue)
The Secret Life of Objects, Midway Contemporary Art, Minneapolis
I Am By Birth A Genevese, Vegas Gallery, London
Cave Painting, PSM Gallery, Berlin
Paperview, John Jones Project Space, London
In the Darkness: Tom Friedman, Matthew Grover, Wade Guyton, Peter Hujar, Patrick Lee, and Heidi Slimane, PHIL, Los Angeles
FIVE, Baibakov Art Projects, Moscow (catalogue)
Material Intelligence, Kettle’s Yard, Cambridge, United Kingdom
Compass in Hand: Selections from the Judith Rothschild Foundation Fax, The Drawing Center, New York (catalogue)
Group Show, Friedrich Petzel Gallery, New York
15 People Present Their Favorite Book (After Kosuth), Glen Horowitz Bookshop Gallery, East Hampton, New York (catalogue)
REVUE: Gegenwartskunst aus der Sammlung, Pinakothek der Moderne, Münich
Collected Things Connected, Haubrokshows, Berlin
A Wild Night and a New Road, Altman Siegel Gallery, San Francisco

2008

Mutual: On Collaboration, Samsøn Projects, Boston
Now You See It, Aspen Art Museum, CO
Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, Hammer Museum, Los Angeles
50 Moons of Saturn, T2 Torino Triennial, Fondazione Sandretto Re Rebaudengo, Torino, Italy (catalogue)
Kunst im Heim, Capitain Petzel Gallery, Berlin
Around Max Bill, Centre Culturel Suisse, Paris
Works on Paper & Ricci Albenda, Greene Naftali Gallery, New York
Death of Samantha/Season of Glass, New Jerseyy, Basel
For what you are about to receive, Gagosian Gallery, Moscow (catalogue)
Here is Every: Four Decades of Contemporary Art, The Museum of Modern Art, New York
Gedichte der Fakten, GfZK-2/Museum of Contemporary Art, Leipzig
Painting: Now and Forever, Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York
Not So Subtle Subtitle, Casey Kaplan Gallery, New York
Poetry Club: That social space between speaking and meaning, White Columns, New York
Ils sont peintres, BSI-Infabanque, Paris (catalogue)
Blasted Allegories: Work from the Ringier Collection, Kunstmuseum Luzern, Switzerland (catalogue)
+ de réalité: practiques contemporaines de l’abstraction, Le Hangar á bananes, Nantes, France (catalogue)
Records Played Backwards, The Modern Institute, Glasgow
Zuordnungsprobleme, Galerie Johann König, Berlin
A New High in Getting Lown (nyc), John Connelly Presents, New York
Nina in Position, Artists Space, New York
Sculpture and the Concepts of Spatial Illusion 1967–2007, Western Michigan University, Kalamazoo, MI

2007

Hard Hat at Dispatch, Dispatch, New York
Tbilisi 4: Everyday is Saturday, Tbilisi, Georgia
00s – The History of a Decade That Has Not Yet Been Named, Lyon Biennial 2007, Museum of Contemporary Art, Lyon (catalogue)
Neo-Integrity, Derek Eller Gallery, New York (catalogue)
Introvert, Extrovert, Makes no Difference, Galerie Catherine Issert, Saint-Paul-de-Venice, France
What is Painting?, The Museum of Modern Art, New York
Overtake: The Reinterpretation of Modern Art, University College Cork, Lewis Glucksman Gallery, Ireland
The Lath Picture Show, Friedrich Petzel Gallery, New York
Someone else with my fingerprints, Galerie Chantal Crousel, Paris
Genesis I’m sorry, Greene Naftali Gallery, New York
Degree Zero, Richard Telles Fine Art, Los Angeles
Stuff: International Contemporary Art from the Collection of Burt Aaron, Museum of Contemporary Art, Detroit
DUMP: Postmodern Sculpture in the Dissolved Field, Nasjonalgalleriet, Oslo (catalogue)
Seth Price / Kelley Walker / Continuous Project, Modern Art Oxford, United Kingdom
Appropriation, Authority and Authenticity, Museo de Arte de Puerto Rico, San Juan
Very Abstract and Hyper Figurative, Thomas Dane Gallery, London (catalogue)
À Moitié Carré À Moitié Fou / Half Square Half Crazy, Centre National d’Art Contemporain de la Villa Arson Nice, France (catalogue)
For the People of Paris, Sutton Lane, Paris (catalogue)

2006

Sudden Impact: New Acquisitions from the Frac Ile-de-France, Frac-Ile-de-France, Paris (catalogue)
Wieder und Wider: Performance Appropriated, MUMOK, Vienna
Tbilisi 3. Let’s Stay Alive Till Monday, Children’s National Gallery, Georgia
Breathing Time, Tulane University, Newcomb Art Gallery, New Orleans (catalogue)
Pose and Sculpture, Casey Kaplan, New York (catalogue)
Imagination Becomes Reality Part IV: Borrowed Images, Sammlung Goetz, Munich (catalogue)
Uncertain States of America: American Art in the 3rd Millennium, Kunsthalle Zürich. Traveled to Serpentine Gallery, London and Le Musée du Serignan, France.
Ordnung + Verführung, Museum Haus Konstruktiv, Zürich
Delete/How to Make a Perfect Ghost, Anton Kern Gallery, New York (catalogue)
Matthew Brannon, Wade Guyton, Patrick Hill, United Artists, Ltd., Marfa, TX

2005

Pale Ramone, Analix Forever, Geneva
Principles of Construction, Kunsthalle Andratx, Mallorca
Grey Flags, Friedrich Petzel Gallery, New York
unburied/reburie, Kunstbunker, Nuremberg
New York Twice 2, Air de Paris (catalogue)
Tête à Tête, Greenberg van Doren Gallery, New York
New York Twice 1, Air de Paris
Die Gute Forme, Galerie Mehdi Chouakri, Berlin
Meet me at the Corner, Fortescue Avenue / Jonathan Viner, London
dead/undead, Galerie Six Friedrich Lisa Ungar, Munich
Greater New York, MoMA PS1, New York (catalogue)

2004

Last one on is a soft Jimmy, Paula Cooper Gallery, New York
The Age of Optimism, Galerie Peter Kilchmann, Zürich
Formalismus: Moderne Kunst, heute, Kunstverein in Hamburg
Circa Circe, Forde espace d’art contemporain, Geneva
Real World: The Dissolving Space of Experience, Modern Art Oxford, United Kingdom (catalogue)
Tuesday is Gone, Karvasla, Tbilisi, Georgia
2004 Summer program, apexart, New York (catalogue)
Notes on Renewed Appropriationisms, The Project, Los Angeles
Whitney Biennial, Whitney Museum of American Art, New York (catalogue)
Unplugged Architecture, Frederieke Taylor Gallery, New York

2003

Le Rayon Noir, Circuit, Lausanne, Switzerland
All that was not then, Year, New York
Junge Szene, (Kontext, Form, Troja), Secession, Vienna (catalogue)
88.7 89.3 103.9, Free 103.9, New York
In the Public Domain, Greene Naftali Gallery, New York
Emerging Artist Fellowship Exhibition, Socrates Sculpture Park, New York
Corporate Profits vs. Labor Costs, D’Amelio Terras, New York
High Desert Test Sites #2, Joshua Tree, CA (catalogue)
Snowblind, John Connelly Presents, New York
Welcome Home, Gavin Brown’s Enterprise, New York

2002

Building Structures, MoMA PS1, Long Island City
Brewster Project, Brewster, New York
Retrofit, Lombard-Freid Gallery, New York
Lucky DeBellevue, Wade Guyton, Richard Hawkins, Jeff Ono, PHIL, Los Angeles
Second Sight: Hunter College MFA Alumni Exhibition 1991 – 2001, Hunter College Times Square Gallery, New York (catalogue)

2001

The Fifth International, New York
After the Diagram, Whitebox, New York
Rocks and Trees, Photographic Resource Center at Boston University
The Love of Look, Kerstin Engholm Galerie, Vienna
David Brody, Mark Grotjahn, Wade Guyton, Siobahn Liddell, Gorney Bravin + Lee, New York

2000

Kosmobiologie, Bellwether, New York
New York Projects, Delfina, London
21st Century Group Show… or it's only just begun, Gavin Brown’s enterprise, New York

1999

A Radiant Future, Forde, Geneva
Against the New Passeism. Understanding that this is only the beginning, hope for the end. Build, Destroy, Do nothing. Andrew Kreps Gallery, New York
Answer Yes, No, or Don’t Know – Quadrants, Andrew Kreps Gallery, New York

1998

Sacrifizzio dell’ intelletto 5.0, 289 Hudson, New York

1997

Supastore de luxe (No. 2), Up & Co, New York
Cambio, Kenny Schachter Rove, New York